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Lionel Shriver's New Story Collection 'Property' Isn't Just About The Stuff

The book of short fiction explores how belongings and relationships often become intertwined.
"Property," by Lionel Shriver. (Robin Lubbock/WBUR)

Novelist Lionel Shriver turns to short fiction with her new book “Property: Stories Between Two Novellas.” The book explores how belongings and relationships often become intertwined.

Shriver joins Here & Now‘s Robin Young to talk about the book.

Book Excerpt: ‘Property’

By Lionel Shriver

The Standing Chandelier

A NOVELLA

In bottomless gratitude, to Jeff and Sue.

This is not about you.

Jillian Frisk found the experience of being disliked bewildering. Or not bewildering enough, come to think of it, since the temptation was always to see her detractor’s point of view. Newly aware of a woman’s aversion—it was always another woman, and perhaps that meant something, something in itself not very nice—she would feel awkward, at a loss, mystified, even a little frightened. Paralyzed. In a traducer’s presence, she’d yearn to refute whatever about herself was purportedly so detestable. Yet no matter what she said, or what she did, she would involuntarily verify the very qualities that the faultfinder couldn’t bear. Vanity? Flakiness? Staginess?

For an intrinsic facet of being disliked was. So Jillian would demote her garb from to or even , and suddenly see how her offbeat thrift shop ensembles, replete with velvet vests, broad belts, tiered skirts, and enough scarves to kill Isadora Duncan three times over, could seem to demonstrate . A clear, forceful voice was to the leery merely , and whenever she suppressed the volume the better to give no offense, she simply became inaudible, which was maddening, too. Besides, she didn’t seem capable of maintaining a mousy, head-down demeanor for more than half an hour, during which the sensation was tantamount to a Chinese foot binding of the soul. Wide gesticulation when she grew exuberant was doubtless . Smitten by another smoldering black look from across a table, she would sometimes trap her hands in her lap, where they would flap like captured birds. But in a moment of inattention, the dratted extremities always escaped, flinging her napkin to the floor. Her full-throated guffaw would echo in her own ears as . (Whatever did you do about an annoying laugh? Stop finding anything funny?) Then on top of all the ghastly attributes she embodied, merely being in the presence of someone who she knew couldn’t stand her slathered on an additionally off-putting surface of nervousness, contrition, and can’t-beat-them-join-them self-suspicion.

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