For All Eternity
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A prideful stance. A lying tongue. Hands that spill innocent blood. A heart that plots evil. Bodies engaging in ungodly mischief. Being a witness of deceit. Sowing discord for folly and fun. Superbia. Avaritia. Luxuria. Invidia. Gula. Ira. Acedia. The Seven Deadly Sins. Strories by: Renee Carter Hall, Michael Beers, Die Booth, Marten Hoyle, Christian Larsen, Ken MacGregor and Brandon French.
A. W. & Jennifer Gifford
Many of A. W. Gifford’s story ideas come from the nightmares of his wife, Jennifer. Though she too is a writer of dark fiction, she will never write these stories herself, fearing that if she does, they will come true.He is the editor of the dark fiction magazine Bête Noire and his work has appeared in numerous magazines, webzines and anthologies.Though he grew up in the northern suburbs of Detroit, he now resides outside of Atlanta, Georgia with his wife, two dogs, Reagan and Riley, and a pride of cats.Jennifer Gifford has always had a fascination with the dark and humorous side of fiction. She hates creepy old dolls, spiders, and garden gnomes. The inspiration for her stories strikes her in the oddest of places from an elevator, walking in class, even in the shower. She loves to read, to cook, and loves horror movies. In turn, her nightmares are often the basis for her husband's stories, because she fears that writing her own nightmares will make them come true. Jennifer has been writing for almost two decades, and spends her time in three states: Georgia , Michigan , and panicked.
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For All Eternity - A. W. & Jennifer Gifford
…for All Eternity
Tales of the Seven Deadly Sins
Edited by
A. W. Gifford &
Jennifer L. Gifford
Dark Opus Press
P.O. Box 1013
Grayson, GA 30017
www.betenoiremagazine.com
Smashwords Edition
For All Eternity is published by Dark Opus Press a division of Charm Noir Omnimedia P.O Box 1013, Grayson, GA 30017
This anthology is a work of fiction. Names, characters, places, and scenarios are the products of the authors’ imagination. Any resemblance to actual persons living or dead, places, or events is purely coincidental.
…For All Eternity © 2012 Charm Noir Omnimedia
Cover art © 2012 A. W. Gifford
All stories © 2012 of their respective
creators
Interior Artwork © 2012 Chaz Kemp
All rights reserved. No portion of this publication can be reproduced by any means without the prior written permission from the authors of the work or Charm Noir Omnimedia
This ebook is licensed for the personal use of the purchaser. This ebook may not be re-sold or given away to another user. If you are reading this and are not the original purchaser, then you are in violation of this license.
Contents
Introduction – Jennifer L. Gifford
Envy
A Fragment of Shadow – Renee Carter
Gluttony
Zion – Michael Beers
Greed
Hearts of Gold – Die Booth
Lust
Lecherous – Marten Hoyle
Pride
The Corpse Road – Christian Larsen
Sloth
Deadweight – Ken MacGregor
Wrath
Mauschwitz – Brandon French
Introduction
"Sin begets sin…it engenders vice by repetition of the same acts…resulting in perverse inclinations, which cloud conscience and corrupt the concrete judgment of good and evil…reproducing itself and reinforcing itself…"
-exerpts from Catechism of the Catholic Church, 1865
A prideful stance. A lying tongue. Hands that spill innocent blood. A heart that plots evil. Bodies engaging in ungodly mischief. Being a witness of deceit. Sowing discord for folly and fun. Superbia. Avaritia. Luxuria. Invidia. Gula. Ira. Acedia. The Seven Deadly Sins. In the Book of Proverbs, King Solomon states that there are ‘six things the Lord hateth, and the seventh His soul detesteth."
