Delphi Complete Works of George Herbert

By George Herbert

Regarded as the most gifted devotional lyricist of British poetry, George Herbert was associated with the metaphysical poets, producing deeply influential verses in the early seventeenth century. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents Herbert’s complete works, with rare prose texts, beautiful illustrations and the usual Delphi bonus material. (Version 2)

* Beautifully illustrated with images relating to Herbert’s life and works
* Concise introductions to the poetry and other works
* Images of how the poetry books were first printed, giving your eReader a taste of the original texts
* Excellent formatting of the poems
* Special chronological and alphabetical contents tables for the poetry
* Easily locate the poems you want to read
* Includes rare translations of Herbert’s Latin and Greek verses (translated by Alexander B. Grosart and Richard Wilton) – first time in digital print
* Features the first biography on the poet by Izaak Walton – discover Herbert’s fascinating life
* Scholarly ordering of texts into chronological order and literary genres
* UPDATED with the Complete Prose works, including the seminal ‘A Priest to the Temple’

CONTENTS:

The Life and Poetry of George Herbert
Brief Introduction: George Herbert
The Poetry of George Herbert

The Poems
List of Poems in Chronological Order
List of Poems in Alphabetical Order

The Prose
A Priest to the Temple; or, The Country Parson (1652)
Preface and Notes to ‘The ‘Divine Considerations’ by John Valdesso (1652)
A Treatise of Temperance and Sobriety (1652)
Jacula Prudentum (1652)
Letters of George Herbert (1652)

The Biography
The Life of Mr. George Herbert by Izaak Walton

• Language: English
• Publisher: Delphi Classics
• Release date: Aug 11, 2015
• ISBN: 9781910630952

Book preview

cover.jpgimg1.jpg

George Herbert

(1593-1633)

img2.jpg

Contents

The Life and Poetry of George Herbert

BRIEF INTRODUCTION: GEORGE HERBERT

TABLE OF CONTENTS FOR THE POETRY

The Poems

LIST OF POEMS IN CHRONOLOGICAL ORDER

LIST OF POEMS IN ALPHABETICAL ORDER

The Biography

THE LIFE OF MR. GEORGE HERBERT by Izaak Walton

img3.png

© Delphi Classics 2015

Version 1

img4.jpgimg5.jpg

George Herbert

img6.jpg

By Delphi Classics, 2015

NOTE

img7.png

When reading poetry on an eReader, it is advisable to use a small font size and landscape mode, which will allow the lines of poetry to display correctly.

The Life and Poetry of George Herbert

img8.png

Montgomery, Powys, Wales — George Herbert’s birthplace

BRIEF INTRODUCTION: GEORGE HERBERT

img9.png

by Sidney Lee

GEORGE HERBERT (1593–1633), poet, born at Montgomery Castle on 3 April 1593, was fourth son of Sir Richard Herbert, by his wife Magdalen, and was brother of Edward, lord Herbert of Cherbury [q. v.], of Sir Henry Herbert [q. v.], and of Thomas Herbert [q. v.] [For an account of his mother and other members of his family see under Herbert, Edward, Lord Herbert of Cherbury.] As a child he was educated at home under the care of his mother, whose virtues he commemorated in verse, and he may have accompanied her in 1598 to Oxford, whither she went for four years to keep house for her eldest son, Edward. In his twelfth year (1604-5) George was sent to Westminster School ; and obtained there a king’s scholarship on 5 May 1609. He matriculated from Trinity College, Cambridge, on 18 Dec. 1609, graduating B.A. in 1612-13, and M.A. 1616. The master of the college, Dean Neville, recognised his promise, and he was elected a minor fellow on 3 Oct. 1614, major fellow 15 March 1615-16, and ‘sublector quartæ classis’ 2 Oct. 1617. Herbert was now a finished classical scholar. Throughout his life he was a good musician, not only singing, but playing on the lute and viol. His accomplishments soon secured for him a high position in academic society, and he attracted the notice of Lancelot Andrewes, bishop of Winchester (cf. Herbert’s letter to the bishop in Grosart, iii. 466). Herbert contributed two Latin poems to the Cambridge collection of elegies on Prince Henry (1612), and one to that on Queen Anne (1619). At an early period of his university career he wrote a series of satiric Latin verses in reply to Andrew Melville’s ‘Anti-Tami-Cami-Categoria’ (first published in 1604). Melville’s work was an attack on the universities of Oxford and Cambridge for passing resolutions hostile to the puritans at the beginning of James I’s reign. Herbert’s answer cleverly defended the established church at all points, and he declared himself strongly opposed to puritanism, an attitude which he maintained through life. Loyal addresses to James I and Charles, prince of Wales, were prefixed, but this work, although circulated in manuscript while Herbert was at Cambridge, was not printed till nearly thirty years after his death, when James Duport, dean of Peterborough, prepared it for publication (1662).

