Whispers on the Color Line: Rumor and Race in America
By Gary Alan Fine and Patricia A. Turner
3.5/5
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About this ebook
The authors have spent over twenty years collecting and analyzing rumors and contemporary legends--from the ever-durable Kentucky Fried Rat cycle to persistent beliefs about athletic footwear manufacturers and their support for white supremacist regimes. These implausible stories serve many purposes: they assuage anxieties, entertain friends, increase our sense of control--all without directly proclaiming our own attitudes. Fine and Turner consider how these tales reflect attitudes that blacks and whites have both about each other and about the world they face. In an engaging and penetrating narrative, they brilliantly demonstrate how--by transforming unacceptable impulses into a narrative that is claimed to have actually happened--we are able to express the inexpressible.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 2002.
Legends are arguably the most common narrative form of folklore in American society. From sex acts to business transactions, from fashion to food, from heroes to heroin, rumors and legends take on every charged topic. Children circulate texts about toys a
Gary Alan Fine
Gary Alan Fine is Professor of Sociology at Northwestern University. Among his books are Kitchens: The Culture of Restaurant Work (California, 1994), Difficult Reputations (2000), and Manufacturing Tales: Sex and Money in Contemporary Legends (1992). Patricia A. Turner is Vice-Provost of Undergraduate Studies and Professor of African American and African Studies at the University of California, Davis. She is the author of I Heard It Through the Grapevine: Rumor in African American Culture (California, 1993) and Ceramic Uncles and Celluloid Mammies: Black Images and Their Influence on Culture (1994).
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