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Fathers and Sons
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Fathers and Sons
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Fathers and Sons
Audiobook8 hours

Fathers and Sons

Written by Ivan Turgenev

Narrated by Anthony Heald

Rating: 4 out of 5 stars

4/5

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Currently unavailable

Currently unavailable

About this audiobook

One of the most controversial Russian novels ever written, Fathers and Sons dramatizes the volcanic social conflicts that divided Russia just before the revolution, pitting peasants against masters, traditionalists against intellectuals, and fathers against sons. It is also a timeless depiction of the ongoing clash between generations.

When a young graduate returns home, he is accompanied-much to his father and uncle’s discomfort-by a strange friend who does not acknowledge any authority and does not accept any principle on faith. Bazarov is a nihilist, representing the new class of young radical intelligentsia that would come to overthrow the Russian aristocracy and its values. Uncouth and forthright in his opinions, Turgenev’s hero is nonetheless susceptible to love and, by that fact, doomed to unhappiness.
LanguageEnglish
Release dateJun 2, 2011
ISBN9780786105120
Author

Ivan Turgenev

Ivan Turgenev was a Russian writer whose work is exemplary of Russian Realism. A student of Hegel, Turgenev’s political views and writing were heavily influenced by the Age of Enlightenment. Among his most recognized works are the classic Fathers and Sons, A Sportsman’s Sketches, and A Month in the Country. Turgenev is today recognized for his artistic purity, which influenced writers such as Henry James and Joseph Conrad. Turgenev died in 1883, and is credited with returning Leo Tolstoy to writing as the result of his death-bed plea.

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Reviews for Fathers and Sons