In 1618 Herbert was prelector in the rhetoric school at Cambridge, and on one occasion lectured on an oration recently delivered by James I, bestowing on it extravagant commendation (Hacket, Life of Williams, i. 175; cf. D’Ewes, Diary, i. 121). Despite his preferments, his income was small, and he was unable to satisfy his taste for book-buying. When appealing for money to his stepfather, Sir John Danvers (17 March 1617-18), he announced that he was ‘setting foot into divinity to lay the foundation of my future life,’ and that he required many new books for the purpose. Soon afterwards he left his divinity studies to become a candidate for the public oratorship at Cambridge— ‘the finest place [he declared] in the university.’ He energetically solicited the influence of Sir Francis Nethersole, the retiring orator, of his stepfather, of his kinsman, the Earl of Pembroke, and of Sir Benjamin Rudyerd. His suit proved successful, and on 21 Oct. 1619 he was appointed deputy orator. On 18 Jan. 1618-19 Nethersole finally retired, and Herbert was formally installed in his place. His duties brought him into relations with the court and the king’s ministers. He wrote on behalf of the university all official letters to the government, and the congratulations which he addressed to Buckingham in 1619 on his elevation to the marquisate, and to Thomas Coventry on his appointment as attorney-general in 1620, prove that he easily adopted the style of a professional courtier. He frequently attended James I as the university’s representative at Newmarket or Rovston,and he sent an effusively loyal letter of thanks to the king (20 May 1620) in acknowledgment of the gift to the university of a copy of the ‘Basilikon Doron.’ The flattery delighted the king. Herbert thenceforth was constantly at court, and received marks of favour from Lodowick, duke of Lennox, and James, marquis of Hamilton. He made the personal acquaintance of Bacon, the lord chancellor. As orator he had thanked Bacon for a gift to the university of his ‘Instauratio’ (4 Nov. 1620), and had written complimentary Latin verses on it in his private capacity. Bacon dedicated to Herbert his ‘translation of certaine psalms’ (1625), ‘in recognition of the pains that it pleased you to take about some of my writings.’ In 1623 Herbert delivered an oration at Cambridge congratulating Prince Charles on his return from Spain, and he expressed regret, in the interests of peace, that the Spanish match had been abandoned. Herbert at the time undoubtedly hoped to follow the example of Sir Robert Naunton and Sir Francis Nethersole, his predecessors in the office of orator, and obtain high preferment in the service of the state. But the death, in 1625, of the king and of two of his chief patrons, and his suspicions of the wisdom of Buckingham’s policy, led him to reconsider his position. His own early inclinations were towards the church, and his mother had often urged him to take holy orders. To resolve his doubts whether to pursue ‘the painted pleasures of a court life, or betake himself to a study of divinity,’ he withdrew to a friend’s house in Kent, and studied with such energy as to injure his health. While still undecided, John Williams, bishop of Lincoln, presented him to the prebend of Layton Ecclesia. To the prebend was attached an estate at Leighton Bromswold, Huntingdonshire, on which stood a dilapidated church. Herbert was not ordained, and was thus unable to perform the duties connected with the benefice; but the presentation called into new life the religious ardour of his youth.

Two miles from Leighton was Little Gidding, the home of Nicholas Ferrar [q. v.], with whom Herbert had some slight acquaintance while both were students at Cambridge. Herbert offered to transfer the prebend to Ferrar; but Ferrar declined the offer, and urged Herbert to set to work to restore the ruined church (Ferrar, Life of Nicholas Ferrar, ed. Mayor, p-50). Herbert eagerly followed Ferrar’s advice. Two thousand pounds were needed. His own resources were unequal to that demand, but with the help of friends he carried the work through. With Ferrar, who gave money as well as advice, Herbert thenceforth corresponded on terms of great intimacy. They styled each other ‘most entire’ friends and brothers, but they seem only to have met once in later years. Herbert’s final absorption in a religious life was doubtless largely due to Ferrar’s guidance. Donne, the friend of Herbert’s mother, proved also a sympathetic friend, especially at the time of Lady Danvers’s death in 1627. To Herbert, Donne gave one of his well-known seals, bearing on it a crucifix shaped like an anchor.

