Macbeth

By William Shakespeare

Macbeth is among the best-known of William Shakespeare's plays, and is his shortest tragedy, believed to have been written between 1603 and 1606. It is frequently performed at both amateur and professional levels, and has been adapted for opera, film, books, stage and screen. Often regarded as archetypal, the play tells of the dangers of the lust for power and the betrayal of friends. For the plot Shakespeare drew loosely on the historical account of King Macbeth of Scotland by Raphael Holinshed and that by the Scottish philosopher Hector Boece. There are many superstitions centred on the belief the play is somehow "cursed", and many actors will not mention the name of the play aloud, referring to it instead as "The Scottish play". 

• Language: English
• Publisher: Digital Deen Publications
• Release date: Jan 12, 2017

William Shakespeare

William Shakespeare (1564–1616) is arguably the most famous playwright to ever live. Born in England, he attended grammar school but did not study at a university. In the 1590s, Shakespeare worked as partner and performer at the London-based acting company, the King’s Men. His earliest plays were Henry VI and Richard III, both based on the historical figures. During his career, Shakespeare produced nearly 40 plays that reached multiple countries and cultures. Some of his most notable titles include Hamlet, Romeo and Juliet and Julius Caesar. His acclaimed catalog earned him the title of the world’s greatest dramatist.

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Macbeth

William Shakespeare

Published: 1606

Categorie(s): Fiction, Drama

About Shakespeare:

William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the Bard of Avon (or simply The Bard). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called bardolatry. In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. 

Act I

SCENE I. A desert place.

Thunder and lightning. Enter three Witches

First Witch

When shall we three meet again

In thunder, lightning, or in rain?

Second Witch

When the hurlyburly's done,

When the battle's lost and won.

Third Witch

That will be ere the set of sun.

First Witch

Where the place?

Second Witch

Upon the heath.

Third Witch

There to meet with Macbeth.

First Witch

I come, Graymalkin!

Second Witch

Paddock calls.

Third Witch

Anon.

ALL

Fair is foul, and foul is fair:

Hover through the fog and filthy air.

Exeunt

SCENE II. A camp near Forres.

Alarum within. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, with Attendants, meeting a bleeding Sergeant

DUNCAN

What bloody man is that? He can report,

As seemeth by his plight, of the revolt

The newest state.

MALCOLM

This is the sergeant

Who like a good and hardy soldier fought

'Gainst my captivity. Hail, brave friend!

Say to the king the knowledge of the broil

As thou didst leave it.

Sergeant

Doubtful it stood;

As two spent swimmers, that do cling together

And choke their art. The merciless Macdonwald—

Worthy to be a rebel, for to that

The multiplying villanies of nature

Do swarm upon him—from the western isles

Of kerns and gallowglasses is supplied;

And fortune, on his damned quarrel smiling,

Show'd like a rebel's whore: but all's too weak:

For brave Macbeth—well he deserves that name—

Disdaining fortune, with his brandish'd steel,

Which smoked with bloody execution,

Like valour's minion carved out his passage

Till he faced the slave;

Which ne'er shook hands, nor bade farewell to him,

Till he unseam'd him from the nave to the chaps,

And fix'd his head upon our battlements.

DUNCAN

O valiant cousin! worthy gentleman!

Sergeant

As whence the sun 'gins his reflection

Shipwrecking storms and direful thunders break,

So from that spring whence comfort seem'd to come

Discomfort swells. Mark, king of Scotland, mark:

No sooner justice had with valour arm'd

Compell'd these skipping kerns to trust their heels,

But the Norweyan lord surveying vantage,

With furbish'd arms and new supplies of men

Began a fresh assault.

DUNCAN

Dismay'd not this

Our captains, Macbeth and Banquo?

Sergeant

Yes;

As sparrows eagles, or the hare the lion.

If I say sooth, I must report they were

As cannons overcharged with double cracks, so they

Doubly redoubled strokes upon the foe:

Except they meant to bathe in reeking wounds,

Or memorise another Golgotha,

I cannot tell.

But I am faint, my gashes cry for help.

DUNCAN

So well thy words become thee as thy wounds;

They smack of honour both. Go get him surgeons.

Exit Sergeant, attended

Who comes here?

Enter ROSS

MALCOLM

The worthy thane of Ross.

LENNOX

What a haste looks through his eyes! So should he look

That seems to speak things strange.

ROSS

God save the king!

DUNCAN

Whence camest thou, worthy thane?

ROSS

From Fife, great king;

Where the Norweyan banners flout the sky

And fan our people cold. Norway himself,