Her Most Remarkable Performance: A Lady to Maid Tale

By Camille Langtry

Lady Georgina’s fascination with the life of the working classes leads her down a path of no return as she sinks deeper and deeper into her pretend persona of a lady's maid. What starts out as an enticing fantasy for the bored and spoiled Victorian-era heiress and an aspiring actress she hires for the game, slowly evolves into something far bigger as, step by step, she surrenders her status, her wealth and even her family name to live the life she was destined to live – that of a simple servant girl. This dark tale of social downgrade is set in 1880s London, grimy Manchester, and New York when cultural and social differences between a lady and her maids were as rigid as the former’s corsets and as regulated as the latter’s black-and-white uniforms.

• Language: English
• Publisher: Camille Langtry
• Release date: Mar 11, 2017
• ISBN: 9781370403981

Camille Langtry

Although I’ve been a fan of transformation and downgrade fiction for many years, it’s only recently that I’ve gathered the courage to begin writing myself. It started with the blog I set up in 2013, Ladies Becoming Maids, originally just to catalogue other peoples’ work and post captions, but I quickly realised how much I enjoyed exploring similar topics as a writer. I enjoy themes of social drop and cultural change, with stories involving maids, often in historic settings, among my favourites. Stories I write tend to involve voluntary and not entirely voluntary relinquishing of status to become servants, cleaners and other people at the very bottom of the society ladder. Think of my fiction as Cinderella or Pygmalion in reverse with upper-class women – and, occasionally, men – giving up their privileged and pampered existence for one of hard work and low esteem.

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Her Most Remarkable Performance

A Lady to Maid Tale

by Camille Langtry

Copyright 2017 Camille Langtry

Smashwords Edition. All Rights Reserved.

Smashwords Edition, License Notes

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Table of Contents

Her Most Remarkable Performance

Epilogue

About Camille Langtry

Prologue

New York. 1894.

Are you sure it is here, Harris? a young lady looked through the carriage window in apparent disbelief. The pouring rain had thankfully ended, the sky was almost clear and Mulberry Street, with its shabby brick tenement buildings, wooden shacks and lopsided sheds, surrounded by heaps of garbage, was now perfectly seen in all its dilapidated glory. This was New York’s notorious immigrant underbelly, considered by many the most dangerous part of the entire city.

"Yes, Ma’am,’’ Harris replied respectfully, opened the black carriage's door and held out his hand to his mistress. He was in his late 50s and sported a greying handlebar moustache that made him look like a retired cavalry officer. The lady, dressed in a stylish hat and an elegant light blue suit with oversized leg-o-mutton sleeves, stepped out, careful not to place her polished shoes in the puddle on the muddy, manure-covered sidewalk. On her delicate shoulders, she wore a light fur boa with long tabs hanging down the front.

A group of barefoot children, playing at a small distance near a pile of overturned barrels, paid the fancy couple very little attention. Unsurprisingly, perhaps, given Harris’s menacing look: a thick long cane in his hand, he was clearly ready to come to his mistress’s defence if someone posing a potential threat came too close. However, apart from the kids and a couple of street vendors, standing by their carts a block away, there was no one else in sight.

It’s over here, Ma’am, Harris respectfully pointed at a narrow back alley a few yards away. The lady leaned against his arm, trying not to dirty the hem of her long, bell-shaped skirt, as they walked toward a dingy two-storey building. It was a laundry by the look of things: in the small window one could see large mechanical wringers and mangles, that were constantly hissing and making metal banging noises. The wooden back door swung open, releasing clouds of heavy steam, just as Harris was about to knock.

Two young dark-haired girls, their faces and hands red from the heat and the humidity, exited the building and looked at the well-dressed woman and her older companion with barely contained surprise. Indeed, the contrast between the exclusively-attired lady and her run-down surroundings could not have been greater. It wasn’t too often that such regal creatures were seen on the streets around The Five Points. That is, unless said creatures were looking to part with their wallets, watches and other valuables.

