A Long Commute Home
By Art Nahill
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About this ebook
Through language and imagery that is clear and engaging, these poems explore the metaphorical state of "commuting", of traveling from one place to another- from home to work, from childhood to young adulthood to middle age, from health to sickness, from one hemisphere to another- and the many lives that intersect with one's chosen trajectory along the way. These poems traverse the diverse landscapes of family and suburban life as they invite the reader on a journey that is warm, often humorous, and passionately human.
Art Nahill
Art is an American-born doctor/writer whose work has appeared in may literary journals and magazines on both sides of the Pacific. He currently lives in Auckland with his wife and two sons where he practices adult medicine and teaches.
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A Long Commute Home - Art Nahill
A Long Commute Home
By Art Nahill
Smashwords Edition
Copyright © Art Nahill 2014
For my wife, Rhonda and my sons,
Evan and Cameron.
I.
And lives go on.
And lives go on.
Like sudden lights
At street corners.
Or like the lights
In quiet rooms
Left on for hours,
Burning, burning.
– Donald Justice
The Commuter
The sudden bareness
of her knees seems like the ending
to the sonnet he’s never finished
and when he discovers it’s neither Shakespeare
nor Wordsworth she’s reading
but a drugstore romance
(the pages dog-eared where
on other mornings
the windswept heroine had been abandoned
on the cliffs of ecstasy
or left to wander the treacherous swamp of unrequitedness)
he has the urge to show her the steadfast way
he poaches his eggs on rainy mornings
evenings how he arranges his watch
the day’s accumulation of coins
on his bedside table
how longing finds salvation
in temples of the ordinary: the lurch
and shudder of the train
after she has packed her purse
and disembarked at Park Street station
the women each morning
who remind him of late summer
gardens, that same blush
of sadness.
The Endurance
She presses herself
into the seat beside me
smooths her business-blue skirt
with the palms of her hands
as though a linen tablecloth
before the arrival of guests.
From a canvas bag
silk-screened with Monet’s Lilies
she pulls, of all things
a hardbound history
of Shackleton’s failed Antarctic expedition
splays it open on her lap
like a surgeon. I have noticed her before
on at Porter
off at Back Bay Station. I watch from behind
the cover of my novel
intrigued by the grainy faces of the crew
squinting into the unfamiliar
maw of the camera, impassive, stoical
lives compressed
into the immensity of time and snow –
– and the way she traces
with her finger the blackness heaped about
this one’s eyes, the set of another’s jaw
lingering over the Endurance
suffocating in the grip of the Weddell Sea
touching, pausing, touching
again as one might
a lover’s birthmark, the splintered masts
the bowsprit
the tangle of ropes so furiously encrusted
in ice.
Suburban Sestina
Beneath a rogue late-spring snow,
the city’s indifferent air,
commuters crowd shoulder to shoulder,
each burdened by an unspoken history
that on these mornings swells in the distance,
breaking across our lives like waves.
I find my usual seat on the train, wave
to you