Admirers of the highest classical culture will fondly recall Clash of the Titans, the 1981 filmic meisterwork in which Laurence Olivier’s Zeus and his fellow Olympians look imperiously down on humanity, and use their limitless powers to manipulate the affairs of mankind.
The identity of this modern deity may never become known beyond the screen-filled room in which they toy with mortal events.
But somewhere, in some municipal, modern Olympus elegantly styled after the Lubyanka, there is a Zeus du jour with a
