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West of Rome
West of Rome
West of Rome
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West of Rome

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West of Rome's two novellas, "My Dog Stupid" and "The Orgy," fulfill the promise of their rousing titles. The latter novella opens with virtuoso description: "His name was Frank Gagliano, and he did not believe in God. He was that most singular and startling craftsman of the building trade-a left-handed bricklayer. Like my father, Frank came from Torcella Peligna, a cliff-hugging town in the Abruzzi. Lean as a spider, he wore a leather cap and puttees the year around, and he was so bowlegged a dog could lope between his knees without touching them."

LanguageEnglish
PublisherHarperCollins
Release dateMay 25, 2010
ISBN9780062013187
West of Rome
Author

John Fante

John Fante began writing in 1929 and published his first short story in 1932. His first novel, Wait Until Spring, Bandini, was published in 1938 and was the first of his Arturo Bandini series of novels, which also include The Road to Los Angeles and Ask the Dust. A prolific screenwriter, he was stricken with diabetes in 1955. Complications from the disease brought about his blindness in 1978 and, within two years, the amputation of both legs. He continued to write by dictation to his wife, Joyce, and published Dreams from Bunker Hill, the final installment of the Arturo Bandini series, in 1982. He died on May 8, 1983, at the age of seventy-four.

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Rating: 4.044117617647059 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    I first read Fante some 25 years ago through, of course, the Bukowski connection and I was not disappointed. I bought and read a half dozen Fante books. Then, for some odd reason, I forgot about him. Until recently. Lately, I’ve been pulling some of those old Fante books off the shelf and rediscovering them and reminding myself why I liked reading him in the first place. With that in mind, I ordered this book, West of Rome, which is an odd pairing of two novellas, “My Dog Stupid” and “The Orgy.” The first one, at close to 150 pages, is nearly novel length itself while the latter, at only about 50 pages, is closer to a long short story. And they are very dissimilar and fit oddly together. Which doesn’t make them bad. Not at all. I just wouldn’t read them together at one sitting.West Of Rome contains the usual gritty, passionate prose Fante is known for, while also, particularly in the first novella, containing the usual rough comedy about difficult situations and people placed in awkward situations and how they deal with them. There’s also the usual explosive display of emotions. In “My Dog Stupid,” Henry Molise and family discover a 120 pound Akita lying in the yard in the rain seemingly near death. They nurse it back to health, place ads notifying the public of having found a lost dog in the papers, and come to grips with the fact that the dog seems to have adopted them. He’s big, strong, a little mean, a little bit loyal, very “passionate” (read horny), gay as the ace of spades (thus, much of the humor), and they name him “Stupid” by default. He humps any and everything that moves, especially if it’s male. Male dogs, male humans, male anything. He becomes known as the community rapist. He humiliates the community bully/watch dog, the regal German Shepard, by trying his best to rape it into submission. It’s hilarious and frightening at the same time.Molise, meanwhile, is a middle aged failed writer, screenwriter and novelist, who has done nothing of note in some time, living in Malibu with his demanding wife and four grown kids, most all of whom are deadbeats in one way or another. He dreams of selling everything he has and running away to Rome to start over again. He dreams, too, of the kids getting out of the house and letting he and his wife get on with their lives. And so it comes to pass. Their complete spoiled bitch daughter who’s living the good life with an ex-Marine beach bum while in their house gets ticked off at Molise because of the dog and leaves. A son, who dates only black women, which frustrates his racist mother to no end, ends up introducing his parents to a black girlfriend who calls them Mom and Dad, to their horror. Later they get a late night call telling them to come down to Venice Beach and when they arrive at their destination, this woman opens the door and there they find their son, beat to holy hell. They take him away, take him back home, where the son later tells his father that the black girl is his wife and she is pregnant and she beat him up and they fought over what to do about the pregnancy; he wanted to keep the child. Another son has been trying to avoid the military for years, trying to get out due to medical “problems” of one sort or another through quack doctors, and Stupid inadvertently helps when the boy kicks the dog several times when the dog pins the ex-Marine against a wall to hump him and the dog bites the son in the leg. He goes to a doctor, winds up on crutches, and weeks later, unable to walk, gets his military walking papers and is miraculously healed. The fourth child, a son, is a college student who has his mother write all of his English papers for him. It’s especially funny when she gets extremely upset at getting a C on a paper that she did her very best on. However, to their shock and horror, he is thrown out of the college due to lack of attendance and when they confront him, they discover he has been volunteering at a poor community children’s disabled center. But the draft board has called for him and now he is terrified. Naive, he is convinced his good deeds will get him off. His father knows better. And to top things off, the man in charge of the board is someone they had a confrontation with on the beach a few months previously because Stupid tried to rape him too. Needless to say, Molise’s son is in the army in a heartbeat. His one request? Take care of Stupid. Who immediately disappears, nowhere to be found. The parents freak out. And as the climax of the novella approaches, the tension mounts and what was previously an incredibly funny work becomes less so as all of these rather serious life crises have taken their toll on the family, as these lies and pretensions have been lifted and erased. What starts out very funny becomes nearly sad, and at times, quite touching. It takes a gift to be able to make that type of a transition in a short work such as this and pull it off successfully, yet Fante does. It’s truly an excellent work.“The Orgy” is very different. It’s told from the innocent eyes of a ten year old boy in Boulder, Colorado, the son of an extremely devout Catholic mother and a poor, hard working Italian father whose best friend and workmate is an atheist, much to his wife’s horror and disgust. One of the men, an older black man, who works for the boy’s father dabbles in penny stocks and one day makes a small fortune. He quits, but in a seemingly nice gesture, gives the boy’s father a certificate of ownership to a small gold mine in the mountains north of them. As the man wouldn’t be able to mine on his own, he takes his friend, Frank, as a partner and they start heading off to mine on the weekends, with little luck. The story then centers around one particular weekend when the mother forces her husband to take the son with them to the mine for the weekend and the ultimate loss of innocence that boy encounters along the way. There are moments of humor, but not nearly anything like in the first novella, and in all candor, this work, while decent, pales in comparison to the first and probably shouldn’t have been placed alongside it. It’s bound to be found lacking when compared to the former. It’s good, but merely average when compared to the excellent “Stupid.” This book was published shortly after Fante’s death in the early 1980s. It’s not his best work, but I’m certainly glad to have it in my library and I think it’s definitely worth four stars. Recommended for anyone who enjoys unpretentious, “real,” funny literature from the author Bukowski admired the most.

