Chance of a Storm

By Rod Mengham

In Chance of a Storm, poetry is language that comes trailing bits of other forms of speech and writing. While the lyric is central to Mengham’s work, it cannot shrug off the ambition of epic, scaled down but still latent. This telescoping informs the structure of these poems, prose-poems and modernist fables. There are echoes of Homer, Dante, Eliot, Pound, but also the deadpan of public tannoy announcements, the white-noise of urban soap-box oration, and the strange syntax and mannerisms of shampoo bottle blurbs. Cast through these contemporary styles, Mengham’s historically-aware poems become something unrecognisable: like Rilke’s description of a sculpture that ‘sees you from every angle’, his word-sculptures see across time with an eerie plasticity, surfing literatures and cultures over millennia, even within a single sentence. Mengham is a master of the micro-paragraph, a condensed, supercharged poetry bristling with alien clarity like, to borrow a phrase from the poems, angelic cattle-prods.

• Language: English
• Publisher: Carcanet Poetry
• Release date: Nov 1, 2016
• ISBN: 9781784100841

Rod Mengham

Rod Mengham is author of several poetry publications, including Unsung (Salt, 2006), Chance of a Storm (Carcanet, 2015), Grimspound & Inhabiting Art (Carcanet, 2018), 2019 the vase in pieces (Oystercatcher, 2019) and of translations, including Speedometry [poems by Andrzej Sosnowski] (Contraband, 2014) and Flatsharing [poems by Anne Portugal] (Equipage, 2021). He was also co-editor and co-translator of the anthology Altered State: The New Polish Poetry (Arc, 2003) and co-editor with John Kinsella of the anthology Vanishing Points: New Modernist Poems (Salt, 2005). Between 1992 and 2002, he was co-organiser of the annual Cambridge Conference of Contemporary Poetry and since 1992 has been the publisher of Equipage, which has published over 120 pamphlets of contemporary poetry. Rod is Reader in Modern English Literature at Cambridge University, and a Fellow of Jesus College. He has published monographs on Dickens, Emily Bronte and Henry Green; and The Descent of Language (1993); has co-written with Sophie Gilmartin Thomas Hardy's Shorter Fiction (EUP, 2007); has edited essay collections on contemporary fiction, violence and avant-garde art, fiction of the 1940s, and Australian poetry. He has also curated many exhibitions of contemporary art since 2003, and has made several films with the artist Marc Atkins (soundingpolefilms) as well as the text + image publication Still Moving (London: Veer Publications, 2014). He was a recipient of the Cholmondely Award for poetry in 2020.