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The Impostures of Scapin: Les Fourberies de Scapin
The Impostures of Scapin: Les Fourberies de Scapin
The Impostures of Scapin: Les Fourberies de Scapin
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The Impostures of Scapin: Les Fourberies de Scapin

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Jean-Baptiste Poquelin is better known to us by his stage name of Molière. He was born in Paris, to a prosperous well-to-do family on 15th January 1622.

In 1631, his father purchased from the court of Louis XIII the posts of "valet of the King's chamber and keeper of carpets and upholstery" which Molière assumed in 1641. The benefits included only three months' work per annum for which he was paid 300 livres and also provided a number of lucrative contracts.

However in June 1643, at 21, Molière abandoned this for his first love; a career on the stage. He partnered with the actress Madeleine Béjart, to found the Illustre Théâtre at a cost of 630 livres.

Unfortunately despite their enthusiasm, effort and ambition the troupe went bankrupt in 1645.

Molière and Madeleine now began again and spent the next dozen years touring the provincial circuit. His journey back to the sacred land of Parisian theatres was slow but by 1658 he performed in front of the King at the Louvre.

From this point Molière both wrote and acted in a large number of productions that caused both outrage and applause. His many attacks on social conventions, the church, hypocrisy and other areas whilst also writing a large number of comedies, farces, tragicomedies, comédie-ballets are the stuff of legend.

‘Tartuffe’, ‘The Misanthrope’, ‘The Miser’ and ‘The School for Wives’ are but some of his classics.

His death was as dramatic as his life. Molière suffered from pulmonary tuberculosis. One evening he collapsed on stage in a fit of coughing and haemorrhaging while performing in the last play he'd written, in which, ironically, he was playing the hypochondriac Argan, in ‘The Imaginary Invalid’.

Molière insisted on completing his performance.

Afterwards he collapsed again with another, larger haemorrhage and was taken home. Priests were sent for to administer the last rites. Two priests refused to visit. A third arrived too late. On 17th February 1673, Jean-Baptiste Poquelin, forever to be known as Molière, was pronounced dead in Paris. He was 51.

LanguageEnglish
PublisherStage Door
Release dateJul 21, 2018
ISBN9781787800908
The Impostures of Scapin: Les Fourberies de Scapin
Author

Molière

Molière was a French playwright, actor, and poet. Widely regarded as one of the greatest writers in the French language and universal literature, his extant works include comedies, farces, tragicomedies, comédie-ballets, and more.

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    The Impostures of Scapin - Molière

    The Impostures of Scapin by Molière

    LES FOURBERIES DE SCAPIN

    Jean-Baptiste Poquelin is better known to us by his stage name of Molière. He was born in Paris, to a prosperous well-to-do family on 15th January 1622.

    In 1631, his father purchased from the court of Louis XIII the posts of valet of the King's chamber and keeper of carpets and upholstery which Molière assumed in 1641. The benefits included only three months' work per annum for which he was paid 300 livres and also provided a number of lucrative contracts.

    However in June 1643, at 21, Molière abandoned this for his first love; a career on the stage.  He partnered with the actress Madeleine Béjart, to found the Illustre Théâtre at a cost of 630 livres.

    Unfortunately despite their enthusiasm, effort and ambition the troupe went bankrupt in 1645.

    Molière and Madeleine now began again and spent the next dozen years touring the provincial circuit.  His journey back to the sacred land of Parisian theatres was slow but by 1658 he performed in front of the King at the Louvre.

    From this point Molière both wrote and acted in a large number of productions that caused both outrage and applause.  His many attacks on social conventions, the church, hypocrisy and other areas whilst also writing a large number of comedies, farces, tragicomedies, comédie-ballets are the stuff of legend.

    ‘Tartuffe’, ‘The Misanthrope’, ‘The Miser’ and ‘The School for Wives’ are but some of his classics.

    His death was as dramatic as his life.  Molière suffered from pulmonary tuberculosis. One evening he collapsed on stage in a fit of coughing and haemorrhaging while performing in the last play he'd written, in which, ironically, he was playing the hypochondriac Argan, in ‘The Imaginary Invalid’.

    Molière insisted on completing his performance.

    Afterwards he collapsed again with another, larger haemorrhage and was taken home. Priests were sent for to administer the last rites. Two priests refused to visit. A third arrived too late.  On 17th February 1673, Jean-Baptiste Poquelin, forever to be known as Molière, was pronounced dead in Paris. He was 51.