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West of Rome - John Fante

My Dog Stupid

ONE

It was January, cold and dark and raining, and I was tired and wretched, and my windshield wipers weren’t working, and I was hung over from a long evening of drinking and talking with a millionaire director who wanted me to write a film about the Tate Murders "in the manner of Bonnie and Clyde, with wit and style. There was no money involved. We’ll be partners, fifty-fifty." It was the third offer of that kind I’d had in six months, a very discouraging sign of the times.

Crawling along the Coast Highway at fifteen miles an hour, my head out the window, my face dripping rain, my eyes straining to follow the white line, the vinyl top of my 1967 Porsche (four payments overdue, the finance company hollering) was almost ripped off by the driving torrent as I finally made the turn off the highway toward the ocean.

We lived on Point Dume, a thrust of land jutting into the sea like a tit in a porno movie, the northern tip of the crescent that forms Santa Monica Bay. Point Dume is a community without street lights, a chaotic suburban sprawl so intricately bisected by winding streets and dead end roads that after twenty years of living out there I still got lost in fog or rain, often wandering aimlessly over streets not two blocks from my house.

And as I knew I must that stormy night, I turned off on Bonsall instead of Fernhill and began the slow, hopeless business of trying to find my house, knowing that eventually, provided I didn’t run out of gas, I would circle back to the Coast Highway and the bleak light of the telephone booth at the bus stop, where I could phone Harriet to come and show me the way home.

In ten minutes she appeared over the hill, the headlights of the station wagon spearing holes in the storm and zooming in on me parked beside the phone booth. She gave the horn a blast, leaped from the car and ran toward me in a white raincoat. Her eyes were wide with concern.

You’re going to need this.

She whipped my .22 pistol from under her coat and thrust it through the window. There’s something terrible in the yard.

What?

God knows.

I didn’t want the damned gun. I wouldn’t take it. She stomped her foot.

Take it, Henry! It may save your life.

She shoved it right under my nose.

What the hell is it?

I think it’s a bear.

Where?

On the lawn. Under the kitchen window.

Maybe it’s one of the kids.

With fur?

What kind of fur?

Bear fur.

Maybe it’s dead.

It’s breathing.

I tried to press the gun back to her. Listen, I sure as hell don’t intend to shoot a sleeping bear with a .22! It’ll just wake him up. I’ll call the sheriff.

I opened the door but she pushed it closed.

No. Look at it first. Maybe it’s nothing. Maybe it’s just a burro.

Oh, shit. Now it’s a burro. Does it have big ears?

