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The Tragedy of Macbeth
The Tragedy of Macbeth
The Tragedy of Macbeth
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The Tragedy of Macbeth

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Macbeth, a successful solider, is visited by Three Witches who claim he will soon become king, but his ascension may be thwarted by other parties. Macbeth is driven by ambition and takes drastic steps to secure his place on the throne.

After a successful military career in the Scottish army, Macbeth receives life-changing news. Three Witches deliver a prophesy stating that he will be the country’s future king. He shares this information with his wife, Lady Macbeth, who is intrigued by his fate. The duo is concerned about potential threats to his position including the king’s son Malcolm and the army captain, Banquo. Macbeth becomes obsessed with the prophesy, committing acts of violence towards the current King Duncan, his heir and the captain. As Macbeth’s desire for power grows, so does the bloodshed across the kingdom.

Macbeth is a haunting prophecy that hinges on the moral decisions of its protagonist. This captivating story highlights the many flaws of man including ego, greed and fear. It’s a brilliant character-driven piece that’s one of Shakespeare’s most adapted and performed plays.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Macbeth is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

LanguageEnglish
PublisherMint Editions
Release dateFeb 23, 2021
ISBN9781513276762
Author

William Shakespeare

William Shakespeare (1564–1616) is arguably the most famous playwright to ever live. Born in England, he attended grammar school but did not study at a university. In the 1590s, Shakespeare worked as partner and performer at the London-based acting company, the King’s Men. His earliest plays were Henry VI and Richard III, both based on the historical figures. During his career, Shakespeare produced nearly 40 plays that reached multiple countries and cultures. Some of his most notable titles include Hamlet, Romeo and Juliet and Julius Caesar. His acclaimed catalog earned him the title of the world’s greatest dramatist.

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Rating: 4.022119410150892 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    Well, I zipped through this one, having read it in college and recently watched Kurosawa's "Throne of Blood". I like it. I have to teach it this week, which seems a little daunting at this point, because it's a dense little play. There is a lot of symbolism, a lot of characters running around. I found myself referring to the notes more than I have with other plays by Shakespeare.

    And it's bloody, mystical and twisted. This is probably the darkest Shakespearean tragedy that I am familiar with. Not much comic relief. And although Macbeth and Lady Macbeth receive their just desserts, there is no sense that the primitively violent culture changed as a result of their downfall.

    Edited to add: Saw Christopher Hitchens speak on Sunday night and he said that if Robert Ludlum had written this it would be called "The Dunsinane Deforestation". LOLZ.

    Still brilliant. There is a lot to discuss regarding fate vs. free will. Could have Macbeth have avoided the prophecy given to him by disregarding his wife and quelling his own ambition? Does the act of hearing a prophecy seal one's fate?
  • Rating: 5 out of 5 stars
    5/5
    Well, seldom has an author taken a few lines out of Hollingshead, and a bare mention in The Anglo Saxon Chronicle and spun a classic play from them. This play is one of the core Shakespeare Great Plays. Read it, then read it again, see it on stage, on film, read it aloud with a group of friends, just live with it for the rest of your life. You'll feel better for doing so.
  • Rating: 3 out of 5 stars
    3/5
    So...MacBeth.

    Weird that I knew so very little about this particular play, considering it's one of those ones that comes up a lot.

    And while it's suitably tragic, this one—and perhaps it was the players in this rendition, I don't know—this one didn't grab me. Lady MacBeth deserved to die, she was a foul, foul woman. But for me, I think it was the fact that this MacBeth guy, a major war hero, is so easily and stupidly thrown into this tragic self-fulfilling prophecy, and how he's easily and stupidly led into murder by his foul wife, and then he's stupid at the end.

    Very tragic, and yet again, I'm struck by how many phrases are still heard today by a four hundred year old play ("Lay on MacDuff" and the whole "boil and bubble, toil and trouble" witches' chant stand out). But overall, not one of my favourites.
  • Rating: 4 out of 5 stars
    4/5
    Classic that has influenced so many stories. Definite must read.
  • Rating: 3 out of 5 stars
    3/5
    This was the first one I read. I was astounded by the beauty of his language.
  • Rating: 5 out of 5 stars
    5/5
    The moral to the story. "Lie with Dogs and you will wake up with fleas"
  • Rating: 5 out of 5 stars
    5/5
    RSC production at the Barbican theatre, with Christopher Ecclestone as Macbeth. Possibly the best staging of the play I've seen with a superb central performance, bringing layers to the role that I hadn't noticed before.
  • Rating: 3 out of 5 stars
    3/5
    LATW audio production of the Scottish play. All of the cast are adequate but none of actors really stand out (sadly not even James Marsters) - although my opinion may have been coloured by almost the entire cast using American accents. The sound effects used for scenes with the witches are excellent and add just the right tone of weirdness that these scenes require. Not a bad version of the play but not one I'd recommend as a way to experience the narrative for the first time.
  • Rating: 5 out of 5 stars
    5/5
    This full cast production of Macbeth was excellent. Joanne Whalley was particularly good as Lady Macbeth.
  • Rating: 4 out of 5 stars
    4/5
    I have no spur
    To prick the sides of my intent, but only
    Vaulting ambition, which o'erleaps itself
    And falls on the other.