Rating: 3.855609360041551 out of 5 stars
4/5

1,444 ratings54 reviews

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  • Rating: 5 out of 5 stars
    5/5
    Was surprised by my love for this book. It was gripping, funny, touching. Who knew. I picked it up because of a memoir I was reading in which the narrator was enamored of "The Russians," and because I'd always been curious. So glad I did.
  • Rating: 4 out of 5 stars
    4/5
    This novel is about a young man's struggle with his father's ambition for his life as the young man alternately fights and embraces that future.
  • Rating: 3 out of 5 stars
    3/5
    The novel was a little less than I expected, but the point of interest is the letters and literary criticism that comes at the end of the book. Top-notch!
  • Rating: 4 out of 5 stars
    4/5
    19th century Russian literature set in 1859. (Follows the Paris Revolution, Crimean War, Nicholas I) A book about fathers and their sons. The sons have been to university and been educated. They have embraced nihilism. The Nihilist movement was a Russian movement in the 1860s which rejected all authorities.It is derived from the Latin nihil, meaning "nothing". The decision has been made to emancipate the serfs which happened in 1861. The fathers are doing their best to cooperate with the mandate. The opposite of nihilism is romanticism and the author has set the book up through the fathers and sons to contrast the different philosophy. "All moral disease derives from poor education, from all the rubbish with which people's heads are filled from birth onwards--in short, from the shocking state of society. Reform society, and there'll be no more disease". This is a statement by Bazarov. I think this statement has proven to be untrue many times. Poor education does not equal moral disease, nor does good education preclude moral disease. The origin is something else. The women characters are interesting. We have Fenichka who is "living with Nikolai and has a son but no marriage", we have Anna who is a widow and has been alluded to as empty headed who is quite intelligent and a bit of a nihilist herself, and Katerina the young lady who is quiet but probably the strongest of all. And not to omit, Bazarov's mother who is the one with the property and money but also a lot of superstitions. Bazarov's attitude is quite antifeminist but over all the book is filled with storng women. I enjoyed the book. As a Russian novel it wasn't hard to read. I am not a fan of nihilism but I learned a lot and find it interesting that it was a Russian movement. The novel contributes to the Russian literature and Russian history, it is not only relevant to its 19 century setting but also offers some relevance to the present and a good reminder that generations do change. The characters were well crafted. This is more a character study than a plot driven book.
  • Rating: 5 out of 5 stars
    5/5
    An incredible read. The story holds your interest, the characters are very realistic and believable, and the content/theme is still relevant and always will be.
  • Rating: 4 out of 5 stars
    4/5
    Fairly short and easy to read (at least in this translation). More thoughts to come later...
  • Rating: 3 out of 5 stars
    3/5
    Mooie, vooral trefzekere psychologische tekening van de karakters. Salonroman-allures, met dikke romantische onderlaag.Figuur Bazarov is tragisch getekend.
  • Rating: 3 out of 5 stars
    3/5
    Mooie, vooral trefzekere psychologische tekening van de karakters. Salonroman-allures, met dikke romantische onderlaag.Figuur Bazarov is tragisch getekend.
  • Rating: 5 out of 5 stars
    5/5
    That took awhile.
  • Rating: 5 out of 5 stars
    5/5
    An incredible read. The story holds your interest, the characters are very realistic and believable, and the content/theme is still relevant and always will be.
  • Rating: 5 out of 5 stars
    5/5
    A fine, tender, evocative short novel portraying "liberal" Russian landowners and their nihilist sons mid-19th century, on the eve of the (troubled) emancipation of the serfs. Marvelous writing as translated here by Richard Hare. A book to re-read.
  • Rating: 4 out of 5 stars
    4/5
    For once I read the book before reading the introduction; an approach which has its merits. The analysis in the introduction seemed to be a little over the top at first but then after learning of the letters Turgenev exchanged with Dostoevsky, particularly concerning the former's construction of the character Bazarov, really drives home how truly great novels are so much more than the product of a vivid imagination. The beauty of reading such works is to open my eyes to a place and period that was simply neglected in my early education due to the Cold War. Yet Turgenev highlights many issues which remain relevant in modern society: nationalism East or West, revolutionary or evolutionary development, the perpetual quest for newness in youth, to the pointlessness of life when humanity's frailty is illuminated. It also reunited me with the importance of the simple things in life which are often overlooked in our individual quests for glory which probably never arrives: the scene involving Bazarov's grieving parents still haunts me, as does the thought that Arkady is now under-the-thumb in an ever-so-happy way. The great writers were great because of their ability to intellectualise so many issues without a hint of discontinuity - a trait Turgenev displays with relative ease despite his own personal agonising over his critics (both revolutionaries and aristocrats). Indeed, had we never known about Turgenev's agonising from his letters, the work does not belie any such lack of confidence. Yet had I read the introduction first I may well have formed an entirely different view.