Owing partly to ill-health, and partly to his attendance at court, Herbert had already delegated his duties as orator at Cambridge to a deputy, Herbert Thorndike, and at the close of 1627 he resigned the post altogether. Threatened with consumption he spent the year 1628 at the house of his brother, Sir Henry Herbert, at Woodford, Essex, and early in 1629 visited the Earl of Danby, brother of his stepfather, at Dauntsey, Wiltshire. There he met, and fell in love with, a relative of his host, Jane Danvers, whose father, Charles Danvers of Baynton, Wiltshire, lately dead, had formed a high opinion of Herbert’s character, and openly told him that he wished him to marry one of his daughters. The marriage took place at Edington on 5 March 1628-9. Soon afterwards, on 6 April 1630, Charles I, at the request of the Earl of Pembroke, presented Herbert to the rectory of Fugglestone with Bemerton, Wiltshire. He was in doubt whether or no to accept the presentation, but went to Wilton to thank the earl for his kind offices. Laud, bishop of London, was then with the king at Salisbury, and Pembroke immediately informed him of Herbert’s hesitation. Laud sent for Herbert, and convinced him that it was sinful to refuse the benefice. Tailors were summoned to supply clerical vestments, and Herbert was instituted to the rectory by John Davenant, bishop of Salisbury, on 26 April 1630. Herbert’s life at Bemerton was characterised by a saint-like devotion to the duties of his office. There he wrote his far-famed series of sacred poems. He still practised music in his leisure, and twice a week he walked to Salisbury Cathedral. He repaired Bemerton Church (thoroughly restored by Wyatt in 1866), and rebuilt the parsonage, inscribing on the latter some verses addressed to his successor. Friends contributed to these expenses, but he spent (he wrote to his brother Henry) 200l. from his own resources, ‘which to me that have nothing yet is very much.’ But consumption soon declared itself, and after an incumbency of less than three years he was buried beneath the altar of his church on 3 March 1632-3. He had no children, and left all his property to his wife, saving a few legacies of money and books to friends. His widow afterwards married Sir Robert Cook of Highnam House, Gloucestershire,whither she carried many of Herbert’s writings. These were burnt with the house by the parliamentary forces during the civil war. A library of books which Herbert had deposited, with chains affixed to the volumes, in a room in Montgomery Castle, met with a very similar fate (Powysland Club Coll. vii. 132). Herbert’s widow was buried at Highnam in 1656 (Notes and Queries, 1st ser. ii. 157).

Besides the Latin poems contributed to the Cambridge collections, Herbert only published in his lifetime ‘Parentalia,’ verses in Latin and Greek to his mother’s memory, which were appended to Dr. Donne’s funeral sermon (London, 1627,12mo), and ‘Oratioquâ auspicatissimum Serenissimi Principis Caroli Reditum ex Hispanijs celebrauit Georgius Herbert, Academiæ Cantabrigiensis Orator,’ printed by Cantrell Legge at the Cambridge University Press, 1623. All the poetic work by which he is remembered was published posthumously. On his deathbed Herbert directed a little manuscript volume of verse to be delivered to his friend Nicholas Ferrar of Little Gidding, with a view to publication. Ferrar at once applied for a license to the vice-chancellor of Cambridge University, who hesitated, on the ground that two lines in one of Herbert’s poems (‘The Church Militant’) alluded somewhat contemptuously to the emigration of religion from England to America. But the prohibition was soon withdrawn. The volume was entitled ‘The Temple: Sacred Poems and Private Ejaculations,’ and Ferrar, the editor, described in a preface Herbert’s piety. Except the opening and closing poems,entitled respectively ‘The Church Porch’ and ‘The Church Militant,’ almost all the pieces are very brief. The earliest edition, which probably appeared within three weeks of Herbert’s death, bears no date on the title-page. It was apparently printed for private circulation only. A unique copy of it is in the Huth Library. The first edition issued to the public bears the date 1633. A second edition was issued in the same year, and later editions are dated 1634, 1635, 1638, 1641, 1656, 1660, 1667, 1674, 1679, 1703, and 1709. All editions earlier than 1650 were printed and published at Cambridge. Walton, writing in 1670, says that more than twenty thousand copies had been ‘sold since the first impression.’ ‘The Synagogue’ of Christopher Harvey [q. v.], which is printed in all the later editions, was first appended to that of 1641. A portrait of Herbert, engraved by R. White, was first introduced into the 1674 edition, with which Walton’s life was also reprinted. The text of the 1679 edition is disfigured by misprints, which have been repeated in many later editions. An alphabetical table was first added in 1709. Modern reprints are very numerous. An attractive edition, issued by Pickering, is dated 1846. Mr. J. H. Shorthouse wrote a preface for a facsimile reproduction in 1882. But the fullest edition of Herbert’s poems is that edited by Dr. Grosart in vols. i. and ii. of his collected edition of Herbert’s works (1874), and reproduced in the Aldine series in 1876. A manuscript copy (fol.) of the ‘Temple,’ which seems to have been presented by Ferrar to the vice-chancellor of Cambridge for his license in March 1632-3, is in the Bodleian Library. A manuscript volume containing portions of the ‘Temple,’ with a few other English poems by Herbert which are not included in Ferrar’s edition, and two collections of Latin epigrams, entitled respectively ‘Passio Discerpta’ and ‘Lucus,’ is in Dr. Williams’s Library, Gordon Square, London. It seems to have belonged to Ferrar, and to have been bound by him at Little Gidding. The English verses may possibly represent an early plan of the ‘Temple.’ Dr. Grosart, in his complete edition of Herbert’s poems, has carefully collated the text of the printed with the manuscript versions, and has published all the additional poems, both English and Latin, which are found in the Dr. ‘Williams’s MS.

