Henry VIII

By William Shakespeare

"Henry VIII" is a historical play by William Shakespeare that explores the tumultuous reign of King Henry VIII. Focused on political machinations, court intrigues, and the infamous divorce from Catherine of Aragon, the play delves into the complexities of power, loyalty, and the consequences of royal decisions. With vivid characters and dramatic events, it provides a captivating glimpse into the turbulent Tudor era, combining history and theatrical flair.

• Language: English
• Publisher: Interactive Media
• Release date: Sep 15, 2015
• ISBN: 9781910833735

William Shakespeare

William Shakespeare is widely regarded as the greatest playwright the world has seen. He produced an astonishing amount of work; 37 plays, 154 sonnets, and 5 poems. He died on 23rd April 1616, aged 52, and was buried in the Holy Trinity Church, Stratford.

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William Shakespeare

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William Shakespeare

Henry VIII

Published by Sovereign

This edition first published in 2015

Copyright © 2015 Sovereign

All Rights Reserved

ISBN: 9781910833735

Contents

DRAMATIS PERSONAE

ACT I

PROLOGUE

ACT II

ACT III

ACT IV

ACT V

EPILOGUE

DRAMATIS PERSONAE

KING HENRY THE EIGHTH

CARDINAL WOLSEY CARDINAL CAMPEIUS

CAPUCIUS, Ambassador from the Emperor Charles V

CRANMER, ARCHBISHOP OF CANTERBURY

DUKE OF NORFOLK DUKE OF BUCKINGHAM

DUKE OF SUFFOLK EARL OF SURREY

LORD CHAMBERLAIN LORD CHANCELLOR

GARDINER, BISHOP OF WINCHESTER

BISHOP OF LINCOLN LORD ABERGAVENNY

LORD SANDYS SIR HENRY GUILDFORD

SIR THOMAS LOVELL SIR ANTHONY DENNY

SIR NICHOLAS VAUX SECRETARIES to Wolsey

CROMWELL, servant to Wolsey

GRIFFITH, gentleman-usher to Queen Katharine

THREE GENTLEMEN

DOCTOR BUTTS, physician to the King

GARTER KING-AT-ARMS

SURVEYOR to the Duke of Buckingham

BRANDON, and a SERGEANT-AT-ARMS

DOORKEEPER Of the Council chamber

PORTER, and his MAN PAGE to Gardiner

A CRIER

QUEEN KATHARINE, wife to King Henry, afterwards divorced

ANNE BULLEN, her Maid of Honour, afterwards Queen

AN OLD LADY, friend to Anne Bullen

PATIENCE, woman to Queen Katharine

Lord Mayor, Aldermen, Lords and Ladies in the Dumb

Shows; Women attending upon the Queen; Scribes,

Officers, Guards, and other Attendants; Spirits

SCENE: London; Westminster; Kimbolton

ACT I

PROLOGUE

I come no more to make you laugh: things now,

That bear a weighty and a serious brow,

Sad, high, and working, full of state and woe,

Such noble scenes as draw the eye to flow,

We now present. Those that can pity, here

May, if they think it well, let fall a tear;

The subject will deserve it. Such as give

Their money out of hope they may believe,

May here find truth too. Those that come to see

Only a show or two, and so agree

The play may pass, if they be still and willing,

I’ll undertake may see away their shilling

Richly in two short hours. Only they

That come to hear a merry bawdy play,

A noise of targets, or to see a fellow

In a long motley coat guarded with yellow,

Will be deceived; for, gentle hearers, know,

To rank our chosen truth with such a show

As fool and fight is, beside forfeiting

Our own brains, and the opinion that we bring,

To make that only true we now intend,

Will leave us never an understanding friend.

Therefore, for goodness’ sake, and as you are known

The first and happiest hearers of the town,

Be sad, as we would make ye: think ye see

The very persons of our noble story

As they were living; think you see them great,

And follow’d with the general throng and sweat

Of thousand friends; then in a moment, see

How soon this mightiness meets misery:

And, if you can be merry then, I’ll say

A man may weep upon his wedding-day.

SCENE I. LONDON. AN ANTE-CHAMBER IN THE PALACE.

Enter NORFOLK at one door; at the other, BUCKINGHAM and ABERGAVENNY

BUCKINGHAM

Good morrow, and well met. How have ye done

Since last we saw in France?

NORFOLK

I thank your grace,

Healthful; and ever since a fresh admirer

Of what I saw there.

BUCKINGHAM

An untimely ague

Stay’d me a prisoner in my chamber when

Those suns of glory, those two lights of men,

Met in the vale of Andren.

NORFOLK

‘Twixt Guynes and Arde:

I was then present, saw them salute on horseback;

Beheld them, when they lighted, how they clung

In their embracement, as they grew together;

Which had they, what four throned ones could have weigh’d

Such a compounded one?