  • Rating: 2 out of 5 stars
    2/5
    This work of fiction is set in Russia before the revolution. Serfdom was similar to slavery and the story contrasts the life of aristocracy with that of serfs. The main characters are two students: Bazarov being the leader and Arkady being his follower. The story is somewhat interesting in its description of the characters and was likely more of interest in the day of its writing. The eventual demise of Bazarov seems of limited importance since his existence was largely an annoyance to most. I do not recommend the book unless you are interested in Russian history.
  • Rating: 5 out of 5 stars
    5/5
    I loved this book - thanks to my son who introduced it to me. It is a book I hope to reread a few times.
  • Rating: 4 out of 5 stars
    4/5
    Rather striking, though sometimes comes across a little bit forced and solemn. Which is, in the end, quite okay with characters like Bazarov that bring forward lots of interesting issues and ideas.
  • Rating: 5 out of 5 stars
    5/5
    Finished Fathers and Sons yesterday, another quickly devoured novel. Don't think I'll take the time to properly review it, but I will say that while I worried I wouldn't be thrilled by a novel in which one of the main characters is an unpleasant Nihilist with an attitude to match, I was on the contrary pleasantly surprised to find this novel touch on a variety of other subjects I ended up finding quite engrossing indeed, so that even Bazarov, the unpleasant proponent of Nihilism in question became, if not appealing exactly, essential to a masterful whole. Some of the topics broached are the major shift going on in Russia during the mid-19th century, with landowners 'freeing' their serfs and allowing them to become paid tenants and the attendant class conflicts; the concept or what makes up a true Russian identity; the generation gap and how the old guard is always relegated to obsolescence by the young. In other words, social conflicts seem to be at the heart of this novel, but these subjects became all the more interesting to me thanks to the deft hand of Turgeniev, who presents these from the unique standpoints of young student Arkady Nikolaevich Kirsanov, who brings his friend and Nihilistic hero Yevgeny Vasilyevich Bazarov on a visit to his family farm to meet his father and uncle. Arkady Nikolaevich's father Nikolai Petrovich is excited to get together with his grown son again, looking forward to a forging a close friendship with him based on intellectual equality, and thinks himself to be 'with the times' by embracing modern socioeconomic concerns (having among other things recently emancipated his serfs and removed himself to a smaller house with few paid servants) and keeping up with all the latest authors (but at heart a great lover of the Romantic Old Guard Pushkin). However, his hopes are fairly dashed when Bazarov is introduced into the household with his uncouth, brusque manners and disdain for art, tradition, and sentimentality. Arkady has become Bazarov's disciple and parrots his older friend's ideas, though all the while he is made uneasy by Bazarov's repeated critical sallies and generally disrespectful attitude toward his beloved father and his uncle Pavel Petrovich, a gallant aristocrat very much attached to tradition and keeping up appearances, which Arkady nevertheless sees as a tragic hero. Through this prism we see a whole nation shifting toward what laid the ground for the inevitable Russian Revolution and the Communist USSR, though again, Turgeniev, far from making his protagonists all black or all white, lets them evolve throughout the novel and experience conflicting emotions and motivations. Here, together with a large dose of philosophical doctrine, there is also love and romance and it's deceptions, there is even an unlikely duel which ends rather unexpectedly. In other words, it is a mix of intellectual ideas and romantic concerns and for this reason, still feels incredibly modern and shows us once again that human nature never really changes much. So much for NOT writing a review. :-)
  • Rating: 2 out of 5 stars
    2/5
    Snoozed. And I'm a Russian history major. Go figure.
  • Rating: 3 out of 5 stars
    3/5
    I'm surprised this book was so controversial when it was published, as it's largely a standard Russian novel- the focus on the lower nobility, attending balls, falling in love, fighting duels, unreturned affection, marriages, and a glimpse of the stunted lives and intellect of the peasants. Lermontov satirizes this type of novel long before Turgenev put pen to paper. The only notable divergence from the paint-by-numbers plot is the addition of Bazarov, a medical student who is a self-proclaimed nihilist, who denies all rules and traditions. According to his notes for the novel Turgenev wanted Bazarov to be "like a comet" (as Freeborn translates it), knocking everyone out of there rut. At this Turgenev fails; Bazarov comes off as less a comet than a contrarian, disagreeing with his elders and society more for the sake of disagreement itself than because of any true belief in the pointlessness of life.

