Rock City
By Tim Hollis
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Tim Hollis
Tim Hollis has published twenty-four books on pop culture history. For more than thirty years he has maintained a museum of cartoon-related merchandise in Dora, Alabama. He is the author of Dixie before Disney: 100 Years of Roadside Fun; Florida's Miracle Strip: From Redneck Riviera to Emerald Coast; Hi There, Boys and Girls! America's Local Children's TV Programs; Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century; Toons in Toyland: The Story of Cartoon Character Merchandise; and, with Greg Ehrbar, Mouse Tracks: The Story of Walt Disney Records, all published by University Press of Mississippi.
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Rock City - Tim Hollis
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INTRODUCTION
Back in 2009, the fine folks at History Press and I teamed up to present See Rock City: The Story of Rock City Gardens. As the title hints, it is the comprehensive history of the famed Lookout Mountain attraction, tracing its origins back to the 1820s. This book is not intended to rehash that history; instead, here we take a virtual tour of Rock City via the many colorful photographs, postcards, and promotional items it has produced over the past 75-plus years. However, it is still important to put things into historical perspective, so now it is time to indulge in a bit of that. Those who want the complete history are still encouraged to look up the earlier volume.
Although its environs had been known to pioneers as the rock city
since the early 19th century, the story of Rock City Gardens’ development as a tourist attraction begins around 100 years later, when the property was purchased by Chattanooga promoter Garnet Carter. He had already tried a number of other business ventures when, inspired by the land boom then exploding in the swamplands of Florida, he got the idea of developing a swanky residential neighborhood on the eastern brow of Lookout Mountain. Carter’s wife, Frieda, was an enthusiastic devotee of the classic European fairy tales, and it was probably due to this interest that the new development would be known as Fairyland. Statues of the famous folklore folk were imported to decorate the grounds, and Carter’s Fairyland Inn was conceived as a resort hotel that would offer many unique facilities for its wealthy visitors.
One of those attractions soon took on a life of its own. On the grounds of the hotel, Carter developed a sort of putting green that challenged its players to manipulate their golf balls around and through various obstacles placed on the fairways, with statues of gnomes and elves stationed throughout. Seemingly without the intention to do so, Carter had invented the game of miniature golf. He soon patented his concept under the name Tom Thumb Golf and began franchising it throughout the United States. When the Great Depression hit in 1929, Tom Thumb Golf (and scores of unauthorized copies of it) became a raging fad, due to its affordability as cheap entertainment; in fact, it was one of the precious few businesses to be making a profit during that dark economic era.
Carter was smart enough to recognize that a fad had only a limited shelf life, so he sold Tom Thumb Golf to the H.J. Heinz Company in 1930, pocketing a tidy sum. Unfortunately, Carter invested his profits in US Steel, which quickly failed and left him worse off than he had been before his Fairyland project got under way. With no other business prospects in view, he began paying more attention to Frieda’s project of developing their nearby acreage into a garden, with pinestraw-covered trails winding around the many huge rock formations and leading to the promontory known as Lover’s Leap, from which it was said one could see into parts of five states at once.
Carter felt that Frieda’s oversized rock garden—with oversized rocks to match—might have real business possibilities. And, as he said later, he realized that unlike Tom Thumb Golf, which had been copied over and over again, in Rock City Gardens he had something that could not be duplicated by the hand of man.