    Last winter I heard a report on NPR about Stalin's dacha in Sochi. Such featured some curious design features including a bulletproof sofa with extended headrests that prevented his head being exposed from behind to an assassin. The curtains were also shorter in length from the top to prevent someone from hiding from behind them. As I drove I mused as to what sort of world-view would emerge from someone's sense of self and safety?

    The Bard's tale chooses not to address the policy of Macbeth but rather allows him only time to address his version of destiny in such a spirited supernatural environment. Macbeth is a rushed affair. It lacks the splendid pacing of Hamlet. Apparently Fortune favors the breathless as the narrative steps are sprinted and obstacles leaped like some wonky Wuxia. Despite all the gore, there isn't a great deal of introspection or even calculation. Such is strange but not so much as some things one finds on the Heath.(postscript: I just watched the Patrick Stewart led PBS film version: it was simply an avalanche.)
  • Rating: 5 out of 5 stars
    5/5
    I can't believe I hadn't read this sooner and hope to see a production of it one of these days. I must say I have a soft spot in my heart for the three weird sisters.
  • Rating: 5 out of 5 stars
    5/5
    I got in a massive reading slump as I was into the 3rd act of this wonderful and short tragedy, so it took me a bit more to finish the book. The last 2 acts are packed with action and emotions and the characters are iconic to say the least: Lady Macbeth, the epitome of the power-hungry, manipulative and seemingly emotionless woman, she's the victim of her own humanity, her husband Macbeth whose mortal enemies are his doubtfulness and his mania for control, proof that misunderstanding or underestimating something can be truly fatal. Macduff and his pain are masterfully crafted and we can appreciate his weakness when he's with Malcolm and doesn't hide his feelings of despair and his strength when he faces Macbeth, the cause of his grief. It wasn't the easiest or quickest read I have done, but most definitely worth it. The intro by Cedric Watts is a nice addition as well.
  • Rating: 5 out of 5 stars
    5/5
    This is one of my favorites! Macbeth's corruption, Lady Macbeth's savage ambition, the deliciously spooky menace of the witches... It's just such fun! And perfect late October reading (I could pretend that I fell behind in my “All Shakespeare in a Year” reading just so Macbeth would fall at the right time of year.)I've read this quite a few times before – my kids acted in an adapted version when they were small, in which “the Curse” was demonstrated when our Macbeth tripped and split his forehead on the edge of the cauldron, and my daughter was the cutest little witch ever – and, as with most great literature, the play just gets better with each reading. This time I supplemented my reading with Garry Wills's “Witches and Jesuits,” which, while perhaps a bit overstated in its claims, is interesting and pointed me to some aspects I'd previously missed, and also Marjorie Garber's wonderful chapter on the play in her “Shakespeare After All.” The Arkangel recording, with Hugh Ross and Harriet Walter (and David Tennant as the porter!) is marvelous, and, as a fun “extra” I watched the Shakespeare Retold version, in which Macbeth is a very ambitious head chef in a popular restaurant. Highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    Dark and supernatural, Macbeth is one of my favorite of Shakespeare's tragedies. One of the biggest questions I always ask is, "Would the weird sisters' prophecies come to pass even if Macbeth hadn't gone all murder crazy?"Macbeth is a great cautionary tale of the dangers of ambition, especially when it comes to power. Shakespeare explores what lengths men will go to for power, especially when they believe it is owed them.Adding this copy to my Little Free Library in hopes that someone in the neighborhood can learn something from it, especially as certain phrases remind me of the current political climate and I know the way my neighbors tend to vote.
  • Rating: 5 out of 5 stars
    5/5
    MACBETH ranks with A Midsummer Night's Dream as my favorite Shakespeare.It deals with how we all face Evil, the consequences within and without.The opening lines, here and in Roman Polanski's indelible film, often stay with readers foreveras do so many other memorable words, fears, and actions.The only reason for not ranking it a Five Star-Plus book is MacDuff.Like his wife, I still can figure out no logical reason for leaving his wife and children behindwhile he flees to England. And why did he not tell his cousin to hide or bring them when the cousin stopped to see them?Ideas welcome.
  • Rating: 5 out of 5 stars
    5/5
    Opening with the prophecies of the three witches always caught my imagination. I love how the story relates to that throughout the play, and also how Macbeth is intrigued that he may indeed become king. It adds a great, dramatic effect. Beginning to end this is a brilliantly written play.
  • Rating: 2 out of 5 stars
    2/5
    The classic story of ambition, murder, and mental decline. Macbeth is rewarded for his bravery in battle with an elevated position, but when a coven of witches promises him more, he soon becomes power mad. Driven by his murderous wife, he kills the king and usurps his throne. But his newfound royalty is doomed to be short-lived as his tormented conscience flays his mind.This production is painful to listen to. It goes from whisper quiet to eardrum-burstingly loud in a moments notice. Plus the scenes of battle are always accompanied by excruciating trumpets. Blegh.
  • Rating: 5 out of 5 stars
    5/5
    I read Lady Macbeth's part at school.