Herbert is also credited with verse-renderings of eight psalms,which are signed ‘G.H.,’ in John Playford’s ‘Psalms and Hymns,’ London, 1671, fol. Walton, in his ‘Life of Herbert,’ prints two sonnets addressed by him to his mother. Aubrey quotes inscriptions assigned to Herbert on the tomb of Lord Dunvers at Dauntsey, and on the picture of Sir John Danvers, his stepfather’s father. A poem by Herbert called ‘A-Paradox’ in the Rawlinson MSS. at the Bodleian Library, and a poetic address to the queen of Bohemia in Brit. Mus. Harl. MS. 3910, p-2, were first printed by Dr. Grosart. In 1662 Herbert’s reply to Andrew Melville’s ‘Anti-Tami-Cami-Categoria’ of 1604 was published at Cambridge as an appendix to a volume entitled ‘Ecclesiastes Solomonis. Auctore Joan. Viviano. Canticum Solomonis: Nec non Epigrammata per Ja. Duportum.’ Herbert’s verses appear with a separate titlepage: ‘Georgii Herberti Angli Musæ Responsoriæ ad Andreæ Melvini Scoti, Anti-Tami-Cami-Categoriam.’

Herbert’s chief work in prose is ‘A Priest to the Temple, or the Countrey Parson, his Character and Rule of Holy Life,’ which was first issued in a little volume (Lond. 1652, 12mo) bearing the general title ‘Herbert’s Remains,’ and including a second tract called ‘Jacula Prudentum’ (see below). A brief address to the reader, signed by Herbert, is dated 1632, and there is a biographical notice of the author by Barnabas Oley. The second edition (Lond. 1671, 12mo) contains a new preface by Oley, which deals only with the theological value of the volume. The book is a record of the duties and aspirations of a pious country clergyman, but the style is marred by affectations and wants simplicity. Herbert also added to his friend Ferrar’s English translation of Leonard Lessius’s ‘Hygiasticon’ a translation from the Latin of Cornaro entitled ‘A Treatise of Temperance and Sobrietie,’ and made at the request ‘of a noble personage.’ This was first published at the Cambridge University Press in 1634. With Ferrer’s translation of Valdezzo’s ‘Hundred and Ten Considerations … of those things … most perfect in our Christian profession’ (Oxford, 1638) were published a letter from Herbert to Ferrar on his work, and ‘Briefe Notes [by Herbert] relating to the dubious and offensive places in the following considerations.’ The licenser of the press in his imprimatur calls special attention to Herbert’s notes. In the 1646 edition of Ferrar’s Valdezzo Herbert’s notes are much altered. In 1640 there appeared in ‘Witt’s Recreations’ a little tract entitled ‘Outlandish Proverbs selected by Mr. G. H.’ — a collection of 1,010 proverbs. This tract was republished with many additions and alterations as ‘Jacula Prudentum, or Outlandish Proverbs, Sentences, &c., selected by Mr. George Herbert, late Orator of the Universitie of Cambridge,’ in 1651, and with it were printed ‘The Author’s Prayers before and after Sermons’ (which also appear in Herbert’s ‘Country Parson’); his letter to Ferrar ‘upon the translation of Valdesso’ (dated from Bemerton, 29 Sept. 1632); and Latin verses on Bacon’s ‘Instanratio Magna,’ on Bacon’s death, and on Dr. Donne’s seal. The volume concludes with ‘An Addition of Apothegmes by Severall Authours.’ This book was reissued in 1652 as a second part of the volume entitled Herbert’s ‘Remains’ (Lond. 12mo).