    The writing is largely functional, but there are a few places where the writing is noticeably bad. The arguments Turgenev writes out between Bazarov and Pavel are confusing, with characters giving responses that make little sense given the previous comment, and in general the segments where this occurs have no flow and feel stilted. Perhaps at the time this novel was written the characters conformed to easily defined types, allowing readers to fill in the leaps in dialogue in a satisfactory way, but that is no longer the case. There is also a line in the book that leads readers to believe a character has died when in fact that is not the case. I checked both the Garnett and the Freeborn translation and this is clearly a flaw in the original text, not in the translation.

    There's a reason Turgenev exists today in the shadow of Tolstoy and Dostoyevsky. Read Fathers and Sons if you want to experience more Russian literature, but don't expect it to reach the heights of the masterpieces in the genre.
  • Rating: 4 out of 5 stars
    4/5
    Literature is full of proof that generational conflicts are eternal. Kids are always convinced their parents don't understand them, and in some ways, that's true. But in other ways, the parents understand more than the kids can even believe. If everyone lives long enough, one day that will become clear.Arkady is coming home after graduating from university to stay with his parents for a while, and his friend Bazarov comes with him. Bazarov is the classic "bad influence" that worries parents. He's cynical and not respectful of his elders' experience, and worst of all, he's a nihilist. (This was probably less comical before The Big Lebowski was made, or if you've never seen it. If you have, you may have the same reaction as I did every time someone brings it up, which was: hearing "We belieff in NUFFINK!" in a German accent.) Anyhow, there are tensions between the generations as well as tensions between contemporaries. After all, the older generation will always have a variety of ideas about the younger, from "get off my lawn!" to "oh, to be young and carefree." And the younger generation will be busy trying to find out where they fit in the world, how to define themselves and who to use as a model. On a larger scale, these conflicts are played out in the same way in countries, and Russia was in transition at the time when the book is set.Although I approached this novel with some trepidation because 19th-century Russian literature has always been difficult for me (I've tried Dostoevsky and Tolstoy and come to the conclusion that I need to read up on Russian history before trying again), it was an involving read. I didn't feel lost in the political situations (that references were amply footnoted helped).Recommended for: Generation X, people looking to ease into Russian literature.Quote: "The tiny space I occupy is so minute in comparison with the rest of space, in which I am not, and which has nothing to do wtih me; and the period of time in which it is my lot to live is so insignificant beside the eternity in which I have not been, and shall not be.... But in this atom, this mathematical point, the blood is circulating, the brain is working and wanting something.... Isn't it loathsome? Isn't it petty?"
  • Rating: 5 out of 5 stars
    5/5
    Unquestioningly, a classic. Different in its substance from the gripping and heart-rending prose of Dostoyevsky, but a classic nevertheless. Apart from the main plot and the ever-existing question of a generation gap, Turgenev brings to light such relevant to that day and age issues as the peasant question (with all its tormenting difficulties just prior to abolition of serfdom in Russia), the highly controversial idea of nihilism, and description (even though in a slightly caricature form) of a burgeoning feminism trend. Some minor characters are stereotypically comical, but the main ones are given a thoroughly thoughtful and serious portrayal. Bazarov's father impressed me the most. I read this book in the original years ago (it was a part of high school curriculum and was required reading, thus making it less appealing at the time) and now refreshed my memory, with deeper understanding of the book, in translation, which is quite adequate, though, naturally, cannot quite be a substitute for the original - but it fell into my hands at a used books shop and grabbed my nostalgic attention.
  • Rating: 4 out of 5 stars
    4/5
    A great example of Russian literature at its finest. The only great writers coming out of this country weren't only Tolstoy and Doesevski. After reading this novel for a history class, I downloaded a bunch more of his work to my Kindle, for later reading. Enjoy!
  • Rating: 3 out of 5 stars
    3/5
    3.5 stars. I would've liked it much more when I was younger, but, nearing eighty, the first thoughts and loves and rebellions and other conceits of the characters were a bit flat. Reading it felt a little like watching kittens--their behavior is amusing and endearing but every miscalculated jump and tumble is foreseen.
  • Rating: 4 out of 5 stars
    4/5
    This book throws me back to my teens, a time when I read all the great Russian authors. I really like this book, because it captured the atmosphere of the times. It does so in a style that is more gentle than Dostoevsky; and reaches down into the character of the protagonists. I wish, however, that it went deeper into the relationship between the generations. But then, that is my wish only!
  • Rating: 4 out of 5 stars
    4/5
    Even though the conflict between generations is centered around the historical event of the emancipation of the russian serfs, it is relevant to every generational conflict. The extremists at either end will never understand each other, yet there is a delightful middle ground to be struck and exist happily in. The characters were more life like than anything I've read in a long while, which turned what could have been a relatively dull classic into a page turner. I cared about his portraits.
  • Rating: 5 out of 5 stars
    5/5
    One of my all time favorites.
  • Rating: 4 out of 5 stars
    4/5
    Possibly the first modern Russian novel. The central figures Barazov and Arkady show a marked contrast in their eventual approaches to life. Bazarov is a self-professed nihilist, believing that the established order should always be challenged.Arkady is initially in thrall to Bazarov's tenets, to the extent that he risks alienating his old-fashioned father and even more traditional uncle. The novel is one of self discovery, though, and Arkady eventually marries Katya Lokteva, having previously been infatuated with her elder sister Anna. However, it is Bazarov who falls irredeemably in love with Anna, thus compromising the beliefs that have been the pillar of his entire being.
  • Rating: 4 out of 5 stars
    4/5
    A fine novel and one that can be enjoyed on many levels. There is the much celebrated frictions between the generations and the views of the progressives against the reactionaries and they are there throughout the novel. However for me it was the beautiful lyrical writing that I found so entrancing. Much of the novel takes place in pastoral surroundings as the characters move from one estate to another all with varying degrees of prosperity. Here the major protagonists expound their views and fall in love, despite their world view, even the nihilist Basarov falls in love. The characters are finely drawn their relationships are exquisitely portrayed, as is the countryside that surrounds them. For me this is not a political novel but more of a beautiful pastoral novel whose characters are touched by modern thoughts and ideas. The translation by Rosemary Edmonds captures the lyrical quality of the writing, perhaps a different translation might emphasise other qualities in the novel. I was a bit wary of Edmonds after reading her introduction where she seemed to be equating nihilists with 1960's beatniks, which I think misses the point and so maybe the political themes do not come out so well in her translation.
  • Rating: 3 out of 5 stars
    3/5
    Wonderful book; brings out the similarities and differences for one generation to another. Great characters but it hard to compare it to the other Russian classics.
  • Rating: 3 out of 5 stars
    3/5
    Twenty-three brief chapters tell of a period in the lives of two young Russian men. Together they visit each of their families, and together they mix into society. It is a rambling tale. (My copy is illustrated with wood engravings by Fritz Eichenberg and has a foreword by Sinclair Lewis, and an essay by John T. Winterich.) I do not know how long I've had it. . . it caught my eye recently, hence this brief review.
  • Rating: 3 out of 5 stars
    3/5
    Easy and pleasant to read, but hardly a "masterpiece". There is a structure and a kind of plot, but no sense of purpose. Characters just drift without a convincing explanation as to their motives, if they have any. You get the impression that Turgenev first thought up Bazarov the "nihilist" - actually a depressed cynic who can't stand his own emotions - then sketched some feeble storyline to justify his existence in the novel. The book is not without qualities, however. The other characters, particularly the elderly, are finely sketched and there are some scenes which are very moving. There is tension here and there, but no development into something grand. "Torrents of Spring", by the same author, has a clear direction and is more fun.