    That should tell you all that you need to know about me.
  • Rating: 3 out of 5 stars
    3/5
    Before reading the play my instinct was to say that the three witches symbolize the three fates. The number is the same and the three witches finish each other's sentences in the way that the fates are usually portrayed as doing. The fact that what the witches predict comes true, and comes true only because Macbeth acted on their prophecy (rather like how Trelawney's prophecy in Harry Potter came true only because Voldemort acted on it).

    The biggest difference between the witches and the fates is that (in spite of how popular culture portrays them) in their original mythology the fates do not try to cause harm. They simply do their job creating people's destiny, and occasionally recite a prophecy, without any malicious intent. The witches on the other hand are deliberately trying to lead Macbeth to corrupt his soul. The way that they hint to him that he has good things coming, just enough to make him act to gain those things, even at the expense of others. Even at the expense of his own soul. Because of this I think that the Weird Sisters represent demons, and Hecate, who reprimands them not for the harm that they have done, but for not letting her in on their fun; 'How did you dare/To trade and traffic with Macbeth/In riddles and affairs of death;/And I, the mistress of your charms,/The close contriver of all harms,/Was never call'd to bear my part,/ Or show the glory of our art?'

    It appears to me that the Weird Sisters may represent demons, with Hecate representing Satan. Another possibility could be that the witches represent the potential for evil in Macbeth, easily egged on by Lady Macbeth because it is already within his capacity to commit.

    The witches apply to the themes of violence and fate. In violence as they spur Macbeth onto violence in his second meeting with them, summoning visions of bleeding heads and murdered babies. And fate as they cause Macbeth, Lady Macbeth and Banquo to question whether the things they predicted would come to pass naturally, or if they will have to act to gain the prophecies.

    Without the Weird Sisters the play would not have happened, unless something else took their place. They are responsible for Macbeth and Lady Macbeth resorting to violence, and all the chaos that ensues. They could have been replaced by Macbeth making a conscious decision to kill King Duncan to gain power, but that wouldn't have been as compelling.

    Lady Macbeth pushed Macbeth to kill the king trusting on the words the witches enough to believe that Macbeth would become king, but not trusting enough to wait and see if he would become king without them taking action. Ultimately neither husband nor wife could live with the guilt.