I didn’t notice.

I sighed and started the car. She ran back to the station wagon and wheeled it onto the road. There was no white center line, so I stayed close to her tail lights as the car rolled slowly through cascades of rain.

Our house was on an acre of ground a hundred yards from the cliff and the roaring ocean below. It was a Y-shaped so-called rancho inside a concrete wall that completely circled the acre. A hundred and fifty tall pines grew along the walls so that it was like living in a forest, and the entire layout looked exactly like what it was not—the domicile of a successful writer.

But it was paid for, right down to the last sprinkler head, and I had an overwhelming passion to dump it and get out of the country. Over my dead body, Harriet always challenged, and I often amused myself with wistful reveries of her lying in a pool of blood on the kitchen floor as I dug a grave out by the corral, then grabbing an Al Italia for Rome with seventy thousand bucks in my jeans and a new life on the Piazza Navonne, with a brunette for a change.

But she was very good, my Harriet, she had stuck it out with me for twenty-five years and given me three sons and a daughter, any one of whom, or indeed all four, I would have gladly exchanged for a new Porsche, or even an MG GT '70.

TWO

Harriet made the turn into the driveway and I drew up beside her in the garage. We were surprised to find the other car there, a 1940 Packard, a real antique belonging to Dominic, our oldest, the family’s prime screwball. We had not seen him in two weeks. His return on such a stormy night meant that he was either in trouble or out of clean shirts. I opened the Packard’s rear door. The interior reeked of pot. Harriet reached inside and made a face as she picked up a pair of blue panties. With an ugh she tossed them back.

We stepped out of the garage. The house bloomed like a used car lot, a light in every window, and spotlights over the back door and the garage, flooding the lawn with a bleak iridescence in the rain.

It’s still there, Harriet hesitated, looking toward the back door. Then I saw it, a dark piled-up mass, motionless and tumbled like a rug. I told her to stay calm.

The gun.

I left it in the car.

She went back for it and put it in my hand.

Relax, for God’s sake, I said.

It was fifty feet from the garage to the back door, the passage protected from rain by the eaves of a low roof projecting like a porch. Harriet took a firm grip on my coat-tail and, gun at the ready, I tiptoed forward, scared, eyeballs straining to focus on the thing obscured in the rain.

Gradually my vision printed an image. It was a sheep lying there. I could not see the head but the wooly rump and belly were plainly visible. All at once the swirling wind changed the course of the rain and the shape altered. I caught my breath. That was no sheep. It even had a mane.

It’s a lion, I said, backing off.

But she had flawless eyesight.

It’s nothing of the sort. All fear drained from her voice. It’s just a dog. She moved forward confidently.

A dog it was, a very large dog, heavy coated, brown and black, with a massive head, and a short stumpy black nose, a mournful beast with the somber face of a bear. But for the measured pumping of his great chest one would have guessed that he was dead, for his slanted eyes were closed. There was an almost imperceptible flap to his black lips as he breathed in and out. He was obviously unconscious, the rain battering him hard.

While I tried to speak to him Harriet dashed into the house and returned with an umbrella. We got beneath it and bent over the beast. She stroked his wet nose.

Poor thing. I wonder what’s wrong with him?

I fondled his thick, tough, black ears.

This is a very sick dog, I said, my fingers coming upon a tick the size of a bean, so bloated that it rolled in my palm like a marble. I flipped it away."

What’s he doing here?

This dog is a bum, I said. A socially irresponsible animal, a runaway.

He’s just plain sick.

He’s not sick. He’s too lazy to find shelter. I poked him with my toe. On your way, you bum. But he didn’t move or open his eyes.

Oh, my God! Harriet gasped, backing away and pulling me with her. Don’t touch him. Maybe he’s got rabies!

That cooled me. I wanted no part of a rabid dog. We hurried inside and locked the door. I was soaked, dripping on the kitchen floor. While I stripped off my wet clothes Harriet went back to the bedroom for my robe. She brought it out and bourbon and ice and we sat at the table and pondered the problem.

We can’t just leave him out there, she said. He’ll die.

Death comes to us all, I said, finishing my second drink.

She lost patience.

Do something. Call somebody. Find out what to do with a rabid dog.

The stove clock showed nine-thirty as I dialed Lam-son, the Malibu vet. Sleazy and corrupt, dog doctor to the stars, Lamson was like the tick I had removed from the dog’s ear, having feasted on my blood for years, his helpless victim, for he ran the only dog hospital north of Santa Monica.

