The Georgian Poets (1916-1917)
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As a poetical movement Georgian Poetry is easy to classify. It began naturally enough in 1910 when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron decided that the verse of that time needed to be seen in its own right and from 1912 – 1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits. Five volumes spanning some forty poets ranging from Rupert Brooke to GK Chesterton and DH Lawrence were published over the years and remain today the encyclopaedia of this poetical period. Here, in Volume 3, the years 1916 - 1917 are covered.
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The Georgian Poets (1916-1917) - Siegfried Sassoon
Georgian Poetry 1916-17 Volume 3
As a poetical movement Georgian Poetry is easy to classify. It began naturally enough in 1910 when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron decided that the verse of that time needed to be seen in its own right and from 1912 – 1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits. Five volumes spanning some forty poets ranging from Rupert Brooke to GK Chesterton and DH Lawrence were published over the years and remain today the encyclopaedia of this poetical period.
PREFATORY NOTE
This third book of 'Georgian Poetry' carries to the end of a seventh year the presentation of chosen examples from the work of contemporary poets belonging to the younger generation. Of the eighteen writers included, nine appear in the series for the first time. The representation of the older inhabitants has in most cases been restricted in order to allow full space for the new-comers; and the alphabetical order of the names has been reversed, so as to bring more of these into prominence than would otherwise have been done.
My thanks for permission to print the poems are due to Messrs. Chatto &
Windus, Constable, Fifield, Heinemann, Macmillan, Elkin Mathews, Martin
Secker, and Sidgwick & Jackson, and to the Editors of the 'Nation', the 'New Statesman', and 'To-Day'.
E.M.
September 1917.
Index Of Poems
W.J. TURNER
Romance
Ecstasy
Magic
The Hunter
The Sky-sent Death
The Caves of Auvergne
JAMES STEPHENS
The Fifteen Acres
Check
Westland Row
The Turn of the Road
A Visit from Abroad
J. C. SQUIRE
A House
To a Bull-dog
The Lily of Malud
SIEGFRIED SASSOON
A Letter Home
The Kiss
The Dragon and the Undying
To Victory
'They'
'In the Pink'
Haunted
The Death-Bed
ISAAC ROSENBERG
'Ah, Koelue ...'
ROBERT NICHOLS
To----
The Assault
Fulfilment
The Philosopher's Oration
The Naiads' Music
The Prophetic Bard's Oration
The Tower
HAROLD MONRO
Two Poems
Every Thing
Solitude
Week-end
The Bird at Dawn
JOHN MASEFIELD
Seven Poems
RALPH HODGSON
The Gipsy Girl
The Bells of Heaven
Babylon
ROBERT GRAVES
It's a Queer Time
David and Goliath
A Pinch of Salt
Star Talk
In the Wilderness
The Boy in Church
The Lady Visitor
Not Dead
WILFRID WILSON GIBSON
Rupert Brooke
Tenants
For G.
Sea-Change
Battle
I. The Return
II. The Dancers
III. Hit
Lament
JOHN FREEMAN
Music Comes
November Skies
Discovery
'It was the Lovely Moon'
Stone Trees
The Pigeons
Happy is England Now
JOHN DRINKWATER
May Garden
The Midlands
The Cotswold Farmers
Reciprocity
Birthright
Olton Pools
WALTER DE LA MARE
The Scribe
The Remonstrance
The Ghost
The Fool rings his Bells
WILLIAM H. DAVIES
The White Cascade
Easter
Raptures
Cowslips and Larks
GORDON BOTTOMLEY
Atlantis
New Year's Eve, 1913
In Memoriam, A. M. W.
MAURICE BARING
In Memoriam, A. H.
HERBERT ASQUITH
The Volunteer
W.J. TURNER
ROMANCE
When I was but thirteen or so
I went into a golden land,
Chimborazo, Cotopaxi
Took me by the hand.
My father died, my brother too,
They passed like fleeting dreams,
I stood where Popocatapetl
In the sunlight gleams.
I dimly heard the master's voice
And boys far-off at play,
Chimborazo, Cotopaxi
Had stolen me away.
I walked in a great golden dream
To and fro from school
Shining Popocatapetl
The dusty streets did rule.
I walked home with a gold dark boy
And never a word I'd say,
Chimborazo, Cotopaxi
Had taken my speech away:
I gazed entranced upon his face
Fairer than any flower
O shining Popocatapetl
It was thy magic hour:
The houses, people, traffic seemed
Thin fading dreams by day,
Chimborazo, Cotopaxi
They had stolen my soul away!
ECSTASY
I saw a frieze on whitest marble drawn
Of boys who sought for shells along the shore,
Their white feet shedding pallor in the sea,
The shallow sea, the spring-time sea of green
That faintly creamed against the cold, smooth pebbles.
The air was thin, their limbs were delicate,
The wind had graven their small eager hands
To feel the forests and the dark nights of Asia
Behind the purple bloom of the horizon,
Where sails would float and slowly melt away.
Their naked, pure, and grave, unbroken silence
Filled the soft air as gleaming, limpid water
Fills a spring sky those days when rain is lying
In shattered bright pools on the wind-dried roads,
And their sweet bodies were wind-purified.
One held a shell unto his shell-like ear
And there was music carven in his face,
His eyes half-closed, his lips just breaking open
To catch the lulling, mazy, coralline roar
Of numberless caverns filled with singing seas.
And all of them were hearkening as to singing
Of far-off voices thin and delicate,
Voices too fine for any mortal wind
To blow into the whorls of mortal ears
And yet those sounds flowed from their grave, sweet faces.
And as I looked I heard that delicate music,
And I became as grave, as calm, as still
As those carved boys. I stood upon that shore,
I felt the cool sea dream around my feet,
My eyes were staring at the far horizon:
And the wind came and purified my limbs,
And the stars came and set within my eyes,
And snowy clouds rested upon my shoulders,
And the blue sky shimmered deep within me,
And I sang like a carven pipe of music.
MAGIC
I love a still conservatory
That's full of giant, breathless palms,
Azaleas, clematis and vines,
Whose quietness great Trees becalms
Filling the air with foliage,
A curved and dreamy statuary.
I like to hear a cold, pure rill
Of water trickling low, afar
With sudden little jerks and purls
Into a tank or stoneware jar,
The song of a tiny sleeping bird
Held like a shadow in its trill.
I love the mossy quietness
That grows upon the great stone flags,
The dark tree-ferns, the staghorn ferns,
The prehistoric, antlered stags
That carven stand and stare among
The silent, ferny wilderness.
And are they birds or souls that flit