The Crystal World
By J. G. Ballard and Robert Macfarlane
3.5/5
()
Currently unavailable
Currently unavailable
About this ebook
From J. G. Ballard, author of ‘Crash’ and ‘Cocaine Nights’ comes his extraordinary vision of an African forest that turns all in its path to crystal.
Through a ‘leaking’ of time, the West African jungle starts to crystallize. Trees metamorphose into enormous jewels. Crocodiles encased in second glittering skins lurch down the river. Pythons with huge blind gemstone eyes rear in heraldic poses. Most flee the area in terror, afraid to face a catastrophe they cannot understand.
But some, dazzled and strangely entranced, remain to drift through this dreamworld forest: a doctor in pursuit of his ex-mistress, an enigmatic Jesuit wielding a crystal cross and a tribe of lepers searching for Paradise.
In this tour de force of the imagination, Ballard transports the reader into one of his most unforgettable landscapes.
J. G. Ballard
J. G. Ballard is the author of numerous books, including Empire of the Sun, the underground classic Crash, The Kindness of Women, and Super-Cannes. He is revered as one of the most important writers of fiction to address the consequences of twentieth-century technology. He lives in England.
Read more from J. G. Ballard
Crash: A Novel Rating: 3 out of 5 stars3/5Concrete Island: A Novel Rating: 4 out of 5 stars4/5Empire of the Sun Rating: 4 out of 5 stars4/5Super-Cannes: A Novel Rating: 4 out of 5 stars4/5The Crystal World Rating: 3 out of 5 stars3/5The Best Short Stories of J. G. Ballard Rating: 4 out of 5 stars4/5
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Reviews for The Crystal World
5 ratings5 reviews
- Rating: 5 out of 5 stars5/5Stumbled across this after remembering that I enjoyed the Drowned World many years ago. This is excellent also, Great, flawed characters, vivid setting, excellent writing. Fast, fun, and thought-provoking.
- Rating: 4 out of 5 stars4/5Nicely done science fiction disater novel. A mysterious force is causing the world to be covered in crystal. Plants, inanimate objects, animals, men-- all being encased in a crystalline subject. Ballard's prose conveys the beauty of the crystalline world and the horror of the approaching end that it conveys.
- Rating: 2 out of 5 stars2/5Not taken with this one. An interesting central idea but for me poorly executed and the characters and their reactions seemed other worldly, not in an interesting way as in High Rise.
- Rating: 3 out of 5 stars3/5Weird. Felt like I was watching a movie, great visuals. Not sure I understood the total concept.
- Rating: 3 out of 5 stars3/5From mentioning Ballard to a couple of friends, it seems I don't have the same associations with him that many others do. This is the Ballard that I know and love: magic realism, a strong but unspecified religious underpinning, and the story plays out in lush jungle which bulks large in the internal lives of the protagonists.It's not about sex.As a science fiction writer (of a sort), what sets Ballard apart from the golden age giants is his priorities: the science-fictional element (perhaps more appropriately in this case --and despite the pseudoscientific jargon-- the intruding magical element) is put to work as a metaphor for the internal lives of his protagonists. He's a bit heavyhanded about it -- there's a fair bit of tell-not-show contributing to that judgement, and I'd have to reread the novel carefully to be able to see whether I would have drawn the same conclusions if the protagonist hadn't quite explicitly pushed them at me. Still, the otherworldly element is in the service of character, rather than the characters serving to explore and report on the otherworldly element.The novel has a pulpy feel in high contrast to Empire of the Sun. This isn't just the science fictional elements; the chief failings are a terribly wooden characterisation for almost all the supporting characters and a rather hard to swallow protagonist. This is perhaps why I'd characterise this as science fiction instead of magical realism; not that all science fiction has these failings, but I recommend The Crystal World despite its failings, for a very science-fictional reason: the idea is lovely. More, the idea and the way it's described is lovely. If you can make that disconnect between literary content and imaginative content (a juggling act that is sadly often required to enjoy science fiction), you'll find The Crystal World rewarding. If the form matters too much to forgive some lapses of style, you're best avoiding it.