BOER WAR LYRICS - Battlefield Poetry from the Boer Wars
By Louis Selmer
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About this ebook
Growing up in apartheid-era South Africa, the Boer War formed an important part of most South African children’s history lessons. What was not taught was that volumes of poetry had been written on the subject. Even Thomas Hardy famously wrote several poems about this war. This small volume is but a sliver of the work published on the subject. One only has to browse the internet to find more volumes of prose and verse associated with this forgotten conflict.
But we shouldn’t be surprised at this for soldiers have been writing poetry about conflicts since before Alexander the Great. Now almost a tradition, the trend continues to this day with poems still being written about the conflicts in Iraq and Afghanistan.
HISTORICAL NOTE: The Second Boer War was fought from 11 October 1899 until 31 May 1902 between the British Empire and the Afrikaans-speaking settlers of two independent Boer republics, the South African Republic (Transvaal Republic) and the Orange Free State. It ended with a British victory and the annexation of both republics by the British Empire; both would eventually be incorporated into the Union of South Africa, a dominion of the British Empire, in 1910.
Forces in this war were called upon from all corners of the, then, British Empire. On the British side, participating countries were United Kingdom, the South African Colonies of the Cape and Natal, Rhodesia (now Zimbabwe), India, Australia, Canada, New Zealand and British Ceylon (now Sri Lanka).
The Boer republics of South Africa and the Orange Free State were by no means alone in their stand against the Empire. Volunteer contingents from the German Empire, Sweden, Norway and the Netherlands swelled the Boer ranks. Smaller volunteer contingents were received from Belgium, France, the USA, Italy, Russia, Poland and Denmark.
The mobilisation of these armies from the around world was but a dress rehearsal for the impending 1st World War.
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BOER WAR LYRICS - Battlefield Poetry from the Boer Wars - Louis Selmer
agreement."
ACKNOWLEDGEMENTS
Abela Publishing acknowledges the work that
LOUIS SELMER
did in collating and publishing
Boer War Lyrics
in a time well before any electronic media was in use.
CONTENTS
Acknowledgements
Contents
Preface
Prelude
Boer War Lyrics
Introduction
Argument
Videlicet (Hour Before Dawn—The Muse Brooding.)
The Gibbet-Song.
The Scar
To England: A Forecast
War
Clio
Ave Pax
Alpha
Omega
Greatness
Peter Cronje
Christian De Wet.
Oom Paul
Cecil Rhodes
Chamberlain
Salisbury
Peace Pending.
Peace
After
Christian De Wet.
Sine Die
A Concordance
PREFACE
MOST of the verse in this little volume were conceived and written, if not quite finished, at the time of Cronje’s surrender at Paardeberg in February 1900.
A certain doubt, however, as to any message of theirs, though modestly set off by a belief in their polemic and literary value, has, I think now, unduly delayed their advent into the crowded world of print; and, though the present juncture of a heralded, but, by no means, perfected peace, be perhaps not a very opportune moment for their publication, I have yet thought well to give them forth; the more, since what so be the outcome of the negotiations pending, and whichsoever be the motive of the stronger party thereto—whether a bitter, though slowly realized necessity, or, a trick of pure heart, or, say, tardy insight and charity, both—be this as it may—the long, though fruitless attempt on England’s part to compel a surrender by the South African republics of their political existence, illustrating and upholding, as no modern exhibition of this kind has done, how rampant is still in Man, and collective Man especially, a tacit faith in the bigger fist, or, euphemistically speaking, the predatory law of nature—this, I repeat it, can never, it seems to me, be sufficiently reprehended; and a hearty condemnation of it may, therefore, fitly form the theme of conscientious, if necessarily, censorious verse: with which contention the following pieces are frankly submitted, even at this late day of a stupendous struggle of moral Right—whatsoever its intellectual grounds and equipment—against an aggressive and overweening Might, whose partial defence allowed, rests, after all, and as already maintained, its wider base on purely material force, on that callous and objective expediency, which History, in her account of human odds, evermore reveals, and, far too often, glaringly condones.
New York, May, 1902.
Since the above was set down, Peace has at last gone forth, and of a pace with the better drift and traditions of England; but even so, there seems no valid ground why these Lyrics should not be heard, as an exponent in brief—inadequate, if you like, yet human no less—of a, for a long time, not to be forgotten broil, if, indeed, the sad imp of Contention has had his last say about it.
November, 1902.
PRELUDE
Out of rare heart-deeps flowing,
Primer than thought-spring founts,
Upward, ’gainst vaster knowing,
Lightsome the Song-word mounts.
And athrob with some faith etern,
From Being’s deep-violed strings,
Draweth, to heaves that burn,
The advent and sooth of things.
Invokes unto Song, where the still Hopes go,
The Spirit’s immutable law.
BOER WAR LYRICS
ON THE TRAIL OF THE LION.
(History in Verse.)
INTRODUCTION
Somewhere to the Moonward, or Sunward, so to speak;
A span or two to Eastward, then Southward by a streak,
Was heard to blare of tomtom a shameless epic wail,
At fancy of some Lion who had whisked his blooming tail
Plumb thro’ a nest of hornets, nor never dreamt the hive
Had such a trick to mind him how were that tail alive.
And it seems the skies were blathering while every wind-god swore
The Pities would have curdled to hear the Beastie roar.
All offered salve and comfort, said never done was Wrong,
But some requiting Themis should venge it to her song;
Should smite the pesting dwarfies and heal the giant’s bruise,
See paw and toothie peak not for lack of worthy use.
And, O, the strain fell whopping to thunder—drip of sooth,
A lamb-like lyric slopping its pace with bleary ruth;
Nay, in sober last, an epic, outworking thro’ the fact,
Through blaze of hostile numbers, its own and bitter act.
And it shook us to the Westward—a touch of kin and near—
We banged our shoppy hatches: we had a right to hear.
ARGUMENT
And this—yes, this, was the song of the Sorrowful True,
Which Father Wicked, the Old, for his child, the New,
He, and that cherub of rowdy fist,
Who’ll blithely shake it where erst he kissed—
That covered Holy, the unctuous Wrong—
With his blushing bouncer, St. Meek, the Strong;
Set jointly down (while in crafty doubt
A wilful Muse turned it inside out,
Bared hide and heart of the stalking lore,
Its bluff and cant to their dismal core—)
Set down, I say, to mock-halcyon cheers,
As, with knife at throat of the suckling years,
They bled the weans, lest with peaceful bear,
Or, for other virtues in hiding there,
The gods, who winnow all mortal stock,
Should nurse the goats while they weed the flock—