The Atlantic

You Can’t Really Make a Feel-Good Body-Horror Movie

<em>The Whale </em>aims for noble sentimentality, but Darren Aronofsky can’t stop turning pain into spectacle.
Source: A24

From the first minute, is suffused with dread. The director Darren Aronofsky has long specialized in that type of atmosphere; even when working on the tiniest scale, he conjures mounting horror out of the mundane. His latest work closely echoes prior films such as and , both claustrophobic epics with thudding scores and dreary outlooks. But in , which is adapted from Samuel D. Hunter’s play, the sinister mood immediately feels at odds with the subject.

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