Henry IV

By William Shakespeare

"Henry IV Part 2" by William Shakespeare continues the historical drama, depicting the challenges faced by King Henry IV as he grapples with internal strife and external threats to his reign. The narrative delves into the maturation of Prince Hal, now King Henry V, as he confronts the responsibilities of rulership. The play explores themes of power, loyalty, and the inevitable passage of time. Falstaff, a charismatic but morally ambiguous character, remains a central figure, adding elements of humor and complexity. As political tensions heighten, the play offers a poignant exploration of leadership, legacy, and the consequences of both personal and political choices.

• Language: English
• Publisher: Interactive Media
• Release date: Sep 15, 2015
• ISBN: 9781910833698

William Shakespeare

William Shakespeare is widely regarded as the greatest playwright the world has seen. He produced an astonishing amount of work; 37 plays, 154 sonnets, and 5 poems. He died on 23rd April 1616, aged 52, and was buried in the Holy Trinity Church, Stratford.

Book preview

DRAMATIS PERSONAE

RUMOUR, the Presenter.

KING HENRY the Fourth.

His sons

HENRY, PRINCE OF WALES, afterwards King Henry V.

THOMAS, DUKE OF CLARENCE.

PRINCE JOHN OF LANCASTER.

PRINCE HUMPHREY OF GLOUCESTER.

EARL OF WARWICK.

EARL OF WESTMORELAND.

EARL OF SURREY.

GOWER.

HARCOURT.

BLUNT.

Lord Chief Justice of the King’s Bench.

A Servant of the Chief-Justice.

EARL OF NORTHUMBERLAND.

SCROOP, Archbishop of York.

LORD MOWBRAY.

LORD HASTINGS.

LORD BARDOLPH.

SIR JOHN COLEVILLE.

TRAVERS and MORTON, retainers of Northumberland.

SIR JOHN FALSTAFF.

His Page.

BARDOLPH.

PISTOL.

POINS.

PETO.

SHALLOW and SILENCE, country justices.

DAVY, Servant to Shallow.

MOULDY, SHADOW, WART, FEEBLE, and BULLCALF, recruits.

FANG and SNARE, sheriff’s officers.

LADY NORTHUMBERLAND.

LADY PERCY.

MISTRESS QUICKLY, hostess of a tavern in Eastcheap.

DOLL TEARSHEET.

Lords and Attendants; Porter, Drawers, Beadles, Grooms, etc.

A Dancer, speaker of the epilogue.

SCENE: England.

None

Warkworth. Before the castle

Enter RUMOUR, painted full of tongues

RUMOUR

Open your ears; for which of you will stop

The vent of hearing when loud Rumour speaks?

I, from the orient to the drooping west,

Making the wind my post-horse, still unfold

The acts commenced on this ball of earth:

Upon my tongues continual slanders ride,

The which in every language I pronounce,

Stuffing the ears of men with false reports.

I speak of peace, while covert enmity

Under the smile of safety wounds the world:

And who but Rumour, who but only I,

Make fearful musters and prepared defence,

Whiles the big year, swoln with some other grief,

Is thought with child by the stern tyrant war,

And no such matter? Rumour is a pipe

Blown by surmises, jealousies, conjectures

And of so easy and so plain a stop

That the blunt monster with uncounted heads,

The still-discordant wavering multitude,

Can play upon it. But what need I thus

My well-known body to anatomize

Among my household? Why is Rumour here?

I run before King Harry’s victory;

Who in a bloody field by Shrewsbury

Hath beaten down young Hotspur and his troops,

Quenching the flame of bold rebellion

Even with the rebel’s blood. But what mean I

To speak so true at first? my office is

To noise abroad that Harry Monmouth fell

Under the wrath of noble Hotspur’s sword,

And that the king before the Douglas’ rage

Stoop’d his anointed head as low as death.

This have I rumour’d through the peasant towns

Between that royal field of Shrewsbury

And this worm-eaten hold of ragged stone,

Where Hotspur’s father, old Northumberland,

Lies crafty-sick: the posts come tiring on,

And not a man of them brings other news

Than they have learn’d of me: from Rumour’s tongues

They bring smooth comforts false, worse than

true wrongs.