BUCKINGHAM

All the whole time

I was my chamber’s prisoner.

NORFOLK

Then you lost

The view of earthly glory: men might say,

Till this time pomp was single, but now married

To one above itself. Each following day

Became the next day’s master, till the last

Made former wonders its. To-day the French,

All clinquant, all in gold, like heathen gods,

Shone down the English; and, to-morrow, they

Made Britain India: every man that stood

Show’d like a mine. Their dwarfish pages were

As cherubins, all guilt: the madams too,

Not used to toil, did almost sweat to bear

The pride upon them, that their very labour

Was to them as a painting: now this masque

Was cried incomparable; and the ensuing night

Made it a fool and beggar. The two kings,

Equal in lustre, were now best, now worst,

As presence did present them; him in eye,

Still him in praise: and, being present both

‘Twas said they saw but one; and no discerner

Durst wag his tongue in censure. When these suns--

For so they phrase ‘em--by their heralds challenged

The noble spirits to arms, they did perform

Beyond thought’s compass; that former fabulous story,

Being now seen possible enough, got credit,

That Bevis was believed.

BUCKINGHAM

O, you go far.

NORFOLK

As I belong to worship and affect

In honour honesty, the tract of every thing

Would by a good discourser lose some life,

Which action’s self was tongue to. All was royal;

To the disposing of it nought rebell’d.

Order gave each thing view; the office did

Distinctly his full function.

BUCKINGHAM

Who did guide,

I mean, who set the body and the limbs

Of this great sport together, as you guess?

NORFOLK

One, certes, that promises no element

In such a business.

BUCKINGHAM

I pray you, who, my lord?

NORFOLK

All this was order’d by the good discretion

Of the right reverend Cardinal of York.

BUCKINGHAM

The devil speed him! no man’s pie is freed

From his ambitious finger. What had he

To do in these fierce vanities? I wonder

That such a keech can with his very bulk

Take up the rays o’ the beneficial sun

And keep it from the earth.

NORFOLK

Surely, sir,

There’s in him stuff that puts him to these ends;

For, being not propp’d by ancestry, whose grace

Chalks successors their way, nor call’d upon

For high feats done to the crown; neither allied

For eminent assistants; but, spider-like,

Out of his self-drawing web, he gives us note,

The force of his own merit makes his way

A gift that heaven gives for him, which buys

A place next to the king.

ABERGAVENNY

I cannot tell

What heaven hath given him,--let some graver eye

Pierce into that; but I can see his pride

Peep through each part of him: whence has he that,

If not from hell? the devil is a niggard,

Or has given all before, and he begins

A new hell in himself.

BUCKINGHAM

Why the devil,

Upon this French going out, took he upon him,

Without the privity o’ the king, to appoint

Who should attend on him? He makes up the file

Of all the gentry; for the most part such

To whom as great a charge as little honour

He meant to lay upon: and his own letter,

The honourable board of council out,

Must fetch him in the papers.

ABERGAVENNY

I do know

Kinsmen of mine, three at the least, that have

By this so sickened their estates, that never

They shall abound as formerly.

BUCKINGHAM

O, many

Have broke their backs with laying manors on ‘em

For this great journey. What did this vanity

But minister communication of

A most poor issue?

NORFOLK

Grievingly I think,

The peace between the French and us not values

The cost that did conclude it.

BUCKINGHAM

Every man,

After the hideous storm that follow’d, was

A thing inspired; and, not consulting, broke

Into a general prophecy; That this tempest,

Dashing the garment of this peace, aboded

The sudden breach on’t.

NORFOLK

Which is budded out;

For France hath flaw’d

Reviews for Henry VIII

[bookworm12_1 · Rating: 3 out of 5 stars]

Henry VIII is the final play in the histories series. Although it’s frequently challenged as being written solely by Shakespeare, I'm accepting it as part of the canon. The histories begin, chronologically, with Richard II and take us all the way through the Wars of the Roses. The plot covers the execution of Buckingham, the rise and fall of Cardinal Wolsey, the divorce of Henry VIII and Queen Katherine, his marriage to Anne Boleyn, the birth of Elizabeth, and more. The play itself is rarely produces and not well known, but pieces of it will be familiar to anyone who has read Wolf Hall or The Other Boleyn Girl. There's a lot crammed into this one, but a few of the characters truly shine. Your heart breaks for the neglected Katherine. She’s tossed aside by her husband of 20 years when someone younger catches his eye. She has some fantastic moments when she challenges Cardinal Wolsey.“Y’ are meek and humble-mouth’d,You sign your place and calling, in full seeming, with meekness and humility;but your heart is cramm’d with arrogance, spleen, and pride.”Buckingham is also a sympathetic character with some great speeches. Overall the play doesn't flow as well as many of his others. It's too scattered, too many moving pieces, but it's still got some beautiful language. “Yet I am richer than my base accusers,That never knew what truth meant.”“Heat not a furnace for your foe so hotThat it do singe yourself.”“Love thyself last: cherish those hearts that hate thee;Corruption wins not more than honesty.Still in thy right hand carry gentle peace,To silence envious tongues. Be just, and fear not:Let all the ends thou aim'st at be thy country's,Thy God's, and truth's.”