Four affectionate letters to his younger brother, Sir Henry Herbert, dated 1618 and later, appear in Warner’s ‘Epistolary Curiosities,’ 1818, p-10. His letters to Ferrar are inserted in Webb’s ‘Life of Ferrar;’ his letters to his mother were printed by Walton, and some official letters from Cambridge as orator are extant in the university archives.

Herbert’s poems found much favour with his seriously-minded contemporaries. Richard Crashaw, in presenting the ‘Temple’ ‘to a Gentlewoman,’ speaks enthusiastically of Herbert’s ‘devotions’ and expositions of ‘divinest love.’ Walton, who in his ‘Angler’ quotes two of his poems, ‘Virtue’ and ‘Contemplation of God’s Providence,’ characterises the ‘Temple,’ in his life of Donne, as ‘a book in which, by declaring his own spiritual conflicts, he hath comforted and raised many a dejected and discomposed soul and charmed them with sweet and quiet thoughts.’ Richard Baxter found, ‘next the scripture poems,’ ‘none so savoury’ as Herbert’s, who ‘speaks to God like a man that really believeth in God’ (Poetical Fragments, pref. 1681). Henry Vaughan, in the preface to his ‘Silex Scintilians,’ 1650, credits Herbert with checking by his holy life and verse ‘the foul and overflowing stream’ of amatory poetry which flourished in his day. Charles I read the ‘Temple’ while in prison. Archbishop Leighton carefully annotated his copy with appreciative manuscript notes. Cowper’s religious melancholy was best alleviated by poring over the book all day long. Coleridge wrote of the weight, number, and compression of Herbert’s thoughts, and the simple dignity of the language (Biog. Lit.) But in spite of these testimonies Herbert’s verse, from a purely literary point of view, merits on the whole no lofty praise. His sincere piety and devotional fervour are undeniable, and in portraying his spiritual conflicts and his attainment of a settled faith he makes no undue parade of doctrinal theology. But his range of subject is very narrow. He was at all times a careful literary workman, and the extant manuscript versions show that he was continually altering his poems with a view to satisfying a punctilious regard for form. An obvious artificiality is too often the result of his pains. He came under Donne’s influence, and imitated Donne’s least admirable conceits. Addison justly censured his ‘false wit’ (Spectator, No. 58). In two poems, ‘Easter Wings’ and ‘The Altar,’ he arranges his lines so as to present their subjects pictorially. But on very rare occasions, as in his best-known poem, that on ‘Virtue,’ beginning ‘Sweet day so cool, so calm, so bright,’ or in that entitled ‘The Pulley,’ he shows full mastery of his art, and, despite some characteristic blemishes, writes as though he were genuinely inspired.

[Barnabas Oley’s biographical notice of Herbert prefixed to the 1652 edition of the Country Parson is valuable as the testimony of a personal friend. The very sympathetic memoir written by Izaak Walton, who was not personally acquainted with Herbert, was first published in 1670, with some letters written by Herbert to his mother while he was at Cambridge, and extracts from Donne’s correspondence with Lady Herbert. Walton’s Life was republished in 1674 with his collected lives of Donne, Hooker. &c., and with the 1674 and later editions of Herbert’s poems. See also Nicholas Ferrar, two lives edited by Professor J. E. B. Mayor (Cambridge, 1855, 8vo); Powysland Club collections, vii. 132 sq.; and Dr. Grosart’s valuable introduction to his collected edition of all Herbert’s known writings, with his notes on Walton’s memoir.]

S. L. L.

img10.png

An early etching of the devotional poet

img11.jpg

Herbert’s first biographer, Izaak Walton, wrote that the poet composed such hymns and anthems as he and the angels now sing in heaven.

TABLE OF CONTENTS FOR THE POETRY

img12.png

CONTENTS

English Poems

THE TEMPLE

POEMS FROM IZAAK WALTON’S THE LIFE OF MR GEORGE HERBERT

SONNETS.