Exit

ACT I

SCENE I. THE SAME.

Enter LORD BARDOLPH

LORD BARDOLPH

Who keeps the gate here, ho?

The Porter opens the gate

Where is the earl?

Porter

What shall I say you are?

LORD BARDOLPH

Tell thou the earl

That the Lord Bardolph doth attend him here.

Porter

His lordship is walk’d forth into the orchard;

Please it your honour, knock but at the gate,

And he himself wilt answer.

Enter NORTHUMBERLAND

LORD BARDOLPH

Here comes the earl.

Exit Porter

NORTHUMBERLAND

What news, Lord Bardolph? every minute now

Should be the father of some stratagem:

The times are wild: contention, like a horse

Full of high feeding, madly hath broke loose

And bears down all before him.

LORD BARDOLPH

Noble earl,

I bring you certain news from Shrewsbury.

NORTHUMBERLAND

Good, an God will!

LORD BARDOLPH

As good as heart can wish:

The king is almost wounded to the death;

And, in the fortune of my lord your son,

Prince Harry slain outright; and both the Blunts

Kill’d by the hand of Douglas; young Prince John

And Westmoreland and Stafford fled the field;

And Harry Monmouth’s brawn, the hulk Sir John,

Is prisoner to your son: O, such a day,

So fought, so follow’d and so fairly won,

Came not till now to dignify the times,

Since Caesar’s fortunes!

NORTHUMBERLAND

How is this derived?

Saw you the field? came you from Shrewsbury?

LORD BARDOLPH

I spake with one, my lord, that came from thence,

A gentleman well bred and of good name,

That freely render’d me these news for true.

NORTHUMBERLAND

Here comes my servant Travers, whom I sent

On Tuesday last to listen after news.

Enter TRAVERS

LORD BARDOLPH

My lord, I over-rode him on the way;

And he is furnish’d with no certainties

More than he haply may retail from me.

NORTHUMBERLAND

Now, Travers, what good tidings comes with you?

TRAVERS

My lord, Sir John Umfrevile turn’d me back

With joyful tidings; and, being better horsed,

Out-rode me. After him came spurring hard

A gentleman, almost forspent with speed,

That stopp’d by me to breathe his bloodied horse.

He ask’d the way to Chester; and of him

I did demand what news from Shrewsbury:

He told me that rebellion had bad luck

And that young Harry Percy’s spur was cold.

With that, he gave his able horse the head,

And bending forward struck his armed heels

Against the panting sides of his poor jade

Up to the rowel-head, and starting so

He seem’d in running to devour the way,

Staying no longer question.

NORTHUMBERLAND

Ha! Again:

Said he young Harry Percy’s spur was cold?

Of Hotspur Coldspur? that rebellion

Had met ill luck?

LORD BARDOLPH

My lord, I’ll tell you what;

If my young lord your son have not the day,

Upon mine honour, for a silken point

I’ll give my barony: never talk of it.

NORTHUMBERLAND

Why should that gentleman that rode by Travers

Give then such instances of loss?

LORD BARDOLPH

Who, he?

He was some hilding fellow that had stolen

The horse he rode on, and, upon my life,

Spoke at a venture. Look, here comes more news.

Enter MORTON

NORTHUMBERLAND

Yea, this man’s brow, like to a title-leaf,

Foretells the nature of a tragic volume:

So looks the strand whereon the imperious flood

Hath left a witness’d usurpation.

Say, Morton, didst thou come from Shrewsbury?

MORTON

I ran from Shrewsbury, my noble lord;

Where hateful death put on his ugliest mask

To fright our party.

NORTHUMBERLAND

How doth my son and brother?

Thou tremblest; and the whiteness in thy cheek

Is apter than thy tongue to tell thy errand.

Even such a man, so faint, so spiritless,

So dull, so dead in look, so woe-begone,

Drew Priam’s curtain in the dead of night,

And would have told him half his Troy was burnt;

But Priam found the fire ere he his tongue,

And I my Percy’s death ere thou report’st it.

