Hill of Doors
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About this ebook
Robin Robertson
Robin Robertson is from the north-east coast of Scotland. He has published six previous books of poetry and received various accolades, including the Petrarca-Preis, the E.M. Forster Award from the American Academy of Arts and Letters, and all three Forward Prizes. His last book, The Long Take – a narrative poem set in post-war America – won the Walter Scott Prize for Historical Fiction, the Goldsmiths Prize for innovative fiction, and was shortlisted for the Booker Prize.
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Hill of Doors - Robin Robertson
Acknowledgements
ANNUNCIATION
after Fra Angelico
He has come from the garden, leaving
no shadow, no footprint in the dew.
They hold each other’s gaze at the point
of balance: everything streaming
towards this moment, streaming away.
A word will set the seed
of life and death,
the over-shadowing of this girl
by a feathered dark.
But not yet: not quite yet.
How will she remember the silence
of that endless moment?
Or the end, when it all began –
the first of seven joys
before the seven sorrows?
She will remember the aftersong
because she is only human.
One day
she’ll wake with wings, or wake
and find them gone.
THE COMING GOD
after Nonnus
Horned child, double-born into risk, guarded
by satyrs, centaurs, raised
by the nymphs of Nysa, by the Hyades:
here he was, the toddler, Dionysus.
He cried ‘Daddy!’ stretching up to the sky, and he was right
and clever, because the sky was Zeus
his father, reaching down.
As he grew, he learnt to flit through other forms;
he’d become a newborn kid, shivering in the corner,
his soft pink skin suddenly the pelt of a goat
and the goat bleating, his hands and feet
now taking their first steps on tottering hooves.
As a grown boy, he would show himself
as a girl, in saffron robes and veils,
moulding his hips
to the coil of a woman’s body,
shaping his lips to speak in a woman’s voice.
At nine he started to hunt.
He could match the jink
of a coursing hare, reach down at speed
and trip it over; chase alongside a young buck and just
lift it from the running ground
and swing it over his shoulder.
He tamed the wild beasts, just by talking,
and they knelt to be petted, harnessed in.
By his boyhood’s end he was dressing in their skins:
the tiger’s tree-line stripe, the fallow deer speckled
like a fall of stars,
the pricked ears of the lynx.
One day he came upon a maddened she-bear
and reached out his right hand to her snout
and put his white fingers to her mouth, her teeth,
his fingers gentle at the bristled jaw,
which slackened
and drew in a huge breath
covering the hand of Dionysus with kisses,
wet, coarse, heavy kisses.
A CHILDHOOD
The last bottle of lemonade is nodding
in the rock pool, keeping cold. A childhood,
put away for later. I’m too busy to notice
the sun is going, that they’re packing up,
that it’s almost time for home. The low waves
warm round my knees as I dig in,
panning for light, happy to be here, dreaming
of the evening I’ll wake on the lilo
singing my head off, somewhere
in the sea-lanes to Stavanger, or Oslo.
1964
Under the gritted lid of winter
each ice-puddle’s broken plate
cracked to a star. The morning
assembling itself into black and white, the slow dawn
its developing tray. Cold steams off the grass;
the frosted yarrow and sea holly
smoke in the new sun.
*
In the barber-shop mirror, I study this museum of men
through glass: their shaving brushes, talc and whetted razors,
the bottles of bay rum,