Dante's Paradiso (The Divine Comedy, Volume 3, Paradise)
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Dante Alighieri
Dante Alighieri (1265-1321) was an Italian poet. Born in Florence, Dante was raised in a family loyal to the Guelphs, a political faction in support of the Pope and embroiled in violent conflict with the opposing Ghibellines, who supported the Holy Roman Emperor. Promised in marriage to Gemma di Manetto Donati at the age of 12, Dante had already fallen in love with Beatrice Portinari, whom he would represent as a divine figure and muse in much of his poetry. After fighting with the Guelph cavalry at the Battle of Campaldino in 1289, Dante returned to Florence to serve as a public figure while raising his four young children. By this time, Dante had met the poets Guido Cavalcanti, Lapo Gianni, Cino da Pistoia, and Brunetto Latini, all of whom contributed to the burgeoning aesthetic movement known as the dolce stil novo, or “sweet new style.” The New Life (1294) is a book composed of prose and verse in which Dante explores the relationship between romantic love and divine love through the lens of his own infatuation with Beatrice. Written in the Tuscan vernacular rather than Latin, The New Life was influential in establishing a standardized Italian language. In 1302, following the violent fragmentation of the Guelph faction into the White and Black Guelphs, Dante was permanently exiled from Florence. Over the next two decades, he composed The Divine Comedy (1320), a lengthy narrative poem that would bring him enduring fame as Italy’s most important literary figure.
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Reviews for Dante's Paradiso (The Divine Comedy, Volume 3, Paradise)
494 ratings12 reviews
- Rating: 3 out of 5 stars3/5I started this but couldn't finish it, I really need to get back to it. Unlike the other books, it just seemed like the personalities weren't as interesting ,and I guess the rewards just weren't as interesting as the punishments....
- Rating: 2 out of 5 stars2/5Eh, this book was the least interesting of [book: The Divine Comedy] to me. Like [book: Purgatorio], it had some beautiful imagery, but just got pretty boring.
- Rating: 1 out of 5 stars1/5I listened to this book on CD instead of actually reading it. The version that I had had an explination at the beginning of each verse to help you understand and then read the verse.
In this book, you travel with Dante as he assins to Heaven through the skies.
I really did not liked this book. There is a lot of astrology in this book (which I did not expect). I did not really understand this book (I have several people tell me that I understand the other two parts of The Divine Comedy better because I live my life more on the sinful side **laughs**). I just did not like it. I would not recommend this, though others might understand it better than me. - Rating: 4 out of 5 stars4/5Although, the weakest of the three, Paradiso is still quite amazing for its portrayal of heaven in all its layered complexity. Naturally it is not as vexing or interesting at Purgatorio or Hell but still interesting to see who Dante wanted to place there. Plus, the ending is just hilarious. Again, this translation is great. The Hollander's have outdone themselves. I wonder what they do now.
- Rating: 4 out of 5 stars4/5Heel anders van aard dan Inferno en purgatorio, bij wijlen onleesbaar. Maar toch een geweldige kracht door de meezuigende vaart, telkens in een hogere sfeer. Typerend is de blijvende kritische aard van Dante met steeds weer vragen en een sprankeltje twijfel.
- Rating: 5 out of 5 stars5/5(Review is of the Penguin Classics translation by Mark Musa, and applies to all three volumes, Inferno, Purgatorio, and Paradisio) I would not think to quibble with reviewing Dante himself - Dante is a master, and doesn't need my endorsement. I will say, however, that Musa's translation is an exceptionally sensitive one, and his comprehensive notes are an invaluable aid to the reader less familiar with Dante's broad spheres of reference. Musa is clearly a devoted scholar of Dante, and his concern for Dante's original meaning and tone is evident. This is one of the best translations of The Comedia available.
- Rating: 5 out of 5 stars5/5I have not read a huge number of translations of Dante, but of the one's that I've read Musa's is by far the best. Extremely readable but also quite complex. I would recommend this translation to anyone.
- Rating: 4 out of 5 stars4/5The Divine Comedy epitomized medieval attitudes. From historical perspectives, this work serves as a window into the mentality of late middle ages in Italy, on the brink of the Renaissance. Scholastic thinking informs Dante's approach.
- Rating: 3 out of 5 stars3/5As I recall, this one kind of dragged. Or maybe it got a bit too religious for me.
- Rating: 5 out of 5 stars5/5Not the correct edition, since I don't know who the translator of my copy was. My apologies.
For some reason, I found Paradise harder to read than the other two sections. Still, well worth the effort for the beautiful language, and how it makes other people's references to Dante fall into place! - Rating: 3 out of 5 stars3/5Of the 3 parts this is the least interesting. I know Dante comes from the 13th and 14th centuries and this may seem unfair but it left me with visions of Mussolini styled fascist spectacles. Too overwrought and too syncophantic for my blood--what is left is Dante's talent and beautiful use of language which is something but going to Hell and Purgatory is a lot more worthwhile than going to Heaven in this case.
- Rating: 3 out of 5 stars3/5I wish I had liked this as much as I enjoyed the first two books of The Divine Comedy.