This thou wouldst say, ‘Your son did thus and thus;

Your brother thus: so fought the noble Douglas:’

Stopping my greedy ear with their bold deeds:

But in the end, to stop my ear indeed,

Thou hast a sigh to blow away this praise,

Ending with ‘Brother, son, and all are dead.’

MORTON

Douglas is living, and your brother, yet;

But, for my lord your son--

NORTHUMBERLAND

Why, he is dead.

See what a ready tongue suspicion hath!

He that but fears the thing he would not know

Hath by instinct knowledge from others’ eyes

That what he fear’d is chanced. Yet speak, Morton;

Tell thou an earl his divination lies,

And I will take it as a sweet disgrace

And make thee rich for doing me such wrong.

MORTON

You are too great to be by me gainsaid:

Your spirit is too true, your fears too certain.

NORTHUMBERLAND

Yet, for all this, say not that Percy’s dead.

I see a strange confession in thine eye:

Thou shakest thy head and hold’st it fear or sin

To speak a truth. If he be slain, say so;

The tongue offends not that reports his death:

And he doth sin that doth belie the dead,

Not he which says the dead is not alive.

Yet the first bringer of unwelcome news

Hath but a losing office, and his tongue

Sounds ever after as a sullen bell,

Remember’d tolling a departing friend.

LORD BARDOLPH

I cannot think, my lord, your son is dead.

MORTON

I am sorry I should force you to believe

That which I would to God I had not seen;

But these mine eyes saw him in bloody state,

Rendering faint quittance, wearied and out-breathed,

To Harry Monmouth; whose swift wrath

Reviews for Henry IV

[mrslee_1 · Rating: 3 out of 5 stars]

Not a scholarly review here, just a note for myself that I read this. The drama was pretty good, but my reading mood was off and so it took me two months to finish. Not good for continuity. Even so, I was able to pick up the main characters and plot. All the side characters became rather muddled for me though. Not sure what to think of Henry V. Seems a rather calculating and mean sort of man. Used Falstaff harshly, although I don't have much sympathy or care for Falstaff, either. Not sure why people have loved him so, I found him repulsive. Possibly the language barrier? I would like to read this in a more modern language to see if it makes a difference. Loved Henry the IV's speech about sleep, or the lack thereof. Also, one of the women who gave her father-in-law (or was he her father?) what-for because he deserted her husband when he needed him most.

[katieloucks · Rating: 1 out of 5 stars]

I'm not big into the histories

[coach_of_alva · Rating: 4 out of 5 stars]

This play is not as enjoyable as its predecessor, largely because the remaining rebels to be mopped up are foolish weasels, not the roaring lion that Hotspur was. There remains the tension between father and son, which ends in a moving deathbed reconciliation and the prince's coming-of-age as king. More interesting is the career of Sir John Falstaff in the countryside, as we are allowed to see how a man of some shrewdness and no honor survives and profits while the kingdom is in an uproar, and the introduction of Justice Shallow, who so wants to be the Elizabethan equivalent of "cool." The play ends with the new king forbidding the evil old man his presence. This is a necessity, especially considering the old fool's plans for graft and glory, but it is a sad necessity.

[trilliams · Rating: 4 out of 5 stars]

Falstaff has an entire speech about drinking. Of course. Not as entertaining as the first part, but acts IV and V make it worth it.

[shanaqui_1 · Rating: 3 out of 5 stars]

Didn't actually need to read this for my course, but since it comes between Henry IV Part One and Henry V, I thought I'd read it to make sure I have all the details.

I didn't like it as much as Part One -- it doesn't seem to tie together as well, and anyway I'm not fond of the character of Falstaff. Perhaps on stage it'd be funny and worth watching, but I didn't enjoy those scenes just reading it.

[dinadansfriend · Rating: 4 out of 5 stars]

This play ends with the death of Henry IV of England, and the crowning of Henry V and his dramatic rejection of Falstaff. I prefer it to the first part, and find the play has more pacing and tighter characterization. I guest I'm not that fond of Falstaff, having had to deal with the fallout from some "Lovable Rogues" in my own life. The Henry IV camp deals with the rebellion in the north, and Hotspur Percy gets killed.Read it 9 times, apparently.

