The Wound Dresser - A Series of Letters Written from the Hospitals in Washington During the War of the Rebellion
By Walt Whitman
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Walt Whitman
Walt Whitman (1819-1892) was an American writer famously known for his poetry collection, Leaves of Grass. In addition to his poetry, Whitman was also a prominent essayist, journalist, and humanist with works centering mainly around the topics of transcendentalism and realism. Born in New York in 1819, Whitman worked at a printing press where he then transitioned to a full-time journalist. During his time in journalism, Whitman developed many important beliefs, many of them formed after having witnessed the auctioning of enslaved individuals. Over the course of his career, Whitman remained very politically aware, disavowing the bloody nature of the Civil War and dedicating resources to help the wounded in various hospitals in New York City. Whitman spent his declining years working on revisions for Leaves of Grass, which was largely thereafter referred to as his “Deathbed Edition.”
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The Wound Dresser - A Series of Letters Written from the Hospitals in Washington During the War of the Rebellion - Walt Whitman
THE
WOUND DRESSER
A Series of Letters
Written from
the Hospitals in Washington
During the War of the Rebellion
By
WALT WHITMAN
Edited by
RICHARD MAURICE BUCKE,
One of Whitman’s Literary Executors
First published in 1897
This edition published by Read Books Ltd.
Copyright © 2019 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available
from the British Library
Contents
Walt Whitman
PREFACE
THE GREAT ARMY OF THE WOUNDED
LIFE AMONG FIFTY THOUSAND SOLDIERS
HOSPITAL VISITS
LETTERS OF 1862-3
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
XXII
XXIII
XXIV
XXV
XXVI
XXVII
XXVIII
XXIX
XXX
LETTERS OF 1864
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
XXII
XXIII
XXIV
XXV
XXVI
XXVII
XXVIII
XXIX
Walt Whitman
Walt Whitman was born on 31st May 1819 in the Town of Huntington, Long Island, New York, USA. He was the second of nine children of Walter Whitman and Louisa Van Velsor Whitman. In part due to a series of bad investments, the family lived in various homes in the Brooklyn area, and Whitman recalled his childhood as generally restless and unhappy, given his family’s difficult economic status. Whitman finished his formal schooling at age eleven, and immediately sought employment to aid his family. He worked in an office of a legal firm and later as an apprentice and printer’s devil for the weekly Long Island newspaper, the Patriot. The following summer, Whitman took a job with the leading Whig newspaper the Long-Island Star, and it was here that he developed a strong interest in reading, writing and theatre. He also anonymously published some of his earliest poetry in the New York Mirror.
After a brief sojourn as a teacher, living back with his family in Long Island, Whitman returned to New York to establish his own newspaper; the Long Islander. He embarked on this project in the spring of 1838, but sold the paper to E.O. Crowell after only ten months. From 1840-41 Whitman attempted to further his career in teaching, but with little success, he returned to writing. During this time, Whitman published a series of ten editorials, called Sun-Down Papers—From the Desk of a Schoolmaster, in three newspapers between the winter of 1840 and July 1841. In these essays, he adopted a constructed persona, a technique he would employ throughout his career. It was not until 1850 that Whitman began writing what would later become Leaves of Grass; a collection of poetry which he continued editing and revising until his death. The first edition was a success, and stirred up significant interest, partly due to the praise it received by Ralph Waldo Emerson. However the volume, which Whitman intended as ‘a distinctly American epic’, attracted substantial criticism for its ‘offensive’ and ‘crude’ sexual themes. It deviated from the historic use of an elevated hero and instead assumed the identity of the common person; part of the transition in American literature, moving away from transcendentalism towards realism. In light of the contemporary criticism, Whitman's sexuality is often discussed alongside his poetry. Though biographers continue to debate his sexuality, he is usually described as either homosexual or bisexual - yet this remains speculation.