    (This review was originally a discussion post I wrote for an online Shakespeare class.)
  • Rating: 3 out of 5 stars
    3/5
    Audiobook. Strangely compelling. Narrated by Alan Cummings. A good part of the charm was the great Scottish reading. I have now downloaded his one man show of Macbeth. This is a very interesting project. Would probably be a .5 because of how interesting the project.
  • Rating: 4 out of 5 stars
    4/5
    Re-reading "Macbeth" to refresh my memory before going to see it on stage. Not even trying to assume I can write a review on this classic. But one thing jumped out at me this time: how it took almost no time at all for Macbeth to decide on his murderous deeds after the prophecy of the three witches. It seemed incredible to me how little he hesitated to fulfil that prophecy at the horrible cost. Even though he did have some guilty conscience that tormented him just before and after the king's murder, being urged by Lady Macbeth was all it took...The images are dark throughout, the choice of words is insanely striking. A very good Introduction to the play by Mark Van Doren.
  • Rating: 3 out of 5 stars
    3/5
    Actually enjoyed this one, and I typically loathe reading Shakespeare. This and Hamlet are the only ones worth reading, in my opinion.
  • Rating: 4 out of 5 stars
    4/5
    I cannot believe this is the first full work of Shakespeare's that I've ever read. What have I been doing all my life? The frequent, clever turns of phrase were marvelous. I lucked out with a good book edition choice. This series gives Rashi-like commentary, enabling me to understand the narrative and word choices with clarity. Julius Caesar is next. Meantime, I've got to find a Macbeth performance in my area. Interest piqued.
  • Rating: 4 out of 5 stars
    4/5
    Seems like a lot of build up to just suddenly end like that. Damn those witches and their doubletalk. Pro tip: mention this play as often at theatres as possible.
  • Rating: 4 out of 5 stars
    4/5
    studied this play during 2nd level education. Certain lines still stick with me to this day. Amazing to think of its sheer impact, centuries into the future (and still going strong!).
  • Rating: 4 out of 5 stars
    4/5
    Re-read this classic in the Signature Shakespeare edition - beautiful presentation, and useful notes and explanations. Interesting to contrast the awful reputation of the Shakespearian Macbeth with the vastly different person that historians now document. I read a book on the real Macbeth a few years ago which claimed that he was the most unfairly maligned figure in history. But you read the play for Shakespeare, not historic accuracy, and this play is a ripper. Read March 2015
  • Rating: 3 out of 5 stars
    3/5
    The ending is the best. That and what always stuck with me was the image of the floating dagger.
  • Rating: 4 out of 5 stars
    4/5
    Truly among the best of the Bard's dramas. Full of great dramatic images -- the supernatural, passion for power and scenes of great intensity. It's easier to follow than King Lear because it moves forward in a straight line with no sub-plots. The ending, with images juxtaposed through the various almost overlapping scenes adds to the dramatic tension.
  • Rating: 4 out of 5 stars
    4/5
    We have much to learn from Maestro's use of language. In Macbeth, it is surprisingly accessible and fast-paced.

    I marvel at his choice at what occurs offstage, like the murder of Duncan. Yet the murder of Macduff's family, including children, happens for all to see. It is postulated that the Duncan scene was cut by someone else. But it actually does something interesting. It increases Macbeth's increasingly murderous character, intensifies his evil as a progression in his paranoia.

    I have many more thoughts , of course, but I must stew. Perhaps I'll return to solidify my thoughts on this masterly work of art.
  • Rating: 4 out of 5 stars
    4/5
    Macbeth and Banquo defeat two armies of enemies. Later three witches appear and prophesy that Macbeth will become a thane of Cawdor, eventually the king of Scotland, and Banquo will beget a line of Scottish kings. Unsure, neither of them are too concerned. When things are starting to come true, Macbeth tells his wife the good news. Lady Macbeth wants her husband to kill Duncan, the king, so that the rest of the prophecy will come true. Macbeth would become king if the present king "died". He stabs Duncan and the two watchers. Fearful that Banquo's heirs might inherit the throne, he hires murderers to kill him and his son Fleance. Fleance has escaped death and becomes Prince of England. He raises an army and fights Macbeth. Macbeth is killed and beheaded. This play was entertaining and had some rhyming. It was easier to read than most Shakespeare plays because it didn't have many characters. It was a quick read. It only took a few days. It was violent and not happy but understanding. I could read this book again. I would recommend this book to anyone 6th grade and up.

Book preview

The Tragedy of Macbeth - William Shakespeare

ACT I

Scene I

A desert place. Thunder and lightning.

Enter three Witches.

FIRST WITCH: When shall we three meet again?

In thunder, lightning, or in rain?

SECOND WITCH: When the hurlyburly’s done,

When the battle’s lost and won.

THIRD WITCH: That will be ere the set of sun.

FIRST WITCH: Where the place?

SECOND WITCH: Upon the heath.

THIRD WITCH: There to meet with Macbeth.

FIRST WITCH: I come, Graymalkin.

ALL: Paddock calls. Anon!

Fair is foul, and foul is fair.

Hover through the fog and filthy air.

Exeunt.

Scene II

A camp near Forres. Alarum within.

Enter Duncan, Malcolm, Donalbain, Lennox, with Attendants, meeting a bleeding Sergeant.

DUNCAN: What bloody man is that? He can report,

As seemeth by his plight, of the revolt

The newest state.

MALCOLM: This is the sergeant

Who like a good and hardy soldier fought

’Gainst my captivity. Hail, brave friend!

Say to the King the knowledge of the broil

As thou didst leave it.