[stillatim · Rating: 3 out of 5 stars]

Overall, I thought this was less interesting than Henry V, but that might just be because I paid more attention to HV (I have to teach it; I read this for kicks). There's not a whole lot of beautiful Shakespeare moments, the humor didn't hit me (possibly my fault, of course), and the best bit was probably the Induction, in which Rumour discourses on herself. On the upside, I learned the word 'fustilarian' and the phrase 'I'll tickle your catastrophe!', and I'm pretty sure I now understand the title of Javier Marias' 'Your Face Tomorrow': "What a disgrace it is to me to remember thy name! or to know thy face tomorrow!", says the prince in II.2. Here he's mocking/despairing over those who abandon their friends when they become famous; by the end of the play (V.5) he's the person who's abandoning his friends. This adds a fair bit to Marias' repeated question, "Can I know your face tomorrow?", which for most of the novel seems more epistemic and existential. If he got it from Henry IV, 'YFT' takes on a whole new moral overtone. I guess I should re-read it even sooner than I'd planned.

This now has nothing to do with Henry IV, which I doubt I'll re-read anytime soon.

[amerynth · Rating: 2 out of 5 stars]

Shakespeare's "Henry IV: Part Two" really doesn't live up to the marvelous story told in part one. I read somewhere that both parts were originally a single play and Shakespeare broke it into two... I don't know whether that's true but I find it fairly easy to believe.There isn't much of a story here-- the battle is over and everyone is just waiting for Henry III to expire so his son can take over. It's pretty slow moving and not terribly interesting.

[aliceanna-1 · Rating: 3 out of 5 stars]

Falstaff is at his best in this play. Hal's abuse of him almost inspires sympathy for the blackguard. The transformation of the irresponsible Hal into a stately King is, however, rather hard to swallow.The death scene of HIV is a wonderful scene. It's easier for me to see Hal take the crown for his own head before his father is even cold (or dead for that matter) than it is for me to see Hal become a serious young man.

[ubiquitousuk-784690 · Rating: 2 out of 5 stars]

There were two real highlights in this play: The first is the interaction of Henry IV with his court and with Hal as his death approaches. The second is the ultimate transition of Hal into Henry V, who rejects his erstwhile friends in a scene both touching and uplifting. But much of the rest of the play was a real chore to read, being written in 16thC vernacular prose and possessing little in the way of plot development. Perhaps Henry IV was more like 1.5 plays than 2.

[medievalgirl-1 · Rating: 4 out of 5 stars]

This play was the third in a series of 8 which together formed Shakespeare’s masterful saga of 'History' plays chronicling the turbulent final century of the Plantagenet Dynasty from the deposition of Richard II in 1399 to the death of Richard III at Bosworth field in 1485.

Altogether, they have all the high drama of an epic saga with their vivid accounts of treachery, ambition, power, betrayal, feuding and war in an age of bloody upheaval.
If all this sounds gloomy and depressing, there are also colourful well-developed and memorable characters including the 'man mountain' plump and usually tipsy John Falstaff and the heroic Henry V as well as plenty of courage, chivalry and deeds of daring-do with a smattering of romance and humour.

Whoever said Shakespeare was boring? It should be said, however, that I could not fully appreciate these plays by simply reading them- they had to be seen as well. They are not, after all, novels, and reading through them in the way one would a book can be a tedious experience.

An increasingly unstable and insecure King Henry faces yet more rebellion and opposition from within and without.
Beset by failing health and troubled all the more by his conscience and fear of divine judgement upon him and his line for his crime of the deposition and murder of the rightful King.
The Earl of Northumberland and other nobles gather together their forces to make war against the King once again, but their readiness to negotiate proves fatal.
Meanwhile, Prince Hal still frequents the taverns of London, but his old friend Falstaff has come up with a new scheme to make gain money, prestige and hopefully the favour of the King and is the source of as much humour as before.
As King Henry's troubled reign comes to an end, however, Price Hal has some must mature to accept the great responsibility which is soon to be thrust upon him, even though it comes at the price of disowning his former companions of friends.