The cardinal vices that canonize humanity’s fall into sin. Sin, humanities innate flaw that negates our sinful actions and ultimate consequences, is rooted in wickedness. From a biblical perspective, we are all sinners, divinely made and destined to commit unscrupulous behavior. One needs only to look at their thoughts and deeds over a single days period to confirm our own sins, yet we live in a state of detached aloofness—as if acknowledging the fact that we sin, yet being vague about the types of sins we commit, we are somehow less accountable for them. Even in the presence of our own personal evil, we still attempt to justify our wickedness with airs of altruism. As humans, we’re all capable of unspeakable things, yet still struggle in vain to refrain from sin.
Popular as a theme in the Bible, captured by artists like De Morgan, and popular authors like C.S. Lewis, the Seven Deadly Sins are prevalent in religion, art, and literature, taking root in our culture and psyche.
The definition of each of the sins is both a spiritual and moral process that continues to evolve over time. Nearly two dozen sub-categories of emotional flaws were eventually narrowed down into a simple seven by Pope Gregory I in 590 A.D.
This narrowed down list of depravities is the scope that defines literature today.
Lust is the carnal intensity of desire. Desire for money, fame, power, and sex. Lust blinds us of true love. The sinful need of over indulgence and over consumption are hallmarks of Gluttony. Its wastefulness is a bi-product of our own selfishness and self servitude. Greed is the sin of excess, a sin of instantaneous rapture from the gratifications of material possessions. Greed is a gateway to violence, trickery, and manipulation. Obliviousness to what is morally just and laziness are traits of Sloth. Wrath is symbolic of uncontrolled rage and hatred, and the self destructiveness that emerges out of the chaotic anger gives birth to self righteousness. Wicked discontentment and jealousy encompass Envy, with its need to covet finding its origins all the way to the Bible’s Ten Commandments. Pride is the longing to be more, to have more, to be more than those around us. It’s the only sin whose moniker mimics Lucifer’s own conceited battle with God—pride goeth before the fall—that gives the price for succumbing to smug arrogance, and that’s the damnation of the soul.
The objectionable vices surrounding the Seven Deadly Sins challenge our culture and spirituality , and defines our moral compass. They corrupt and converge within our minds and hearts, and threaten our mortality and soul.
—Jennifer L. Gifford
October, 2012
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A Fragment of Shadow
Renee Carter Hall
In the right hands, Giuliano thought, glass could sing. With the right breath and the right vision to shape it, it could be a clear, sweet voice of beauty in a rough, dissonant world.
Today, though, the glass was stubbornly silent, and Giuliano had sent his young assistant away, preferring to stir the molten glass himself as he brooded. The morning's completed pieces were in the annealing chamber, but he made no move to check them as they cooled. There were times—rare, blessèd hours—when he could feel the glass shaping itself to his will, every curve and flourish an extension of his thoughts. This morning had not been one of those times.
Giuliano heard soft footsteps behind him and knew without turning who had come. Paolo, of course, dependable as the sun chasing away a storm. Paolo was a lampworker, one who twisted and hammered the soft glass instead of blowing it. Beads were his specialty, and he often made rosaries, a work that suited his quiet temperament. While he was merely ten years Giuliano's junior, he held so much of the freshness of youth that visitors sometimes thought him an apprentice.
Paolo glanced around the studio. Matteo off stealing sweetmeats again?
I sent him away.
Ah.
Paolo eyed him. If you are occupied—
No.
Giuliano wiped his face with a cloth. No, it's all right.
I've been working with the conciatore, trying new formulas for the colors. I wanted to show you.
It was easy to be friends with Paolo. His ambitions were humble, his talent masterful without rising to the level of genius. He was no threat to anyone's dream.
Paolo showed him a handful of beads the color of the spring sky. Giuliano took one and held it up to the afternoon light slanting in from the window. Marvelous. Are they all so pure?
As best I could make them. I could have him make a batch of it for you, if you like.
Giuliano's mouth twisted into a wry smile. To what end? Nothing I birth these days deserves to live.
Paolo nodded. What news, then, of Silvio?
Giuliano turned back to the glass, feeling the furnace's heat