Whitman lived through the American Civil war, and volunteered as a nurse in army hospital, later serving as a clerk in the Bureau of Indian Affairs in the Department of the Interior. In June of 1865, Whitman was fired from his job – most likely on moral grounds, by the former Iowa Senator James Harlan, after he found an 1860 edition of Leaves of Grass. Whitman’s friend William Douglas O’Connor, a well-connected poet and newspaper editor was incensed by this iniquitousness, and wrote a pamphlet defending Whitman as a wholesome patriot, greatly increasing his popularity. Further adding to Whitman’s fame during this period was the publication of O Captain! My Captain!; a relatively conventional poem chronicling the death of Abraham Lincoln. It was the only poem to appear in anthologies during Whitman’s lifetime. The author then moved onto work at the Attorney General’s office, interviewing former Confederate soldiers for Presidential Pardons - an occupation which was more to Whitman’s taste. He later wrote to a friend; ‘there are real characters among them… and you know I have a fancy for anything out of the ordinary.’ During this time, Whitman succeeded in finding a publisher for Leaves of Grass (eventually issued in 1871), the same year it was mistakenly reported that its author died in a railroad accident. Only two years after this great personal success, Whitman suffered a paralytic stroke (early in 1873) and was induced to move to the home of his brother in New Jersey. Whilst there, he was very productive, publishing three versions of Leaves of Grass, as well as other works. This was also the last point at which Whitman was fully mobile, and he received many famous authors, including Oscar Wilde and Thomas Eakins. In 1884, he bought his own house, remaining in New Jersey, but became completely bedridden soon after. In the last week of his life, Whitman was too weak even to lift a knife or fork, and wrote; ‘I suffer all the time: I have no relief, no escape: it is monotony—monotony—monotony—in pain.’ He died from diminished lung capacity, the result of bronchial pneumonia and an abscess on the chest, on 26 March 1892.
By the time of his death, Whitman had become a veritable national celebrity, and a public viewing of his body was held at his home; an event which attracted over one thousand people in three hours. His coffin was barely visible because of all the flowers and wreaths. Whitman was buried four days later at Harleigh Cemetery in Camden, New Jersey. He has since been eulogised as America’s first ‘poet of democracy’, due to his uncanny ability to write in the American character, and remains an enduring and much loved literary figure to this day.
PREFACE
AS introduction to these letters from Walt Whitman to his mother, I have availed myself of three of Whitman’s communications to the press covering the time during which the material which composes this volume was being written. These communications (parts of which, but in no case the whole, were used by Whitman in his Memoranda of the Secession War
) seem to me to form, in spite of certain duplications, which to my mind have the force, not the weakness, of repetition, quite an ideal background to the letters to Mrs. Whitman, since they give a full and free description of the circumstances and surroundings in the midst of which those were composed. Readers who desire a still more extended account of the man himself, his work and environment at that time, may consult with profit the Editor’s Walt Whitman
(pp. 34-44), O’Connor’s Good Gray Poet
(included in that volume, pp. 99-130), Specimen Days
(pp. 26-63, included in Walt Whitman’s Complete Prose Works
), and above all the section of Leaves of Grass
called Drum-Taps.
I do not believe that it is in the power of any man now living to make an important addition to the vivid picture of those days and nights in the hospitals drawn by Whitman himself and to be found in his published prose and verse, and, above all, in the living words of the present letters to his mother. These[Pg viii] last were written on the spot, as the scenes and incidents, in all their living and sombre colors, passed before his eyes, while his mind and heart were full of the sights and sounds, the episodes and agonies, of those terrible hours. How could any one writing in cold blood, to-day, hope to add words of any value to those he wrote then?
Perhaps, in conclusion, it may be as well to repeat what was said in the introduction to a former volume,—that these letters make no pretensions as literature. They are, as indeed is all that Whitman has written (as he himself has over and over again said), something quite different from that—something much less to the average cultured and learned man, something much more to the man or woman who comes within range of their attraction. But doubtless the critics will still insist that, if they are not literature, they ought to be, or otherwise should not be printed, failing (as is their wont) to comprehend that there are other qualities and characteristics than the literary, some of them as important and as valuable, which may be more or less adequately conveyed by print.
R. M. B.
THE GREAT ARMY
OF THE WOUNDED
THE military hospitals, convalescent camps, etc., in Washington and its neighborhood, sometimes contain over fifty thousand sick and wounded men. Every form of wound (the mere sight of some of them having been known to make a tolerably hardy visitor faint away), every kind of malady, like a long procession, with typhoid fever and diarrhœa at the head as leaders, are here in steady motion. The soldier’s hospital! how many sleepless nights, how many women’s tears, how many long and waking hours and days of suspense, from every one of the Middle, Eastern, and Western States, have concentrated here! Our own New York, in the form of hundreds and thousands of her young men, may consider herself here—Pennsylvania, Ohio, Indiana, and all the West and Northwest the same—and all the New England States the same.
