The Best Things in Death
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About this ebook
In the Memory Chronicles e-short story collection, The Best Things In Death, Felicia explores memories dealing with love, loss, and joy. Pulled from the minds of characters from The Memory of After and Chasing Before, the memories reveal a simple truth: the best things in life are, indeed, free.
Lenore Appelhans
Lenore Appelhans is the author of several books for children and teens. Her work has appeared on the Bank Street Best Books list, won a SCBWI Crystal Kite award, and been featured on boxes of Cheerios. Lenore is an ambivert, a proud Slytherpuff, and a world traveler. She holds an MFA in Creative Writing from Vermont College of Fine Arts. She lives in the D.C. area with her family and her manic pixie dream cat.
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The Best Things in Death - Lenore Appelhans
Acknowledgments
Many thanks to the following for their generous support during the writing of these stories: Christian Trimmer, Stephen Barbara, Ann Bonwill, Jenny Bragdon, Christina Franke, Justina Ireland, and Daniel Jennewein.
Author’s Note
The Best Things in Death is a collection of short stories conceived as a companion to the Memory Chronicles novels. I wanted to share four new memories. Two are from the perspectives of characters you met in The Memory of After and two come from the points of view of characters you’ll meet in Chasing Before.
Ward, Felicia
Somewhere in Level Two
The best things in life are free. Sometimes I think about the air I breathed, the water I drank, the minutes and the hours and the days, dizzying in their abundance, that I could spend however I liked. I think about how I took them for granted. Until death came and stole them from me.
The best things in death—reliving any memory of your life in full sensory detail and experiencing all that you never had the chance to via the memories of others—are also free. Or they are now, at least. When the corrupted Morati angels controlled the net, we had to pay credits to rent outside memories. But those Morati are locked up and the net is gone, along with all the hives and memory chambers and drugs that kept us compliant.
So we relive memories for free, but it’s more complicated and less private. We do it by pressing our palm against someone else’s palm. One of the two people involved chooses a memory and both parties share the experience. The idea is to work through your most painful memories, such as your untimely exit from your mortal coil. Most of us buckle down and do this eventually, because even without the Morati keeping us prisoner, Level Two is hardly a place that anyone wants to inhabit in the long term. We traded never-ending rows of stark white hives for fields of wildflowers, monotonous in their unchanging loveliness.
But in the meantime, we seek out five-star memories, the ones that help us remember what a gift it was to live. Because we can’t search for specific memories from others, we flit from person to person, hoping to stumble upon a spectacular helicopter flight over Victoria Falls or the classic novel we never got around to reading. And if we want to access our own memories in full, we require a partner for that, too—preferably someone who can understand how special our favorite moments are.
Luckily, I have Neil. Our conversations about our pasts are enhanced by memory transfers. If I want to show him what it was like to swim with dolphins, I press my palm against his and pull up my trip to the Galapagos Islands. If he wants me to understand how it feels to be onstage, he selects a scene from one of his performances.
But even though I’m prepared to share almost anything from my life with Neil, there’s a part of him that he keeps locked away. I’ve noticed that he always skips over his first year of high school. He dismisses it by saying it was a bleak time not worth revisiting, and I don’t force the issue. Yet the more he avoids it, the more it becomes like a black hole, threatening to suck us both in.
Sometimes I wish the net architecture were still in place. A free version without the bad parts like being locked up and