SERGEANT: Doubtful it stood,

As two spent swimmers that do cling together

And choke their art. The merciless Macdonwald-

Worthy to be a rebel, for to that

The multiplying villainies of nature

Do swarm upon him -from the Western Isles

Of kerns and gallowglasses is supplied;

And Fortune, on his damned quarrel smiling,

Show’d like a rebel’s whore. But all’s too weak;

For brave Macbeth -well he deserves that name-

Disdaining Fortune, with his brandish’d steel,

Which smoked with bloody execution,

Like Valor’s minion carved out his passage

Till he faced the slave,

Which ne’er shook hands, nor bade farewell to him,

Till he unseam’d him from the nave to the chaps,

And fix’d his head upon our battlements.

DUNCAN: O valiant cousin! Worthy gentleman!

SERGEANT: As whence the sun ’gins his reflection

Shipwrecking storms and direful thunders break,

So from that spring whence comfort seem’d to come

Discomfort swells. Mark, King of Scotland, mark.

No sooner justice had, with valor arm’d,

Compell’d these skipping kerns to trust their heels,

But the Norweyan lord, surveying vantage,

With furbish’d arms and new supplies of men,

Began a fresh assault.

DUNCAN: Dismay’d not this

Our captains, Macbeth and Banquo.?

SERGEANT: Yes,

As sparrows eagles, or the hare the lion.

If I say sooth, I must report they were

As cannons overcharged with double cracks,

So they

Doubly redoubled strokes upon the foe.

Except they meant to bathe in reeking wounds,

Or memorize another Golgotha,

I cannot tell-

But I am faint; my gashes cry for help.

DUNCAN: So well thy words become thee as thy wounds;

They smack of honor both. Go get him surgeons.

Exit Sergeant, attended.

Who comes here?

Enter Ross.

MALCOLM: The worthy Thane of Ross.

LENNOX: What a haste looks through his eyes! So should he look

That seems to speak things strange.

ROSS: God save the King!

DUNCAN: Whence camest thou, worthy Thane?

ROSS: From Fife, great King,

Where the Norweyan banners flout the sky

And fan our people cold.

Norway himself, with terrible numbers,

Assisted by that most disloyal traitor

The Thane of Cawdor, began a dismal conflict,

Till that Bellona’s bridegroom, lapp’d in proof,

Confronted him with self-comparisons,

Point against point rebellious, arm ’gainst arm,

Curbing his lavish spirit; and, to conclude,

The victory fell on us.

DUNCAN: Great happiness!

ROSS: That now

Sweno, the Norways’ king, craves composition;

Nor would we deign him burial of his men

Till he disbursed, at Saint Colme’s Inch,

Ten thousand dollars to our general use.

DUNCAN: No more that Thane of Cawdor shall deceive

Our bosom interest. Go pronounce his present death,

And with his former title greet Macbeth.

ROSS: I’ll see it done.

DUNCAN: What he hath lost, noble Macbeth hath won.

Exeunt.

Scene III

A heath. Thunder.

Enter the three Witches.

FIRST WITCH: Where hast thou been, sister?

SECOND WITCH: Killing swine.

THIRD WITCH: Sister, where thou?

FIRST WITCH: A sailor’s wife had chestnuts in her lap,

And mounch’d, and mounch’d, and mounch’d. Give me, quoth I.

Aroint thee, witch! the rump-fed ronyon cries.

Her husband’s to Aleppo gone, master the Tiger;

But in a sieve I’ll thither sail,

And, like a rat without a tail,

I’ll do, I’ll do, and I’ll do.

SECOND WITCH: I’ll give thee a wind.

FIRST WITCH: Thou’rt kind.

THIRD WITCH: And I another.

FIRST WITCH: I myself have all the other,

And the very ports they blow,

All the quarters that they know

I’ the shipman’s card.

I will drain him dry as hay:

Sleep shall neither night nor day

Hang upon his penthouse lid;

He shall live a man forbid.

Weary se’nnights nine times nine

Shall he dwindle, peak, and pine;

Though his bark cannot be lost,

Yet it shall be tempest-toss’d.

Look what I have.

SECOND WITCH: Show me, show me.

FIRST WITCH: Here I have a pilot’s thumb,

Wreck’d as homeward he did come.

Drum within.

THIRD WITCH: A drum, a drum!

Macbeth doth come.

ALL: The weird sisters, hand in hand,

Posters of the sea and land,

Thus do go about, about,

Thrice to thine, and thrice to mine,

And thrice again, to make up nine.

Peace! The charm’s wound up.

Enter Macbeth and Banquo.

MACBETH: So foul and fair a day I have not seen.

BANQUO: How far is’t call’d to Forres? What are these

So wither’d and so wild in their attire,

That look not like the inhabitants o’ the earth,

And yet are on’t? Live you? or are you aught

That man may question? You seem to understand me,

By each at once her choppy finger laying

Upon her skinny lips.

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