Al Pittman: Collected Poems
By Al Pittman
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Al Pittman
Al Pittman, one of Newfoundland’s most celebrated authors, was born in St. Leonard’s, Placentia Bay, in 1940 and raised in Corner Brook. He was a co-founder of Breakwater Books, the creative force behind The March Hare festival, and the subject of radio, television, and film documentaries. His most popular books include the children’s favorite Down by Jim Long’s Stage, the play West Moon, and An Island in the Sky: Selected Poems. In 2001, the year of his death, Pittman was awarded a Newfoundland and Labrador Book Award for his poetry collection Thirty-for-Sixty.
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Reviews for Al Pittman
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- Rating: 5 out of 5 stars5/5His poetry spoke of real things. Family, friends, nature, experiences. He was my poetry professor for several semesters and my favourite professor ever. He came alive in the classroom. He made me want to be better. I loved his work in all genres. I read it still forty years later, over and over and never tire of it. He was great fun to share a few beers with as well, with other professors and other students, a classroom away from the classroom. I will miss him always.
Book preview
Al Pittman - Al Pittman
ACKNOWLEDGEMENTS
Al Pittman’s first book, The Elusive Resurrection, was published by Brunswick Press (Fredericton, NB) in 1966 with a foreword by Fred Cogswell. Seaweed and Rosaries appeared in 1968, published by Poverty Press (Montreal, QC), and included illustrations by Kenneth Pittman. His third collection of poetry, Through One More Window, was published by Breakwater in 1974 and incorporated drawings by Gerry Squires. In 1978, Breakwater published Once When I Was Drowning, a collection of new and selected poems drawn from his earlier books, which by that time were out of print. Dancing in Limbo appeared in 1993 from Breakwater, and his final collection, Thirty-for-Sixty, was published by Breakwater in 1999.
The editor and Breakwater Books extend their gratitude to Marilee Pittman for her assistance in the compilation and publication of Al Pittman’s collected poems.
EDITOR’S NOTE
Al Pittman published his first three books of poetry between 1966 and 1974, but those early books have long been out of print. His reputation and his influence have, to this point, rested almost entirely on the material in his last three books—Once When I Was Drowning (1978), Dancing in Limbo (1993), and Thirty-for-Sixty (1999). Once When I Was Drowning included new poetry alongside selected poems from Pittman's first three collections, many of them printed in revised forms. But a significant portion of his life's work has been all but unavailable to readers for much of the last forty years, and a complete retrospective has been frustrated until now.
This book brings together all of Pittman's published poems, from his six full-length collections, in a single volume. Typographical errors have been corrected, but every effort has been made to preserve the poems as they originally appeared. In poems that Pittman revised for later publication, the last published versions are included in deference to his final vision, but they are placed within their original sequence. On occasion, revisions were so significant they effectively constituted an entirely new poem. In these cases, both versions are printed within their respective collections.
1966
THE ELUSIVE RESURRECTION
images/img-17-1.jpgFor Marilee
because I love her
THE BORDER
The brook was the border.
We’d gather there on our side
above the falls
on Saturday afternoons
our pockets filled with stones
carefully selected
from the roadside gravel.
They would form up on the far side
and soon the battle would begin.
Rarely did anyone get hurt
but only because our weapons
were inaccurate at such range.
If by chance we did draw blood
we’d jump for joy
all up and down the bank
and the canyon below the falls
would resound with our victory chants.
We never knew them by name
and never cared to.
I don’t know why we fought them.
The only thing they had ever done
to us was to return stone-throw
for stone-throw.
Their only offence was
they lived across the brook.
They hated us for the same reason.
THE BERRY PICKERS
Many a day we climbed
beyond the last hay-mown meadow
up the rock strewn face
where the Burnt Hills dipped
to meet the peopled valley
and as we groped our well known way
toward the summit of the first rise
to where the way was worn
and the travelin’ easy
we could see
through sun-squinted eyes
(where the trail opened above us
here and there
to give the climbers their bearings)
the white flour sacks
wrapped around sun-stroked heads
There were others ahead of us
but no worry
we had our spot
and they had theirs
where the squash berries green and firm
were waiting to be picked
by counted cupfuls
and dumped into Cream of the West bags
to be toted home to the kitchen cupboard
to ripen
or to be sold at doors
for 50¢ a gallon
THE CAPLIN SCULL
Round about June
depends on the tides
and things really
the caplin come
Pursued to the shore
by cod and such
in millions
the caplin come
Their purpose
is to spawn
among the beach rocks
but the cry is out
the caplin come
Last night
they rolled down ’long
thick as flies
the old man ’llowed
but now the water here
farther up the bay
seems silver
as the caplin come
Some use dip nets
and some seines
and more use cans
and even bare hands
are used to reap the harvest
spewing up on the beach
The caplin come
a thousand tables
share the feast
and plants work overtime
to meet the demand
of those who’ve seen the sign
fresh 37¢ per lb.
and ask
the caplin come
To give birth they came
a lesser purpose
would never suffer them
to come so close to shore
Damn good
Fried just right
EBB TIDE
Why
does daylight
dearest
bring remorse?
Is it because you think
your lovely sins
can be concealed
in darkness
or is night
your particular weakness?
Does the sea
wash upon Sable’s shore
less after sunrise
than before?
THE CEREMONY
Mid shadows
of dusk
we lay
on floor-sprawled blankets
each of our bodies
a willing receptacle
for the other’s warmth
Tales from the Vienna Woods
went unheard
drowned out
by a closer symphony
as we touched
and tasted love’s defiance
and unveiled the soul
of this sweet sweet alliance
A TIME TO COME
And peace shall be ours
Not today
for yet the worthless task
is left undone
Not tonight
for voices in the dark
are voices of the dumb
Not tomorrow
’mid memories of yesterday
and the night that’s done
But in a time to come
every moment
shall be worth itself
And peace shall be ours
DREAMS
Ring-g-g-g!