His housekeeper answered. Dr. and Mrs. Lamson were not at home. They were on their yacht at Catalina. I hung up, my lips shaping a small invocation to San Gennaro, the patron saint of Naples, imploring him to sink the Lamsons and their yacht to the bottom of the sea.

Next I called the Sheriff’s office, knowing exactly what the desk sergeant would say, and he said it: call the County Animal Shelter. A sense of hopelessness came over me as I dialed the Animal Shelter number. I knew it would be a recording, and it was. They were closed until nine the following morning.

The pounding rain eased to a whisper, then stopped. Harriet looked out the window at the dog.

I think he’s dead.

Pleased with the quiet after the rain, I sipped on another drink. From the north wing of my Y-shaped house came the whang of a stereo in Dominic’s room, the mindless rhythms of the Mothers of Invention. I had come to hate the unspeakable illiteracy of that sound, and I lifted my eyes to San Gennaro, and I said to him, how long, O Gennaro, must I suffer? All the way back to Presley and Fats Domino, yea even Ike and Tina Turner, then the eternity of the Beatles and the Grateful Dead, the Monkees, Simon and Garfunkel, the Doors, the Rotary Connection, all, all have polluted the inside of my house, all that fucking barbarism flooding my home year after year, and now the son-of-a-bitch was twenty-four years old, and still a pain in the ass.

Remember, O Gennaro, how he totaled my T-Bird? And hast thou forgotten the wreckage of my Avanti? Nor let us forget that he was once busted for smoking pot and that it cost me fifteen hundred and they still convicted him, and that he sleepeth ever and anon with black women, which tries his mother sorely, and there cometh over me constantly this uneasy suspicion that he is a nance. Damn him, O blessed saint. And if destiny decides that a rabid dog bite one of this family, let it bite him! Harriet jumped when I slammed the table with my fist.

What’s the matter with you?

Your son Dominic! I speared her with a finger. He’s going out there and do something about that dog!

I took one more drink and marched down the hall to Dominic’s door and batted it with the butt of my fist. The stereo went silent.

Who is it?

Your Father. Henry J. Molise.

He unlocked the door and stood there in his shorts, a massive young man with heavy shoulders and legs.

Hi, Dad. What’s up?

I walked into the room.

Where you been the last two weeks?

Around.

He was freshly shaven, smelling of lime, his hair carefully combed, long and covering his ears. I sat on the bed as he slipped into a pair of wide-striped slacks. An extremely unpredictable cat, he had abandoned college for a tour in the navy. Now he was a machinist, earning ten thousand a year, insufficient for his needs even though he spent it all on himself and from time to time borrowed from his parents. The only clue to his heavy expenses were random poker chips from the Gardena card parlors which Harriet dug out of his pockets when she did his laundry. I noticed a couple of these along with coins and car keys on the bedside table. There was also a packet of condoms.

Can’t you be more circumspect? I said, nodding at the condoms. Your mother and sister live here too.

He smiled. I can show you a whole bottle of birth control pills in your daughter’s bathroom.

A new picture hung from the wall above the bookcase, barely visible above the lamplight. I tilted the lampshade and flooded the picture with light. It was the blowup of a naked black girl wearing a blonde wig, seated with wide-spread legs on a bar stool.

Where’d you get that?

You like it?

Doesn’t do a thing to me. Has your mother seen it?

I just hung it up.

What do you want from your mother—a cardiac arrest?

It’s just plain, wholesome pornography. There’s lots of it under the bed, and she’s seen it all. Help yourself anytime.

I had already examined the material. No thanks, I’m reading Camus at the moment.

Camus? Outstanding.

I sized him up for a moment.

What the hell have you got against white women?

He turned and smiled as he buttoned his shirt.

Some people like white meat, and some people like dark. What’s the difference…it’s all turkey.

Don’t you have any race pride?

Race pride! Say, that’s a hell of a phrase, Dad. I’ll bet you dreamed it up yourself. It’s uncanny. No wonder you’re such a great writer. He crossed to the desk and picked up a pencil and wrote on an envelope. ‘Race pride.’ I want to write that down so I won’t forget it.

What a creep! No dialogue was possible with him, for he put the blocks to me every time. I could have pointed out that the flesh on his bones came from sweating out my miserable screenplays, and that the orthodontist’s tab for his flawless teeth had come to three grand, to say nothing of the thousands he had cost me in wrecked cars, motorcycles, surfboards and high insurance premiums. But he would have pounced on all that as self-pity, which, of course, it was. Life was so unfair. As your sons got bigger,

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