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Resurrecting Proust: Unearthing Personal Narratives through Journaling
Resurrecting Proust: Unearthing Personal Narratives through Journaling
Resurrecting Proust: Unearthing Personal Narratives through Journaling
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Resurrecting Proust: Unearthing Personal Narratives through Journaling

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~Bridges the journal-memoir connection
~Suggests techniques along with an array of story-generating prompts
~Provides an excellent resource for extracting
expressive and creative personal narratives
~Mines the depths of which personal writing can play an integral part in unearthing your life stories
~Helps you to follow the story of your inner life
To the place where memory meets insight

LanguageEnglish
Release dateJan 9, 2011
ISBN9780982922828
Resurrecting Proust: Unearthing Personal Narratives through Journaling
Author

CoCo Harris

CoCo Harris is constantly exploring the notion of how we tell the stories of our lives.

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    Book preview

    Resurrecting Proust - CoCo Harris

    ALSO FROM TELLING OUR STORIES PRESS:

    REVERIE: Ultra Short Memoirs

    IMPACT: An Anthology of Short Memoirs

    ROLL: A Collection of Personal Narratives

    TURNS: A Collection of Memoir Chapbooks

    RESURRECTING PROUST: Unearthing

    Personal Narratives through Journaling

    THE BRIDGE: A Companion Journal for

    Unearthing Personal Narratives and Memoir

    SO LONG: Short Memoirs of Loss and Remembrance

    MEMOIR POETIC of a NAKED COP

    MY CIA: A Memoir

    EL PUENTE: Un Diario Complementario para

    Descubrir Narrativas y Memorias Personales

    Resurrecting Proust

    Unearthing Personal Narratives

    through Journaling

    CoCo Harris

    TELLING OUR STORIES PRESS

    Showcasing the Art of Literary Personal Narratives

    Published by Telling Our Stories Press

    The independent literary imprint with a focus on

    the art of short memoir and personal narratives.

    Copyright 2010 by CoCo Harris

    All rights reserved.

    Smashwords Edition

    No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without written permission from the author, except for the inclusion of brief quotations in a review.

    Requests for information should be forwarded to:

    Telling Our Stories Press

    http://www.TellingOurStoriesPress.com

    Cover Art: CLOUDS by Remi Nneka Des-Ogugua

    Cover Design: CoCo Harris

    For the O-Girls

    and

    Thank you O-Girls.

    Thank you George for

    all your love and support.

    Thanks to Gloria Jean Harris for

    always being my number one fan;

    and to Tonya Hunter and LaZar Harris

    who have always inspired me; and to Vernetta

    Keith Nurridin, one of my biggest cheerleaders.

    Thanks to Nancy Mulcare for being on the west coast

    when I really needed you; and to Leif Sloan for the very

    timely passports into and out of the Pacific Northwest.

    I am grateful for the life and writings of

    Anais Nin, Marcel Proust, and Carl Jung.

    I am thankful for my entire Spalding MFA family.

    I am beholden to my Howard University experience.

    I am indebted to the pioneering work of Tristine Rainer,

    Christina Baldwin, Katheleen Adams, and James Pennebaker.

    I appreciate all those who shared their journaled-memoir; and

    I thank Juyanne James and Claudia Ricci for their assistance.

    "…(a world coming out of a cup) is Proust signature, and he hocks us over and over with surprises, jolts us into a discovery of just how unmapped, how dimensional the world, our world —our selves—really might be."

    Arnold Weinstein, Recovering Your Story

    Contents

    Preface

    Author’s Note

    Part I On the Art

    On the Art of Creative Journal Writing

    It Factors

    Most Importantly

    Part II On Craft: The Techniques

    On the Craft of Journal Writing

    Technique #1: Freeverse

    Technique #2: Lists

    Technique #3: Artistic Entries

    Technique #4: Poems

    Technique #5: Dialogues

    Technique #6: Letters

    Technique #7: Written Journeys

    Technique #8: Portraits

    Technique #9: Alternative Viewpoints

    Part III On the Art and Craft: Generating Narratives

    Dear Diary, It’s me

    Who Am I in 100?

    The Many Faces of Me

    Ego vs. SuperEgo

    Mirror rorriM

    The Name Game

    My Gifts

    Inheritance

    Words I Live By

    Boundaries

    U Tunes

    I Believe

    Personal Library

    Make Up

    Inhaling

    That was Then

    This is Now

    Miracles

    Life List

    Super Being

    Living the Lie

    On Death & Dying

    Sacred Moments

    A Thousand Words

    Why???

    Words that Stick

    Never!

    Stupidity

    Gratuity

    Radius

    Long Distance

    Friend Gone Foe

    Recurring Dream

    Mentors

    Dear God…

    Exhaling

    Once Upon a Time

    Reality Check

    Legacy

    The Corners of My Mind: Part I

    The Corners of My Mind: Part II

    To Live

    Talk to Your Fears

    Living in You-topia

    Time Capsule

    It was the Best of Times

    It was the Worst of Times

    Skeletons

    Closure

    1 Thing

    Lessons Learned

    When I’m Gone

    Crisis

    Surrender

    1 Problem

    Past Times Different Selves

    Part IV The Techniques in Action

    Breathtaking

    I am a Journal Writer

    I Believe

    How to Lose Your Hair w/o Losing Your Sanity

    Me in 100 Diane Ross

    Who Am I?

    A Thousand Words

    Chalk it Up

    Not to Disturb the Quiet

    Dialogue Scenarios

    Dear God

    My Passage to India

    Wendy’s Honduras

    A Languishing Hand

    The Doll

    Untitled

    The Web

    Appendix I:

    The Proust Questionnaire with Responses by Marcel Proust

    Appendix II:

    Select Journal and Memoir Resources

    We must never be afraid to go too far, for truth lies beyond.

    Marcel Proust

    Preface

    He didn’t invent it, but he owns it: the Proust Questionnaire. A questionnaire devised by Antoinette Faure, the daughter of the 19th century French president, was taken by Marcel Proust at the ages of 14 and 20. Although he completed it only twice, his name has since become associated with this set of 23 questions that was once the bourgeoisie parlor game of Paris.

    At social gatherings in the late 1800s, the social and literary elite would answer this set of questions and share their responses in a game-like fashion. In an 1892 article, Proust published his answers as Salon Confidences Written by Marcel, in La Revue Illustrée XV and this Parisian parlor game later became famously associated with his name after his death in 1922.

    Now, in the 21st century, versions of the Proust Questionnaire have shown up in a wide array of magazines, newspapers, blogs, and even on talk shows. This post-modern resurgence of related questionnaires has illustrated the desire of readers and writers alike to stop and take a quick look at who they are and form answers based on a set of specified questions.

    Well over a century later, and long after the questionnaire became vogue, a host of such quizzes have crept onto our computer screens by way of myriad web sites, social networking sites, and scores of emails; which, at best, only offer small morsels of insight into the psyche and soul of the queried; and at worst, provide an assortment of collected trivia.

    Resurrecting Proust encourages much more than trivia

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