But I don’t want
to wake up.
Ring-g-g-g-g-g!
Oh Hell!
A POEM ENTITLED
FATE YOU BASTARD–HOW COULD YOU
Fate,
you bastard,
how
could you?
BEYOND THIS PLACE
Must I remain
forever
in this empty valley
forever
shouting my loneliness
to a heedless space
only to have my cries
rebound as echoes
from these fortress walls
There is a place beyond
where love is
not in memory
or thought
but as it should be
shared in reality
There’s where I belong
but this valley
is wide
its border steep
and all its paths
lead to peril
So I must remain
to carve another way
through the thicket
and the stone
a way beyond this place
never more
to be alone
TO MARILEE
Come take my hand
and lead the way
as walk we
through the world
Sip with me
the morning dew
in fields
of buttercups unfurled
Let me stroll
through forests wide
carpeted with fern
and savour just a portion
of that for which I yearn
Lead me over
stepping stones
across a rippling stream
to where we’ll find
the star-lit way
to the land
of which I dream
Let me gaze
on mountains white
with snows
that never melt
and talk to you
without confines
of all I’ve ever felt
Take me to where
oceans clear
wash upon untrodden sand
This world as is
is much too much
or not enough
Come
take my hand
AFRAID OF THE DARK
Three days ago
we crucified a guy
called Jesus
A real radical
from up Nazareth way
Man
you should have heard
him talk
You know
one of those characters
out to change
the world
Like what’s to change
He had
a lot of guts though
Anyway
today we found
the stone rolled back
and I got scared
crazy
Search me
what in Nero’s name for
but I ran
into the tomb
to hide
Now it’s night
and the stone
is back in place
I can’t get out
NO WAY BACK
They laughed
as friends do
there together
on the sun-bathed beach
and talked
of life and love
in remote tones
and romped
as friends may
there among the waves
and then
decided hand in hand
to stroll downshore awhile
They did
and fell in love
and loved
and were happy
as lovers sometimes are
until waves
lapping at their feet
told them
time to return
and as they walked
a little apart
each tried
unknown to the other
to retrace the footprints
on which they had come
but the tide
had erased them
and no way could they find
their happy
friendship spot
OVERHEARD IN A TAVERN
My catholicism
must go
very
deep
because
I can’t
even enjoy
being in love.
CONCEDED
I was all set
to argue
when he said
that the world
was in a sorry
mess
but then
he kicked the dog
lying in his path
and I agreed
NIGHT
The wings of night
are fast approaching
soon the day will be dark
and we will retire
and return
to the nightmare world
Where dreams
gleam brighter than life
We shall draw the sheets of anguish
over our hearts
and conjure up our pleasant pleasures
Which upon waking
we can’t even remember
And we shall drift
without aim
through the maze
of our warped world
And chase our elusive quarry
down the unmapped caverns
of our sleep
And hope another night
to grasp and keep
what in reality
was
before the horizon darkened
in the shadow
of the wings of night
BAPTISM
How I should like
to return
to the fields
and lie a while
with new-grown hay
whipping my face
in its breeze-blown
gentle way
And stepping stones
follow a living stream
in winding cataract fashion
down to the sea
And taste the salt
sprayed my way
by shore-crashing waves
And lift my eyes
to the mountains behind
my heart to the sky above
And taste once more
the sweet life
that knows no confession
And is
in itself
a sacrament of the living
A POEM UNWRITTEN
One evening recently
when inspiration
was at a premium
I thought I’d write a poem
on Fredericton
But
I don’t much like
writing about death
so I decided
to leave her immortality
to another
more tolerant poet
SHADES OF IRVING LAYTON
For a long time now
I’ve wanted
(Layton like)
to write a poem
with the word
thighs
in it
Now
I’ve done it
NOT WITH A BANG
Commuters spawn shoppers
along the underworld
sidewalks
to covet
and to buy
unnecessary things
to fill the gaps
their lives have left
for them to fill
And choir boys
in angel garb
chant Gregorian
in practice
for a coming sacrifice
to the god
Another sod is turned
Another meal is burned
And children in nurseries
wait to be picked up
by vaguely familiar mothers
to spend the night
at their own addresses
While downtown
weary of the day’s commerce
transforms itself
into an instant Babylon
And rivers run
to generate power
for the mills
for which the trees grow
A silent kiss
is passed to someone
who misses it
behind the smoke
of evenings in apartments
where love is only a joke
to be laughed
or sneered at
above nylon knees
and filter-tipped ashtrays
All the young cannibals
do a dance
on their way to bed
to nymph the night away
Another tragedy told
Another paper sold
And the dishes left for later
Give a little
take a lot
and wonder
what to do tomorrow
before today is done
ON THE COLLAR
Just off the seasick shore
the restless motor boats lie
leashed to the collar
and prance and kick
upon the waves
like a herd
of wild white horses
straining to break their halters
to be off
to where the combers roll
to ride the wild Atlantic
THE CAUSE
Warrior
if you could tell me
what it is
you’re trying so hard
to conquer
or defeat
perhaps I could honor
your valiant charge
and when it’s done
place a wreath
in loving memory
on your grave
THE UNBURNISHED YEARS
Here I sit
rusting away
between
the covers of a book
trying to acquire
someone else’s
education
And the degree
they’ll grant me
someday
won’t even attest
to having succeeded
in that
It will mean
nothing
but that
I’ve punched in
the required number
of years
Actually I think
I should get
a Ph.D. in Perseverance
or an M.A. in Cowardice
for putting up with it all
this long
God
what a waste of time
THE HILLS WERE LIARS
He lived in the valley