TO MY SUCCESSOR.

MISCELLANEOUS ENGLISH POEMS

THE HOLY COMMUNION.

LOVE.

TRINITY SUNDAY.

EVEN-SONG.

THE KNELL.

PERSEVERANCE.

TO THE RIGHT HON. THE L. CHANCELLOR BACON.

A PARADOX. THAT THE SICK ARE IN BETTER STATE THAN THE WHOLE.

TO THE LADY ELIZABETH QUEEN OF BOHEMIA.

L’ENVOY.

The Latin and Greek Poems

GEORGII HERBERTI ANGLI

ILLUSTRISS. CELSISSIMÓQUE CAROLO, WALLIAE, & IUUENTUTIS PRINCIPI.

REUERENDISSIMO IN CHRISTO PATRI AC DOMINO, EPISCOPO VINTONIENSI, &C.

PRO DISCIPLINA ECCLESIAE NOSTRAE EPIGRAMMATA APOLOGETICA.

I. AD REGEM INSTITUTI EPIGRAMMATICI RATIO.

II. AD MELVINUM.

III. AD EUNDEM. IN MONSTRUM VOCABULI ANTI-TAMI-CAMI-CATEGORIA.

IV. PARTITIO ANTI-TAMI-CAMI-CATEGORIA.

V. IN METRI GENUS.

VI. DE LARUATÂ GORGONE.

VII. DE PRAESULUM FASTU.

VIII. DE GEMINÂ ACADEMIÂ.

IX. DE S. BAPTISMI RITU

X. DE SIGNACULO CRUCIS.

XI. DE IURAMENTO ECCLESIAE.

XII. DE PURIFICATIONE POST PUERPERIUM.

XIII. DE ANTICHRISTI DECORE PONTIFICALI.

XIV. DE SUPERPELLICEO.

XV. DE PILEO QUADRATO.

XVI. IN CATHARUM.

XVII. DE EPISCOPIS.

XVIII. AD MELVINUM: DE IJSDEM.

XIX. DE TEXTORE CATHARO.

XX. DE MAGICIS ROTATIBUS.

XXI. AD FRATRES.

XXII. DE LABE MACULÍSQUE.

XXIII. DE MUSICÂ SACRÂ.

XXIV. DE EÂDEM.

XXV. DE RITUUM VSU.

XXVI. DE ANNULO CONIUGALI.

XXVII. DE MUNDIS & MUNDANIS.

XXVIII. DE ORATIONE DOMINICÂ.

XXIX. IN CATHARUM QUENDAM.

XXX. DE LUPÂ LUSTRI VATICANI.

XXXI. DE IMPOSITIONE MANUUM.

XXXII. SUPPLICUM MINISTRORUM RAPTUS.

XXXIII. DE AUTORUM ENUMERATIONE.

XXXIV. DE AURI SACRÂ FAME.

XXXV. AD SCOTIAM. PROTREPTICON AD PACEM.

XXXVI. AD SEDUCTOS INNOCENTES.

XXXVII. AD MELVINUM.

XXXVIII. AD EUNDEM.

XXXIX. AD SEREN. REGEM.

XL. AD DEUM.

LUCUS

I. HOMO, STATUA.

II. PATRIA.

III. IN STEPHANUM LAPIDATUM.

IV. IN SIMONEM MAGUM.

V. IN S. SCRIPTURAS.

VI. IN PACEM BRITANNICAM.

VII. AUARITIA.

VIII. IN LOTIONEM PEDUM APOSTOLORUM.

IX. IN D. LUCAM.

X. PAPAE TITULUS NEC DEUS NEC HOMO.

XI. TRIBUTI SOLUTIO.

XII. TEMPESTAS CHRISTO DORMIENTE.

XIII. BONUS CIUIS.

XIV. IN VMBRAM PETRI.

XV. MARTHA: MARIA.

XVI. AMOR.

XVII. IN SUPERBUM.

XVIII. IN EUNDEM.

XIX. AFFLICTIO.

XX. IN ‘KENODOZIAN’

XXI. IN GULOSUM.

XXII. IN IMPROBUM DISERTUM.

XXIII. CONSOLATIO.

XXIV. IN ANGELOS.

XXV. ROMA.

XXVI. VRBANI VIII PONT. RESPONS.

