Lippi & Semma's Friendship

By Pedro Moreira Nt

The animal life's boundaries of Semma and Lippi's is an adventure history.
The history is the adventure that comes from the tangles that the author to do as start process to write the history.
The author believes that tangles can compose the history. They would be the thoughts as the events that materialize in the same drawing when you choose into the tangle which you did.
Could we from the drawing tip tangle make a narrative short story? Can the child do this? We choose the events whose ideas complete what represent these discovered objects. What will happen in those huddled traits? We do not know what there is inside the drawing. If we want to know what it is, and what else can be discovered, just let the mind to float.
Let's talk about it.
The Pedagogy and Psychology in education science can help us. It is not much, but it is enough. Here the complexity change for simplicity.
The Friendship of Lippi and Semma tells how this process takes care to create new possibilities.
The story will shows a little about the dynamics of creativity.
Here is a path, a little different, a case among many possible.
'No drawing no image, no boundary no limits people that no has limits no have the design or drawing, self image, valous and ethical capacity for decision'.
Therefore, give limits to create the drawing, the character, the personality.
The Friendship of Lippi and Semma tells how this process takes care to create new possibilities.
The story shows a little about the dynamics of creativity.
I want you to know how much you can offer to grow the child's imagination with a little story of tangled lines. Play scribble.
Here is a path, a little different, a case among many possible. It is a proposal to play scribble.
Learn more about this story with strangers tangled in the lines. Scribbles are multiple paths of different meanings and senses.
"****"

• Language: English
• Publisher: Pedro Moreira Nt
• Release date: Jan 4, 2016
• ISBN: 9781311243249

Pedro Moreira Nt

Who I am Pedro Moreira Nt I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, and at both comes a song walking my mind, sweetness and lovely goodness. I am critical of that; I desire to create a mist of essay, but my preference for poem structure and sensibility do not long of art. So, I seek romanticizing concepts and developing a new sense of literature that happens in its movement. I leave it to the reader to do part of that; they create a truthful text and can do a good book. It is the interpretation, the way, a leap beyond what a word says, transforming our lives when they share. My first writings, chronic stories, participated in my soul. It was extremely critical and sarcastic about what I saw from reality. I am talking of a fifties age period behind. In a position about what I developed, my evolution was more toward apparent expressionism and realism with wave poetical intermain. I do not know, and I am a writer by chance by life. I wait to create something more dense and fragile so that a reader can discover more insight and make the story. I write all day. I threw out many texts, books, and theatre, left at home friends, gave up on other works, abandoned along the path, and presented in different ways when it was impossible. I have not had a time in which I did not have difficulties showing my art, or I was, for some reason, prohibited from showing, or people made oyster faces and bodies, seeing down shoes, putting me out because, beyond writing, I talk. And when I speak, I create conflict with conceptualistic people. I am intervenient into the academy and ideological corpus, into radicalism free. I am more definitive when I believe in what I say and highly flexible when people do not know what I am saying. My themes are variant, and many circumstances bring me a gift, a motive to write. I wrote in Portuguese two books that I like, "Lirio" - Lille, and "O Peixinho do Pantanal" - The Little Fish from Pantanal (Wetlands), and both meant creation, jump to beyond, overcome, transformation social and personal release. From that, I wrote other books seeking to show different meanings throughout of phantasy necessary, and it to parents an...

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