We are looking for Susan Brown. Is she here? asked Harris.

You mean Suzie? responded one of the girls with a thick Italian accent, as her friend, arms crossed at her chest, silently continued to study the lady’s exquisite outfit with great interest: her fitted jacket clung to her tightly laced, impossibly narrow waist, her maroon straw hat with a brim that fashionably turned in the back and was trimmed with a wide white bow and flowers, the wide boa, resting on her shoulders, the sparkling silver rectangular buckles of her high-heeled black leather shoes.

Yes, Suzie Brown. Can you call her? Harris responded impatiently.

Suzie! Come on out, there’s a lady to see ya! the first girl shouted into an immense, fog-filled room, where one could barely make out long rows of working washerwomen, several large boilers and washtubs, and shaking machines, that were periodically spitting out clouds of hot steam. Following that, the two of them went about their business, but not without giving the strange visitors another suspicious lookover.

A minute later a very tired-looking, overworked woman dressed in a grey skirt, a striped shirtwaist with rolled-up sleeves and a dirty colourless apron that has seen better days, came out. Her face and muscular reddish arms were moist with perspiration and her hair was dank and out of order. The washerwoman wiped the sweat from her forehead and rubbed her work-roughened, callused hands against the sides of her skirt to dry them. She was probably in her early 40s, a full decade or more older than the fashionable lady that came to see her.

"Harris, thank you very much, please leave us,’’ the lady said and lifted a scented batiste handkerchief to her beautiful face: the strong smells of soap, dampness, wet soil and human sweat were becoming unbearable.

Are you sure, Ma’am? This is a rough neighbourhood, Harris replied, obviously concerned for the rich lady’s security.

I don’t think Susan will attack me, Harris. Wait for me at the carriage, please, the lady insisted.

"Very well, Ma’am. If anything, I'll be just a few steps away,’’ he said and dutifully went back to the carriage, which, much to the coachman’s displeasure, was now fully surrounded by the neighbourhood's dirty-faced boys, dressed in short pants and rather sad-looking shirts and caps.

Susan just stood there in silence, staring at the well-dressed lady in front of her.

"Do you recognise me, Susan?’’ the lady finally broke the lingering silence, but before Susan could even utter a word in response the door swung open again and a fat, angry-looking woman flung out.

Suzie, ‘ere you are, lazy woman. Is yer duty over? Don’t tell me ye left yer iron face down again! she began shouting in an unpleasant, rusty voice that almost sounded like a man’s. We not payin’ ya to stand round doin’ nothin’. Get back to work this instant!

She squeezed Suzie’s left arm, determined to drag her back into the building, when she finally saw a lady in a light blue walking suit and turned her attention to her.

Are you from the Washington Inn? the fat woman charged, without introducing herself. It was clear she was either the owner or the forewoman of the place. I already told Mrs. White we’ll pay ‘er for them linen that Suzie ruined. I am keepin’ her next week’s salary to pay for that! Just cause I'm always nice to my girls, others would have thrown her out on the spot, I am tellin’ ya!

"I assure you I don’t have anything to do with the inn. I am here to see Susan - Suzie - in another capacity. Will you please give us some time, it is rather urgent,’’ the lady responded in a soft, conciliatory tone even as the fat woman was hardly the kind to give in to politeness.

What are ye, a relative or somethin’? Ye from England too? the laundry-owner replied suspiciously and carefully inspected the lady’s expensive outfit up and down. Ye don’t look like ‘er at all!

No, we are not relatives, the lady replied sternly. She was quickly losing patience with the obese crone. Here, perhaps this can help you change your mind?’’ She took out a silver coin from a silk purse and gave it to her. We only need five minutes."

The fat woman unceremoniously snatched the shiny coin and smiled, showing her yellow teeth.

That a different story then. Five minutes it is. But no more. Suzie, I need yer arse back at the boiler in five minutes, is that understood? she said and, without waiting for the response, turned her back and loudly slammed the door behind her.

The lady, the batiste handkerchief still in her gloved hand, made a small step toward Susan.

