The Scales: Uncollected Anthology, #17
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It was a town of a hundred and eleven souls out in the middle of nowhere, Wyoming. After Jeremy Quick disappeared, a hundred and ten.
Private investigator Linda Crow has been called in by Jeremy Quick's employer, an oil conglomerate, to find out what happened to a man who was good with his hands, good at fixing and cajoling the isolated oil pumps, good at keeping the peace between farmers and the rest of the locals.
Only the oil pumps know what happened.
But Linda has a talent for interpreting their machine dreams.
What happens when the town finds out that their secrets were seen by the machines they can't live without?
DeAnna Knippling
DeAnna Knippling is a freelance writer, editor, and book designer living in Colorado. She started out as a farm girl in the middle of South Dakota, went to school in Vermillion, SD, then gravitated through Iowa to Colorado, where she lives with her husband and daughter. She now writes science fiction, fantasy, horror, crime, and mystery for adults under her own name; adventurous and weird fiction for middle-grade (8-12 year old) kids under the pseudonym De Kenyon; and various thriller and suspense fiction for her ghostwriting clients under various and non-disclosable names. Her latest book, Alice’s Adventures in Underland: The Queen of Stilled Hearts, combines two of her favorite topics–zombies and Lewis Carroll. Her short fiction has appeared in Black Static, Penumbra, Crossed Genres, Three-Lobed Burning Eye, and more. Her website and blog are at www.WonderlandPress.com. You can also find her on Facebook and Twitter.
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The Scales - DeAnna Knippling
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The Scales
Copyright © 2018 by DeAnna Knippling
Cover image copyright © adrenalina | depositphotos
Cover design copyright © 2018 by DeAnna Knippling
Interior design copyright © 2018 by DeAnna Knippling
Published by Wonderland Press
All rights reserved. This books, or parts thereof, may not be reproduced in any form without permission from the author. Discover more by this author at www.Wonderlandpress.com.
The Scales
It was a town a hundred and eleven souls large out in the middle of nowhere, Wyoming. After Jeremy Quick was killed, a hundred and ten. We’ll call the town Dry Creek, although it wasn’t called that. I like to give folks a second chance every once in a while.
What happened? Jeremy Quick didn’t have a wife or a family. He had a job with an oil company, repairing the lonely pumps that labored away at geologically desirable points throughout that ancient and somewhat abandoned land. If Dry Creek was the middle of nowhere, then those pumps were out on the fringes of nowhere, nothing but washed-out dirt tracks running through the middle of big pastures to connect them to the rest of the world. Those pumps were along the border of something and nothing. They pulled concentrated history out of the earth, a history that was burning us up as much as we burned it.
The town was big enough for a post office, a school, a gun and machine shop, an RV park even though it wasn’t all that close to Yellowstone, a bar and café (same building), and a church. Some of the streets had houses. Some of them didn’t. What a town plans doesn’t always come to fruition. A railroad passed through with the bar on one side and most of the town on the other. And, like I said, there was a dry creek, which joined up to the Bighorn River if you went a little past the town. Sometimes in the spring it all came to a flood, big chunks of ice ripped out of the winter, roaring downstream on ice-cold water colored like clay. The dirty floods would smash bridges and desecrate basements, even the first floors of any buildings too close to the confluence between the creek and the river. But it was water, and the town had learned not to sneer at it, regardless of the cost.
And that’s about as much as you need to know about the town. That was as much as the people who lived there knew, anyhow. Is it possible to know less about your own town than other people know about it? Is it possible to live in that much ignorance of yourself?
I believe that you can, and that many do.
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