Stone Mountain Park
By Tim Hollis
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About this ebook
Tim Hollis
Tim Hollis has published twenty-four books on pop culture history. For more than thirty years he has maintained a museum of cartoon-related merchandise in Dora, Alabama. He is the author of Dixie before Disney: 100 Years of Roadside Fun; Florida's Miracle Strip: From Redneck Riviera to Emerald Coast; Hi There, Boys and Girls! America's Local Children's TV Programs; Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century; Toons in Toyland: The Story of Cartoon Character Merchandise; and, with Greg Ehrbar, Mouse Tracks: The Story of Walt Disney Records, all published by University Press of Mississippi.
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Stone Mountain Park - Tim Hollis
collection.)
One
HOW TO CARVE A MOUNTAIN—OR NOT
Inasmuch as Georgia’s Stone Mountain, only 16 miles east of Atlanta, is believed to be the largest granite outcropping in North America, it should not be surprising that it has been an object of interest and legend ever since human beings had inhabited its neighborhood. What is slightly more unexplainable is how several different people simultaneously got the idea that its sheer north face should be carved into some sort of monument to the lost cause of the Confederate states.
Historical evidence shows that physician Francis Tichnor had suggested the idea as far back as 1869, but it was in 1914 that attorney William H. Terrell, newspaper editor John Temple Graves, and 85-year-old Helen Plane, honorary life president of the Georgia division of the United Daughters of the Confederacy, all began lobbying for some sort of grand granite Confederate Memorial. At first, their ideas all seemed to center around a giant statue of Gen. Robert E. Lee, but when Plane made contact with famed sculptor Gutzon Borglum, the scope expanded into a scale that only an artist’s temperament could conceive.
Borglum’s initial idea was to have a continuous procession of Confederate soldiers coming over the top and down the face of Stone Mountain. As he planned it, there would be anywhere from 700 to 1,000 individual figures, and the whole scene would be 1,200 feet long. Artistic dreams soon collided head-on with pragmatism, and the project was eventually whittled down to the three main figures of Lee, Confederate president Jefferson Davis, and Gen. Stonewall Jackson—with other marchers to be added behind them as time and money permitted. A ceremony was held on May 20, 1916, to mark the official start of the