[therebelprince · Rating: 5 out of 5 stars]

The epitome of what an Arden edition should be. What a shame this came out so early, leaving so much for other editors to live up to!

The dense (200 page) introduction covers everything you expect - production history, composition history, placing the play within a social, cultural, political context, and textual analysis - and includes the expected amount of academic frou-frou (but we forgive those in an Arden, surely). But what really makes it sing is the editor's wonderfully knowing sense of narrative voice. He has his own passionate beliefs, but is happy to situate those within the 400-year history of bardolatry and Shakespearean criticism, thus giving the amateur reader a great overall understanding of the issues editors and academics face in working with these texts. It's the kind of edition that breathes new life into a play that is often ignored.

[dinadansfriend · Rating: 2 out of 5 stars]

Well here we are in the ugly competition. "Worst plays by William Shakespeare". Wisely the first line is "I come no more to make you laugh:... And you won't. It seems to me, that a sort of historical pageant was required, perhaps to get some people to put their money down at the box-office, and this was cobbled up. It is a chore to read, and only the queen Catherine of Argon scenes have much fire. We have records that the theatre caught fire during one of the performances and the audience must have left the theatre early with some relief. The theatre burned down , this was WS's last history play, and he soon retired. the play was written or revised, in1613.

[alcracka · Rating: 2 out of 5 stars]

Read this as a companion piece after I finished Wolf Hall. I didn't even know he wrote a play about Henry VIII, and now I know why: it pretty much sucks. And a total whitewash, which makes sense in retrospect. Where's the fucking beheadings, Will?

[amerynth · Rating: 2 out of 5 stars]

Shakespeare's "Henry VIII" is best remembered as the play that was on stage when the Globe Theater burned down. There's a reason that's what it's known for.... the play itself really doesn't hold up well to the bard's more famous works.Rife with historical inaccuracies, most of the action takes place off stage, so you just hear characters talking about it. (Yeah, I didn't like it when Hilary Mantel did this either.) It was the Elizabethan age, so of course Shakespeare makes the birth of Queen Elizabeth something like the second coming and is mostly laudatory about her mother Anne Boleyn. There really isn't much that's great about this one.

[coach_of_alva · Rating: 3 out of 5 stars]

34 William Shakespeare, John Fletcher Henry VIIIFORMATOTHERSGENRERATINGE-BOOKLewis Theobald, editorLiterature***I read this late collaboration because I knew it had great speeches and because I wanted to see how the Bard and his fellows would have treated England's Stalin. I liked the great speeches, i.e., Katherine of Aragon's defense of herself and Wolsey's farewell to his greatness, and would like to think that Shakespeare wrote them. But I had to shake my head sadly at how the playwrights had to treat the Anne Boleyn story with kid gloves and eulogize the baby Elizabeth.

[mstrust · Rating: 4 out of 5 stars]

Henry has decided to divorce his first wife, Katherine, after twenty years of marriage, in order to marry Anne Bullen. At his side is the manipulative Cardinal Wolsey, common born yet with the King wrapped around his finger. Though Katherine pleads with her husband, Wolsey is instrumental in her downfall, and in the execution of the Duke of Buckingham, accused of treasonous gossip. The whole court holds its breath waiting for the day the King will realize he's been Wolsey's puppet.Clearly written to be performed for Elizabeth I, Shakespeare is currying favor. Henry VIII is a man who was manipulated into treating Katherine badly, and who rejoiced that Anne had given birth to a daughter (ha!). Anne is a sweet maiden who worries about Katherine, and the play ends with a gushing speech about Elizabeth herself. This probably won't make anyone's list of the best of Shakespeare, but it is interesting and there are some good scenes, such as Katherine ripping into Wolsey.

[tobinelliott · Rating: 3 out of 5 stars]

I feel like there's diminishing returns in these last few "Shakespeare and friends" works. This one was an awful lot of politics (the boring kind), a whole lotta telling, and almost everything important happening off-stage.

That said, the scene where Cardinal Wosley's scheming is revealed and he realizes he's lost the favour of King Henry, and ultimately sends Cromwell away? Brilliantly done.

Overall, however, not my favourite. Nope, not by a long shot.

[et.carole · Rating: 3 out of 5 stars]

Not bad. Not excellent. Happy birthday to it this year.