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    The Mirror of Literature, Amusement, and Instruction Volume 20, No. 574, November 3, 1832 Title
    The Mirror of Literature, Amusement, and Instruction Volume 20, No. 574, November 3, 1832 Title
    The Mirror of Literature, Amusement, and Instruction Volume 20, No. 574, November 3, 1832 Title
    Ebook86 pages58 minutes

    The Mirror of Literature, Amusement, and Instruction Volume 20, No. 574, November 3, 1832 Title

    By Various Various

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 27, 2013
    The Mirror of Literature, Amusement, and Instruction Volume 20, No. 574, November 3, 1832 Title

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      The Mirror of Literature, Amusement, and Instruction Volume 20, No. 574, November 3, 1832 Title - Various Various

      The Project Gutenberg EBook of The Mirror of Literature, Amusement, and

      Instruction, No. 574, by Various

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever.  You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.net

      Title: The Mirror of Literature, Amusement, and Instruction, No. 574

             Vol. XX, No. 574. Saturday, November 3, 1832

      Author: Various

      Release Date: November 10, 2004 [EBook #14010]

      Language: English

      *** START OF THIS PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE, ***

      Produced by Jonathan Ingram, David Garcia and the PG Online

      Distributed Proofreading Team.

      THE MIRROR

      OF

      LITERATURE, AMUSEMENT, AND INSTRUCTION.

      LYDFORD BRIDGE.

      LYDFORD BRIDGE.

      This is an interesting scene from the wild and wonderful in Nature. Its romantic luxuriance must win the attention of the artist, and the admiration of the less wistful beholder; while the philosophic mind, unaccustomed to vulgar wonder, may seek in its formation the cause of some of the most important changes of the earth's surface. Our esteemed friend and correspondent Vyvyan, is probably familiar with the locality of Lydford: his fancy might people it with pixies, and group its scenery into a kind of topographical romance; probably not unaided by its proximity to Dartmoor.¹

      Lydford is situated about seven miles north of Tavistock. It is, in the words of its topographers,² a poor decayed village, consisting of rude cottages. It was formerly a place of importance: for in Domesday Book, it is rated in the same manner and at the same time with London. Some remains of its ancient importance may still be seen in a square tower, or keep of a castle, which was formerly used as a court and a prison, where those criminals were tried and confined, who offended against the Stannary Laws. This building is alluded to by William Browne³—

      They have a castle on a hill;

      I took it for an old windmill,

      The vane's blown off by weather;

      To lie therein one night, its guest,

      'Twere better to be ston'd and prest,

      Or hang'd—now choose you whether.

      The scenery round the village is singularly picturesque: one of its most prominent objects, The Bridge is represented in the Engraving. It bears great analogy, in situation and character, to the celebrated Devil's Bridge in Wales. It consists of one rude arch, thrown across a narrow, rocky chasm, which sinks nearly eighty feet from the level of the road. At the bottom of this channel the small river Lyd is heard rattling through its contracted course. The singularity of this scene is not perceived in merely passing over the bridge: to appreciate its character, and comprehend its awfully impressive effects, it is necessary to see the bridge, the chasm, and the roaring water, from different projecting crags which impend over the river. At a little distance below the bridge, "the fissure gradually spreads its rocky jaws; the bottom opens; and, instead of the dark precipices which have hitherto overhung and obscured the struggling river, it now emerges into day, and rolls its murmuring current through a winding valley, confined within magnificent banks, darkened with woods, which swell into bold promontories, or fall back into sweeping recesses, till they are lost to the eye in distance. Thickly shaded by trees, which shoot out from the sides of the rent, the scene at Lydford Bridge is not so terrific as it would have been, had a little more light been let in upon the abyss, just sufficient to produce a darkness visible. As it is, however, the chasm cannot be regarded without shuddering; nor will the stoutest heart meditate unappalled upon the dreadful anecdotes connected with the spot."⁴

      Scenes of this description frequently give rise to marvellous stories; and Lydford Bridge has furnished many themes for the gossip's tongue. It is related, that a London rider was benighted on this road, in a heavy storm, and, wishing to get to some place of shelter, spurred his horse forward with more than common speed. The tempest had been tremendous during the night; and in the morning the rider was informed that Lydford Bridge had been swept away with the current. He shuddered to reflect on his narrow escape; his horse having cleared the chasm by a great sudden leap in the middle of his course, though the occasion of his making it at the time was unknown.

      Two or three persons have chosen this spot for self-destruction; and in a moment of desperation, have dashed themselves from the bridge into the murky chasm.

      Libels on Poets.—Cicero tells us, Democritus and Plato said that there could be no good poet without a tincture of madness; and Aristotle calls poets madmen.—P.T.W.

      THOU WERT THE RAINBOW OF MY DREAMS.

      Thou wert

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