Upon a few of these hospitals I have been almost daily calling as a missionary, on my own account, for the sustenance and consolation of some of the most needy cases of sick and dying men, for the last two months. One has much to learn to do good in these places. Great tact is required. These are not like other hospitals. By far the greatest proportion (I should say five sixths) of the patients are American young men, intelligent, of independent spirit, tender feelings, used to a hardy and healthy life; largely the farmers are represented by their sons—largely the mechanics and workingmen of the cities. Then they are soldiers. All these points must be borne in mind.
People through our Northern cities have little or no idea of the great and prominent feature which these military hospitals and convalescent camps make in and around Washington. There are not merely two or three or a dozen, but some fifty of them, of different degrees of capacity. Some have a thousand and more patients. The newspapers here find it necessary to print every day a directory of the hospitals—a long list, something like what a directory of the churches would be in New York, Philadelphia, or Boston.
The Government (which really tries, I think, to do the best and quickest it can for these sad necessities) is gradually settling down to adopt the plan of placing the hospitals in clusters of one-story wooden barracks, with their accompanying tents and sheds for cooking and all needed purposes. Taking all things into consideration, no doubt these are best adapted to the purpose; better than using churches and large public buildings like the Patent office. These sheds now adopted are long, one-story edifices, sometimes ranged along in a row, with their heads to the street, and numbered either alphabetically, Wards A or B, C, D, and so on; or Wards 1, 2, 3, etc. The middle one will be marked by a flagstaff, and is the office of the establishment, with rooms for the ward surgeons, etc. One of these sheds, or wards, will contain sixty cots; sometimes, on an emergency, they move them close together, and crowd in more. Some of the barracks are larger, with, of course, more inmates. Frequently there are tents, more comfortable here than one might think, whatever they may be down in the army.
Each ward has a ward-master, and generally a nurse for every ten or twelve men. A ward surgeon has, generally, two wards—although this varies. Some of the wards have a woman nurse; the Armory-square wards have some very good ones. The one in Ward E is one of the best.
A few weeks ago the vast area of the second story of that noblest of Washington buildings, the Patent office, was crowded close with rows of sick, badly wounded, and dying soldiers. They were placed in three very large apartments. I went there several times. It was a strange, solemn, and, with all its features of suffering and death, a sort of fascinating sight. I went sometimes at night to soothe and relieve particular cases; some, I found, needed a little cheering up and friendly consolation at that time, for they went to sleep better afterwards. Two of the immense apartments are filled with high and ponderous glass cases crowded with models in miniature of every kind of utensil, machine, or invention it ever entered into the mind of man to conceive, and with curiosities and foreign presents. Between these cases were lateral openings, perhaps eight feet wide, and quite deep, and in these were placed many of the sick; besides a great long double row of them up and down through the middle of the hall. Many of them were very bad cases, wounds and amputations. Then there was a gallery running above the hall, in which there were beds also. It was, indeed, a curious scene at night when lit up. The glass cases, the beds, the sick, the gallery above and the marble pavement under foot; the suffering, and the fortitude to bear it in the various degrees; occasionally, from some, the groan that could not be repressed; sometimes a poor fellow dying, with emaciated face and glassy eyes, the nurse by his side, the doctor also there, but no friend, no relative—such were the sights but lately in the Patent office. The wounded have since been removed from there, and it is now vacant again.
Of course there are among these thousands of prostrated soldiers in hospital here all sorts of individual cases. On recurring to my note-book, I am puzzled which cases to select to illustrate the average of these young men and their experiences. I may here say, too, in general terms, that I could not wish for more candor and manliness, among all their sufferings, than I find among them.
Take this case in Ward 6, Campbell hospital: a young man from Plymouth county, Massachusetts; a farmer’s son, aged about twenty or twenty-one; a soldierly, American young fellow, but with sensitive and tender feelings. Most of December and January last he lay very low, and for quite a while I never expected he would recover. He had become prostrated with an obstinate diarrhœa: his stomach would hardly keep the least thing down; he was vomiting half the time. But that was hardly the worst of it. Let me tell his story—it is but one of thousands.
He had been some time sick with his regiment in the field, in front, but did his duty as long as he could; was in the battle of Fredericksburg; soon after was put in the regimental hospital. He kept getting worse—could not eat anything they had there; the doctor told him nothing could be done for him there. The poor fellow had fever also; received (perhaps it could not be helped) little or no attention; lay on the ground, getting worse. Toward