Debutantes and the London Season
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About this ebook
Lucinda Gosling
Lucinda Gosling studied history at the University of Liverpool and has worked in the picture library industry since 1993, currently at historical specialist, Mary Evans Picture Library, and formerly as manager of the Illustrated London News archive. Her interests and areas of specialisation include illustration, royalty and World War I. She has written articles on a wide range of subjects for magazines such as History Today, Illustration, Handmade Living and BBC News Online and is a regular contributor of features on royal history to Majesty magazine. She authored the successful Illustrated Royal Weddings and Diamond Jubilee by Haymarket and ILN Ltd and Royal Coronations for Shire Publications, as well as Brushes & Bayonets, an exploration of the First World War through the cartoons and drawings in the Illustrated London News archive, published by Osprey.
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Reviews for Debutantes and the London Season
3 ratings1 review
- Rating: 5 out of 5 stars5/5A concise but comprehensive overview of the rules, rituals and customs of life as a debutante in the 19th and 20th centuries. Entertaining, informative and easy to read, with plenty of illustrations and contemporary quotations.
Book preview
Debutantes and the London Season - Lucinda Gosling
AN EXCLUSIVE CLUB
EACH SPRING , from the mid-nineteenth century through to the beginning of the Second World War, as the blossom on the trees in London’s exclusive squares unfurled, the well bred and well-heeled left their country estates and headed for the capital. Ahead of them travelled servants to prepare houses in readiness for their family’s arrival. Across Mayfair, dustsheets were removed from heirloom furniture and windows were flung open to air fusty rooms. This flurry of activity prompted hotels, florists, hairdressers and caterers to place advertisements in society magazines, and to wait for their order books to fill up as invitations and RSVPs to endless balls, parties, evening receptions and events criss-crossed the city. This seasonal migration, these fevered preparations, heralded the start of what was known as the London Season; an intensive three-month social whirl participated in by those whose breeding, wealth and status marked them out as the so-called cream of British society.
‘Society’ once described the country’s uppermost social ranks, a handful of ducal families sometimes described as the ‘ton’. But an expanding population in the early nineteenth century led to an expansion of Society itself. Marital links were forged further down the chain, between the aristocracy and the landed gentry, and, in turn, the middle class, as younger sons of larger families cast their net wider in order to find a wife. In addition, increasing industrialisation created a growing contingent whose fortunes were made rather than inherited. These were ‘new money’ families; those who had the wealth but not, necessarily, the connections to gain admittance to Society.
H. V. Horton, writing a history of Mayfair in 1927, claimed that the origins of the Season lay in Mayfair’s gentrification in the early eighteenth century, with the Season then lasting from December to the end of May. It did not follow the same rigid pattern as later centuries; Society followed the court and gravitated towards the great houses of political leaders but found entertainment at public spaces such as Vauxhall Pleasure Gardens or in Covent Garden theatres. A commentator in 1871 wrote of a previous generation ‘that they [the very great] should partake of these pleasures in company that was always mixed and sometimes more than dubious as to its quality, supping, dancing, and playing at cards and hazard … and yet to the best of our knowledge no special harm or annoyance appears to have resulted from this singular comingling of the classes.’ Advertising one’s rank and station through segregation did not seem to occur to the eighteenth-century nobleman.
Vauxhall Pleasure Gardens in the eighteenth century. Before the more intensive social segregation of the nineteenth century, the nobility would mix with lower classes at public entertainment venues.
In the following century, socialising began increasingly to take on a more private form centred on parties in grand houses, meaning only those wealthy enough to own such residences, and only those who knew them, or knew someone who could introduce them, could take part. The grandest house of all, Buckingham Palace, operated the same system and only those who were introduced by someone who already had the ‘entrée’ could gain admittance. In many ways, the Season represented networking at the highest level, sub-consciously developed to filter out any undesirables and, in time, to bring together, under supervision, Society’s unmarried daughters with potential husbands from the same elite stock.
Piccadilly, one of the smartest thoroughfares in London, pictured during the Season in 1895. The route was once lined with a number of aristocratic mansions.
The Season’s timing shifted around before finally settling in spring and early summer. Roughly coinciding with the Parliamentary year, at first, when Parliament sat in February, gentlemen would bring their families with them to London, and in time, it occupied the more concentrated period during the Parliamentary recess, which ran from spring to August. The timing provided a convenient period for this annual pilgrimage when a temporary easing of political obligation happily converged with social expediency. For the 120 years that followed Queen Victoria’s accession, it became the way that Britain’s upper classes spent May, June and July each year. In May 1886 an anonymous writer in Harper’s New Monthly Magazine ran a feature on ‘The London Season’, introducing its readers to the giddy world of a high society summer. It began with the conundrum of finding a satisfactory definition for what was a vague and changeable phenomenon:
A house in prestigious Carlton House Terrace overlooking St James’s Park at the height of the Season, showing guests arriving and others enjoying the night air on the portico above the entrance.
To give a definition of the London season that would satisfy a West End lady and inform an inquiring Oriental is not an easy task. The difficulty arises from the fact that the ‘season’ is not, like other seasons, limited by fixed dates, nor is it the season of