Claude before Time and Space: Poems
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About this ebook
In Claude before Time and Space, her final collection, Pulitzer Prize–winning poet Claudia Emerson quietly but fiercely explores the themes of mortality and time.
In the first section of this book, “The Wheel,” Emerson uses a rural southern setting in poems that reflect on memory, the self, and relationships. In section two, “Bird Ephemera,” she explores historical figures—from an early naturalist and writer who raised her children in poverty to a small-town doctor. The collection concludes with a series of poems named after the poet’s father. This illuminating body of work displays a master poet at the height of her craft.
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Claude before Time and Space - Claudia Emerson
THE WHEEL
SWIMMING ALONE
for Ann Dickinson Beal
A half mile
down the dirt road
to the house it passes
where an old woman lived
until she died there,
the rooms still
comfortable in their cool
emptiness; then, a half mile
farther past her, the farm pond
we find as empty. The widow
was the one who told us
not to be afraid
to do it, to swim
there alone. She said
she had long ago
formed the habit
of this water’s solitude,
the habit of this
afternoon, all the late
afternoons conspiring
to one: not exactly
swimming, the way
we suspend
ourselves in water,
two old friends
who would say
we are living alone,
divorced and listless in it,
in letting ourselves drift
on what little current
survives the damming,
the push and pull
of the small creek
that feeds this, makes it.
The water’s
temperature is of nothing,
of the womb.
We love it that
we can’t feel it
as anything as apart
from us. We never
fail to speak of it. And
never fail to fall quiet
enough for the beaver,
near-blind, to swim
so close to us
we can feel its wake,
hear the fat slap of the tail.
There is the smell
of a hot innertube
where dragonflies find us,
the blue of a widow skimmer
net-veined that lights
on my island-hand,
its body broken
into syllables.
Algae blooms unbroken,
a green roil,
thunder moseying
around the hem of the water,
and I have become unafraid
even of lightning strikes.
So when, now, this
afternoon years impossibly
past, I learn she is dying,
there is selfish comfort
in knowing she is doing this
thing before me, the way
she is in the middle
of the pond before I
can get there, not facing the dock,
not waiting for me,
but away, considering
the other bank, a turtle
dozing on a log,
the catfish visible
beneath the log, a snake’s
head threading the air
above its body.
She is unafraid as I
would have been afraid if I had
arrived before her, too timid
to leave the heat-
splintered dock. If she is able
to imagine a place,
I imagine this is hers.
And this poem is
not between us, not
yet imagined, the living
we have yet to do
there in