Our Singing Country: Folk Songs and Ballads

By Dover Publications

In the 1930s and 40s, a father-and-son team of folklorists hit the highways, byways and rural routes of the United States, traveling in a battered pickup truck laden with primitive recording equipment. John A. Lomax and his son, Alan, covered thousands of miles, stopping off at tarpaper shacks, juke joints, prison yards, and other out-of-the-way places to listen to native singers and to record them for the Library of Congress archives. The Lomaxes made over 10,000 field recordings, and from this vast collection they compiled a hugely successful series of anthologies, beginning with the widely acclaimed American Ballads and Folk Songs in 1934. That collection was followed by the present volume in 1941.
Here are the music and words to some 200 songs recorded at the state penitentiary in Milledgeville, Georgia, in Michigan lumber camps, Louisiana rice fields, on Western cattle trails, and in many other locales around the nation. A beguiling mix of the familiar and the rare, the tunes range from spirituals and other songs of faith to chain-gang work chants and field hollers, as well as game songs, lullabies, courting songs, Cajun airs, breakdowns, and many more. Well-known standards such as "Hush Li'l' Baby," "Old Blue," "John Henry," and "Jack o' Diamonds" appear alongside less-familiar tunes, including "The Lady Who Loved a Swine," "You Kicked and Stomped and Beat Me," and the miners' lament, "Oh, My Liver and My Lungs."
This new edition features an informative introduction by award-winning author Judith Tick, a faculty member at Northeastern University. Notes on tune origins, two indexes, and an extensive bibliography round out this important archive of authentic folk songs and ballads.

• Language: English
• Publisher: Dover Publications
• Release date: Aug 11, 2014
• ISBN: 9780486173993

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Reviews for Our Singing Country

[comfypants · Rating: 5 out of 5 stars]

I didn't read the whole book; I skimmed a lot of the text and skipped ahead to the music. There's a lot to discover in here. There are a few (now) popular songs everyone knows and loves, alongside (equally good) songs you've probably never heard of. But I find most of the songs are different versions of songs I know -- such as "Amazing Grace" with an unrecognizable melody, or "Yankee Doodle" with words about fighting the Civil War (and no mention of macaroni).The book is sort of torn between being a songbook for general readers and being a sort of reference for people with a scholarly interest in American folk songs; whether it's the best of both worlds or the worst, I guess depends on what you're looking for. The Lomaxes combined different versions of songs, picking the bits they happened to think were best (not most representative), which makes for more of a popular songbook than anything else. But they also leave out any harmonization (ironically, for the sake of not editing), and they include songs which have no written music and songs which cannot be notated (but they approximate notating them anyway), so there's a lot of content which is useless as a songbook but potentially interesting as a reference work.That duality has a lot to do with why I like the work of the Lomaxes. They were the sort of people who wrote arrangements for their field recordings. For people like me who are just interested in good music, not in "scholarly" accuracy, it's perfect.