XXVII. RESPONS. AD VRB. VIII.

XXVIII. AD VRBANUM VIII PONT.

XXX. IN THOMAM DIDYMUM.

XXXI. IN SOLARIUM.

XXXII. TRIUMPHUS MORTIS.

XXXIII. TRIUMPHUS CHRISTIANI. IN MORTEM.

XXXIV. IN IOHANNEM ‘EPISTETHION’

XXXV. AD DOMINUM.

PASSIO DISCERPTA

I. AD DOMINUM MORIENTEM.

II. IN SUDOREM SANGUINEUM.

III. IN EUNDEM.

IV. IN LATUS PERFOSSUM.

V. IN SPUTUM & CONUICIA.

VI. IN CORONAM SPINEAM.

VII. IN ARUND. SPIN. GENUFLEX. PURPUR.

VIII. IN ALAPAS.

IX. IN FLAGELLUM.

X. IN VESTES DIUISAS.

XI. IN PIUM LATRONEM.

XII. IN CHRISTUM CRUCEM ASCENSURUM.

XIII. CHRISTUS IN CRUCE.

XIV. IN CLAUOS.

XV. INCLINATO CAPITE. JOH. 19.

XVI. AD SOLEM DEFICIENTEM.

XVII. MONUMENTA APERTA.

XVIII. TERRAE-MOTUS.

XIX. VELUM SCISSUM.

XX. PETRAE SCISSAE.

XXI. IN MUNDI SYMPATHIAM CUM CHRISTO.

MEMORIAE MATRIS SACRUM

IN OBITUM HENRICI PRINCIPIS WALLIAE.

INNUPTA PALLAS, NATA DIESPITRE.

IN NATALES ET PASCHA CONCURRENTES.

IN OBITUM SERENISSIMAE REGINAE ANNAE.

AD AUTOREM INSTAURATIONIS MAGNAE.

COMPARATIO INTER MUNUS SUMMI CANCELLARIATUS ET LIBRUM.

IN HONOREM ILLUSTR. D. D. VERULAMIJ, STI ALBANI, MAG. SIGILLI CUSTODIS POST EDITAM AB EO INSTAURATIONEM MAGNAM.

AETHIOPISSA AMBIT CESTUM DIUERSI COLORIS VIRUM.

DUM PETIT INFANTEM.

IN OBITUM INCOMPARABILIS FRANCISCI VICECOMITIS SANCTI ALBANI, BARONIS VERULAMIJ.

IN SACRAM ANCHORAM PISCATORIS, G. HERBERT.

Latin and Greek Poems Translated

PARENTALIA.

I. AH Mater, quo te deplorem fonte? Dolores

II. Corneliae sanctae, graves Semproniae

III. Cur splendes, o Phoebe? ecquid demittere matrem

IV. Quid nugor calamo favens

V. Horti, deliciae Dominae, marcescite tandem

VI. Galene, frustra es, cur miserum premens

VII.Pallida materni Genii atque exsanguis imago

VIII. Parvam piamqne dum lubetner semitam

IX. Hoc, Genitrix, scriptum proles tibi sedula mittit.

X. Hempe hujusque notos tenebricosos

XI. Dum librata suis hacret radicibus ilex

XII. Facesse Stoica plebs, obambulans cautes.

XIII. Epitaphium.

XIV.Greek Poem

XV. Greek Poem

XVI. Greek Poem

XVII. Greek Poem

XVIII. Greek Poem

XIX. Excussos manibus calamos falcemque resumptam

ANTI-TAMI-CAMI-CATEGORIA

PARASYNAGMA PERTHENSE

A DEFENCE IN BEHALF OF THE PETITION OF THE EVANGELICAL MINISTERS IN ENGLAND

EPIGRAMS IN DEFENCE OF THE DISCIPLINE OF OUR CHURCH.