"Hello, Georgina, I’ve finally found you,’’ she said quietly. The laundress remained silent for a moment and then spat out brown saliva - no doubt she was chewing tobacco - and wiped her lips with the back of her hand. Her front teeth were chipped, the lady couldn’t help but notice.

"Listen, lady, I think you mistaked me for someone else, you did. You ‘eard ‘er, I don’t ‘ave no time for no fancy talk. We ain’t got nobody called Georgina ‘ere,’’ she responded brusquely and reached for the door handle.

Wait,’’ said the lady and extended her hand with a small rectangular card. I am performing in New York for another week before I move to Philadelphia. Perhaps you would like to see me? I am at the Waldorf Hotel. It’s very new. Here is my address if you change your mind. We need to talk.’’

Susan took the card and with some hesitation put it into the wide pocket of her apron.

Will I see you? asked the lady, but Susan just turned her back, opened the door and disappeared in the stifling, steamy confines of the laundry. A moment later she joined the other women, who were busy ironing, sprinkling, starching and folding clothes.

Chapter 1

London. 1884.

The maid straightened an imaginary wrinkle in her snow-white ruffled apron, readjusted the lacy cap on top of her chestnut hair, knocked on the door and entered her mistress’s bedroom.

Did Madame ring?

Yes, I need help undressing, said the young mistress, dressed in a bustled crimson ball gown, and set down, facing a large ornate vanity.

Most certainly, Ma’am, the maid answered in the most respectful tone of voice she could master and curtseyed. She took the position behind her sitting mistress and started removing hairpins and, after the lady’s hair was set free from the confines of her elaborate evening coiffure, began combing it.

Ouch! Careful, you clumsy cow… Did you pull any of my ‘air out? It felt like you did. Here, give it back to me. The mistress grabbed an ivory comb from her maid’s hand and began working on her brown hair in long, confident strokes. I don’t know why I keep paying ya, girl, I really don’t.

I am so sorry, Madame, this won’t happen again, the maid ventured. The mistress put the comb away and stood up, facing the humbled maid.

I sometimes wonder if you are even fit to be a lady’s maid and…, the mistress couldn’t finish and began chuckling… I am sorry, Miss… I…

Her chuckles turned into hysterical laughter, as the maid looked at her first in surprise and then with barely contained indignation.

"What is so difficult about following the script? And what is so funny? I gave you very specific and easy instructions and still you can’t follow them. I knew I shouldn’t have trusted you to begin with,’’ the maid was virtually screaming at the mistress now.

I am really sorry, Miss, I just can’t do this. Please, don’t be angry, replied the mistress and lowered her eyes.

Out, Sarah. Get out. Now! said the maid. Her commanding voice and aristocratic bearing left little doubt she was the mistress in the room.

Yes, Miss. Sarah raised the heavy multi-layered skirts of her evening dress with both hands, feeling very uncomfortable in the exquisite silk and satin creation with its large bustle and a long train with woven flowers, and began walking awkwardly toward the door, trying not to trip over.

Wait, remove my dress! The real mistress interjected. And don’t forget my pearls and earrings too.

Yes, Miss. Sarah came behind the mahogany four-section screen.

Where did you leave your things? the mistress demanded.

On the bed, Miss, responded the maid.

Lady Georgina grabbed her maid’s plain print dress and threw it over the folding screen, adding impatiently: Here, quickly!

Sorry, Miss, I think I need ‘elp with them hooks in the back, complained the maid.

Lady Georgina sighed deeply and began working slowly on the many hooks that sealed Sarah inside the elaborate gown. It soon fell to the floor in a mountain of silk brocade, satin and lace. Sarah took off a lovely string of pearls from her neck and removed a matching pair of earrings – they went into a Chinese lacquered box of her mistress – and, this time without her ladyship’s help, put on her simple print dress of a domestic servant.

Now out, a visibly distressed Lady Georgina ordered, while still dressed in a black-and-white lady's maid’s uniform, as she pointed her