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    The History of Don Quixote, Volume 2, Part 26
    The History of Don Quixote, Volume 2, Part 26
    The History of Don Quixote, Volume 2, Part 26
    Ebook78 pages49 minutes

    The History of Don Quixote, Volume 2, Part 26

    By Gustave Doré, John Ormsby and Miguel de Cervantes

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 26, 2013
    The History of Don Quixote, Volume 2, Part 26
    Author

    Gustave Doré

    Paul Gustave Doré (January 6, 1832 – January 23, 1883) was a French artist, engraver, illustrator and sculptor. Doré worked primarily with wood engraving and steel engraving.

    Read more from Gustave Doré

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      Book preview

      The History of Don Quixote, Volume 2, Part 26 - Gustave Doré

      THE HISTORY OF DON QUIXOTE, Vol. II. Part 26.

      The Project Gutenberg EBook of The History of Don Quixote, Vol. II., Part

      26, by Miguel de Cervantes

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever. You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.net

      Title: The History of Don Quixote, Vol. II., Part 26

      Author: Miguel de Cervantes

      Release Date: July 23, 2004 [EBook #5929]

      Language: English

      *** START OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 26 ***

      Produced by David Widger

      DON QUIXOTE

      by Miguel de Cervantes

      Translated by John Ormsby

      Volume II.,  Part 26.

      Chapters 23-25

      Ebook Editor's Note

      The book cover and spine above and the images which follow were not part of the original Ormsby translation—they are taken from the 1880 edition of J. W. Clark, illustrated by Gustave Dore. Clark in his edition states that, The English text of 'Don Quixote' adopted in this edition is that of Jarvis, with occasional corrections from Motteaux. See in the introduction below John Ormsby's critique of both the Jarvis and Motteaux translations. It has been elected in the present Project Gutenberg edition to attach the famous engravings of Gustave Dore to the Ormsby translation instead of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only by utilizing the Enlarge button to expand them to their original dimensions. Ormsby in his Preface has criticized the fanciful nature of Dore's illustrations; others feel these woodcuts and steel engravings well match Quixote's dreams.            D.W.

      CONTENTS

      CHAPTER XXIII

      OF THE WONDERFUL THINGS THE INCOMPARABLE DON QUIXOTE

      SAID HE SAW IN THE PROFOUND CAVE OF MONTESINOS, THE

      IMPOSSIBILITY AND MAGNITUDE OF WHICH CAUSE THIS

      ADVENTURE TO BE DEEMED APOCRYPHAL

      CHAPTER XXIV

      WHEREIN ARE RELATED A THOUSAND TRIFLING MATTERS, AS

      TRIVIAL AS THEY ARE NECESSARY TO THE RIGHT UNDERSTANDING

      OF THIS GREAT HISTORY

      CHAPTER XXV

      WHEREIN IS SET DOWN THE BRAYING ADVENTURE, AND THE DROLL

      ONE OF THE PUPPET-SHOWMAN, TOGETHER WITH THE MEMORABLE

      DIVINATIONS OF THE DIVINING APE

      DON QUIXOTE

      Volume II.

      CHAPTER XXIII.

      OF THE WONDERFUL THINGS THE INCOMPARABLE DON QUIXOTE SAID HE SAW IN THE PROFOUND CAVE OF MONTESINOS, THE IMPOSSIBILITY AND MAGNITUDE OF WHICH CAUSE THIS ADVENTURE TO BE DEEMED APOCRYPHAL

      It was about four in the afternoon when the sun, veiled in clouds, with subdued light and tempered beams, enabled Don Quixote to relate, without heat or inconvenience, what he had seen in the cave of Montesinos to his two illustrious hearers, and he began as follows:

      "A matter of some twelve or fourteen times a man's height down in this pit, on the right-hand side, there is a recess or space, roomy enough to contain a large cart with its mules. A little light reaches it through some chinks or crevices, communicating with it and open to the surface of the earth. This recess or space I perceived when I was already growing weary and disgusted at finding myself hanging suspended by the rope, travelling downwards into that dark region without any certainty or knowledge of where I was going, so I resolved to enter it and rest myself for a while. I called out, telling you not to let out more rope until I bade you, but you cannot have heard me. I then gathered in the rope you were sending me, and making a coil or pile of it I seated myself upon it, ruminating and considering what I was to do to lower myself to the bottom, having no one to hold me up; and as I was thus deep in thought and perplexity, suddenly and without provocation a profound sleep fell upon me, and when I least expected it, I know not how, I

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