I. Augustissimo Potentissimoque Monarchae Jacobo, D. G. Magnae

II. Illustris celsissimoque Carolo, Walliae et Juventutis Principi.

III. Reverendissimo in Christo Patri ac Domino Episcopo Vintoniensi, &c.

IV. Ad Regem Epigrammata duo.

V. Ad Melvinum.

VI. In Monstrum vocabuli Anti-Tami-Cami-Categoria.

VII. Partitio Anti-Tami-Cami-Categoriae.

VIII. In Metri Genus.

IX. De Larvata Gorgone.

X. De Praesulum Fastu.

XI. De Gemina Academia.

XII. De S. Baptismi Ritu.

XIII. De Signaculo Crucis.

XIV. De Juramento Ecclesiae.

XV. De Purificatione post Puerperium.

XVI. De Antichristi decore Pontificali.

XVII. De Superpelliceo.

XVIII. De Pileo Quadrato.

XIX. In Catharum.

XX. De Episcopis.

XXI. De iisdem: ad Melvinum.

XXII. De Textore Catharo.

XXIII. De Magicis Rotatibus.

XXIV. Ad Fratres.

XXV. De labe maculisque.

XXVI. De Musica Sacra.

XXVII. De eadem.

XXVIII. De Rituum Usu.

XXIX. De Annulo Conjugali.

XXX. De Mundis et Mundanis.

XXXI. De Oratione Dominica.

XXXII. In Catharum quendam.

XXXIII. De Lupa lustri Vaticani.

XXXIV. De Impositione Manuum.

XXXV. Supplicum Ministroram Raptus κωμωδούμα,ος.

XXXVI. De Auctorum Enumeratione.

XXXVII. De Anri sacra Fame.

XXXVIII. Ad Scotiam Protrepticon ad Pacem.

XXXIX. Ad seductos Innocentes.

XL. Ad Melvinum.

XLI. Ad eundem.

XLII. Ad seven. Regem.

XLIII. Ad Deum.

OTHER LATIN POEMS.

I. Ad Auctorem Instaurationis Magnae [Franciscum Bacon].

II. In honorem illustrissimi Domini Francisci de Verulamio, Vice Comitis Sti Albani.

III. Comparatio inter Munus Summi Cancellariatus et Librum.

IV. Aethiopissa ambit Cestum diversi coloris Virum.

V. In Obitum incomparabilis Vice-Comitis Sancti Albani, Baronis Verulamii.

VI. In Natales et Pascha concurrentes.

VII. Ad Johannem Donne, D.D.

VII. On the Anchor-Seal.

VIII. Cum petit Infantem Princeps, Grantamque Jacobus

IX. Vero verius ergo quid sit audi

X. In Obitum serenissimae Reginae Annae.

XI. In Obitum Henrici Principis Walliae.

XII. Innupta Pallas, nata Diespatre

VIII. PASSIO DISCERPTA. LUCUS.

PASSIO DISCERPTA.

I. Ad Dominum morientem.

II. In Sudorem sanguineum.

III. In eundem.

IV. In Latus perfossum.

V. In Sputum et Convicia.

VI. In Coronam spineam.

VII. In Arund., Spin., Genufl., Purpur.

VII. In Alapas.

IX. In Flagellum.

X. In Vestes divisas.

XI. In pium Latronem.

XII. In Christum Crucem ascensurum.

XIII. Christus in Cruce.

XIV. In Clavos.

XV. Inclinato capite. John xix. 30.

XVI. Ad Solem deficientem.

XVII. Monumenta aperta.

XVIII. Terrae-motus.

XIX. Velum scissum.

XX. Petrae scissae.

XXI. In Mundi Sympathiam cum Christo.

LUCUS.

I. Homo Statua.

II. Patria.

III. In Stephanum lapidatum.

IV. In Simonem Magum.

V. In S. Scripturas.

VI. In Pacem Britannicam.

VII. Avaritia.

VIII. In Lotionem Pedum Apostolorum.

IX. In D. Lucam.

X. Papae Titulus nec Deus nec Homo.

XI. Tributi Solutio.

XII. Tempestas, Christo dormiente.

XIII. Bonus Civis.

XIV. In Umbram Petri.

XV. Martha: Maria.

XVI. Amor.

XVII. In Superbum.

XVIII. In eundem.

XIX. Afflictio.

XX. In κενοδοξίαν.

XXI. In Gulosum.

XXII. In Improbum disertum.

XXIII. Consolatio.

XXIV. In Angelos.

XXV. Roma: Anagr[ Oram. Ramo. Mora. Amor

XXVI. Urbani VIII. Pont. Restons.

XXVII. Respons ad Urb. VIII.

XXVIII. Ad Urbanum VIII. Pont.

XXIX. Greek Poem.

XXX. In Thomam Didymum.

XXXI. In Solarium.

XXXII. Triumphus Mortis.

XXXIII. Triumphus Christiani in Mortem.

XXXIV. In Johannem ί’πιστήθίοΐ’.

XXXV. Ad Dominum.

img13.png

The first edition of ‘The Temple’

img14.png

The original title page of Herbert’s masterpiece

img15.jpg

A demonstration of one of Herbert’s ‘pattern’ or ‘shape’ poems: ‘Easter Wings’, where the poem is