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The Death of the Lion
The Death of the Lion
The Death of the Lion
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The Death of the Lion

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This short novel is a black comedy about fame, manipulation, pretension, and surviving it all. The narrator, a reprehensible and seedy journalist, sets out to interview a minor author, and in his own quest for glory, turns the author into the celebrity of the day. The sudden and untimely death of the author, with his latest work unfinished, presents a troubling dilemma for the narrator, which he resolves with no more conscience than he had when he began his quest.

Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting.

James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.
LanguageEnglish
PublisherJames Press
Release dateApr 20, 2018
ISBN9788828311454
Author

Henry James

Henry James (1843-1916) was an American author of novels, short stories, plays, and non-fiction. He spent most of his life in Europe, and much of his work regards the interactions and complexities between American and European characters. Among his works in this vein are The Portrait of a Lady (1881), The Bostonians (1886), and The Ambassadors (1903). Through his influence, James ushered in the era of American realism in literature. In his lifetime he wrote 12 plays, 112 short stories, 20 novels, and many travel and critical works. He was nominated three times for the Noble Prize in Literature.

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    Book preview

    The Death of the Lion - Henry James

    THE DEATH OF THE LION

    ………………

    Henry James

    Thank you for reading. In the event that you appreciate this book, please consider sharing the good word(s) by leaving a review, or connect with the author.

    This book is a work of fiction; its contents are wholly imagined.

    All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.

    Copyright © 2018 www.deaddodopublishing.co.uk

    TABLE OF CONTENTS

    CHAPTER I.

    CHAPTER II.

    CHAPTER III.

    CHAPTER IV.

    CHAPTER V.

    CHAPTER VI.

    CHAPTER VII.

    CHAPTER VIII.

    CHAPTER IX.

    CHAPTER X.

    CHAPTER I.

    ………………

    I HAD SIMPLY, I SUPPOSE, a change of heart, and it must have begun when I received my manuscript back from Mr. Pinhorn. Mr. Pinhorn was my chief, as he was called in the office: he had the high mission of bringing the paper up. This was a weekly periodical, which had been supposed to be almost past redemption when he took hold of it. It was Mr. Deedy who had let the thing down so dreadfully: he was never mentioned in the office now save in connexion with that misdemeanour. Young as I was I had been in a manner taken over from Mr. Deedy, who had been owner as well as editor; forming part of a promiscuous lot, mainly plant and office-furniture, which poor Mrs. Deedy, in her bereavement and depression, parted with at a rough valuation. I could account for my continuity but on the supposition that I had been cheap. I rather resented the practice of fathering all flatness on my late protector, who was in his unhonoured grave; but as I had my way to make I found matter enough for complacency in being on a staff. At the same time I was aware of my exposure to suspicion as a product of the old lowering system. This made me feel I was doubly bound to have ideas, and had doubtless been at the bottom of my proposing to Mr. Pinhorn that I should lay my lean hands on Neil Paraday. I remember how he looked at me—quite, to begin with, as if he had never heard of this celebrity, who indeed at that moment was by no means in the centre of the heavens; and even when I had knowingly explained he expressed but little confidence in the demand for any such stuff. When I had reminded him that the great principle on which we were supposed to work was just to create the demand we required, he considered a moment and then returned: I see—you want to write him up.

    Call it that if you like.

    And what’s your inducement?

    Bless my soul—my admiration!

    Mr. Pinhorn pursed up his mouth. Is there much to be done with him?

    Whatever there is we should have it all to ourselves, for he hasn’t been touched.

    This argument was effective and Mr. Pinhorn responded. Very well, touch him. Then he added: But where can you do it?

    Under the fifth rib!

    Mr. Pinhorn stared. Where’s that?

    You want me to go down and see him? I asked when I had enjoyed his visible search for the obscure suburb I seemed to have named.

    "I don’t ‘want’ anything—the proposal’s your own. But you must remember that that’s the way we do things now," said Mr. Pinhorn with another dig Mr. Deedy.

    Unregenerate as I was I could read the queer implications of this speech. The present owner’s superior virtue as well as his deeper craft spoke in his reference to the late editor as one of that baser sort who deal in false representations. Mr. Deedy would as soon have sent me to call on Neil Paraday as he would have published a holiday-number; but such scruples presented themselves as mere ignoble thrift to his successor, whose own sincerity took the form of ringing door-bells and whose definition of genius was the art of finding people at home. It was as if Mr. Deedy had published reports without his young men’s having, as Pinhorn would have said, really been there. I was unregenerate, as I have hinted, and couldn’t be concerned to straighten out the journalistic morals of my chief, feeling them indeed to be an

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