Everyday Genius: Self-Taught Art and the Culture of Authenticity
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About this ebook
Fine considers the differences among folk art, outsider art, and self-taught art, explaining the economics of this distinctive art market and exploring the dimensions of its artistic production and distribution. Interviewing dealers, collectors, curators, and critics and venturing into the backwoods and inner-city homes of numerous self-taught artists, Fine describes how authenticity is central to the system in which artists—often poor, elderly, members of a minority group, or mentally ill—are seen as having an unfettered form of expression highly valued in the art world. Respected dealers, he shows, have a hand in burnishing biographies of the artists, and both dealers and collectors trade in identities as much as objects.
Revealing the inner workings of an elaborate and prestigious world in which money, personalities, and values affect one another, Fine speaks eloquently to both experts and general readers, and provides rare access to a world of creative invention-both by self-taught artists and by those who profit from their work.
“Indispensable for an understanding of this world and its workings. . . . Fine’s book is not an attack on the Outsider Art phenomenon. But it is masterful in its anatomization of some of its contradictions, conflicts, pressures, and absurdities.”—Eric Gibson, Washington Times
Gary Alan Fine
Gary Alan Fine is Professor of Sociology at Northwestern University. Among his books are Kitchens: The Culture of Restaurant Work (California, 1994), Difficult Reputations (2000), and Manufacturing Tales: Sex and Money in Contemporary Legends (1992). Patricia A. Turner is Vice-Provost of Undergraduate Studies and Professor of African American and African Studies at the University of California, Davis. She is the author of I Heard It Through the Grapevine: Rumor in African American Culture (California, 1993) and Ceramic Uncles and Celluloid Mammies: Black Images and Their Influence on Culture (1994).
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