    Index of Contents

    DRAMATIS PERSONAE

    SCENE: NAPLES.

    THE IMPOSTURES OF SCAPIN (LES FOURBERIES DE SCAPIN)

    ACT I

    SCENE I

    SCENE II

    SCENE III

    SCENE IV

    SCENE V

    SCENE VI

    SCENE VII

    ACT II

    SCENE I

    SCENE II

    SCENE III

    SCENE IV

    SCENE V

    SCENE VI

    SCENE VII

    SCENE VIII

    SCENE IX

    SCENE X

    SCENE XI

    SCENE XII

    ACT III

    SCENE I

    SCENE II

    SCENE III

    SCENE IV

    SCENE V

    SCENE VI

    SCENE VII

    SCENE VIII

    SCENE IX

    SCENE X

    SCENE XI

    SCENE XII

    SCENE XIII

    SCENE XIV

    MOLIÈRE – A SHORT BIOGRAPHY

    MOLIÈRE – A CONCISE BIBLIOGRAPHY

    DRAMATIS PERSONAE

    ARGANTE, father to OCTAVE and ZERBINETTE.

    GÉRONTE, father to LÉANDRE and HYACINTHA.

    OCTAVE, son to ARGANTE, and lover to HYACINTHA.

    LÉANDRE, son to GÉRONTE, and lover to ZERBINETTE.

    ZERBINETTE, daughter to ARGANTE, believed to be a gypsy girl.

    HYACINTHA, daughter to GÉRONTE.

    SCAPIN, servant to LÉANDRE.

    SILVESTRE, servant to OCTAVE.

    NÉRINE, nurse to HYACINTHA.

    CARLE.

    TWO PORTERS.

    SCENE: NAPLES.

    THE IMPOSTURES OF SCAPIN (LES FOURBERIES DE SCAPIN)

    ACT I

    SCENE I

    OCTAVE, SILVESTRE.

    OCTAVE

    Ah! what sad news for one in love! What a hard fate to be reduced to! So, Silvestre, you have just heard at the harbour that my father is coming back?

    SILVESTRE

    Yes.

    OCTAVE

    That he returns this very morning?

    SILVESTRE

    This very morning.

    OCTAVE

    With the intention of marrying me?

    SILVESTRE

    Of marrying you.

    OCTAVE

    To a daughter of Mr. Géronte?

    SILVESTRE

    Of Mr. Géronte.

    OCTAVE

    And that this daughter is on her way from Tarentum for that purpose?

    SILVESTRE

    For that purpose.

    OCTAVE

    And you have this news from my uncle?

    SILVESTRE

    From your uncle.

    OCTAVE

    To whom my father has given all these particulars in a letter?

    SILVESTRE

    In a letter.

    OCTAVE

    And this uncle, you say, knows all about our doings?

    SILVESTRE

    All our doings.

    OCTAVE

    Oh! speak, I pray you; don't go on in such a way as that, and force me to wrench everything from you, word by word.

    SILVESTRE

    But what is the use of my speaking? You don't forget one single detail, but state everything exactly as it is.

    OCTAVE

    At least advise me, and tell me what I ought to do in this wretched business.

    SILVESTRE

    I really feel as much perplexed as you, and I myself need the advice of some one to guide me.

    OCTAVE

    I am undone by this unforeseen return.

    SILVESTRE

    And I no less.

    OCTAVE

    When my father hears what has taken place, a storm of reprimands will burst upon me.

    SILVESTRE

    Reprimands are not very heavy to bear; would to heaven I were free at that price! But I am very likely to pay dearly for all your wild doings, and I see a storm of blows ready to burst upon my shoulders.

    OCTAVE

    Heavens! how am I to get clear of all the difficulties that beset my path!

    SILVESTRE

    You should have thought of that before entering upon it.

    OCTAVE

    Oh, don't come and plague me to death with your unreasonable lectures.

    SILVESTRE

    You plague me much more by your foolish deeds.

    OCTAVE

    What am I to do? What steps must I take? To what course of action have recourse?

    SCENE II

    OCTAVE, SCAPIN, SILVESTRE.

    SCAPIN

    How now, Mr. Octave? What is the matter with you? What is it? What trouble are

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