Los Angeles Times

Review: Does Brendan Fraser give a great performance in 'The Whale'? It's complicated

Sadie Sink in "The Whale."

When the camera looks at Brendan Fraser in "The Whale," what does it see? It sees a man named Charlie who weighs 600 pounds and is slowly expiring from congestive heart failure in a dimly lit Idaho apartment. It also sees a familiar Hollywood face attached to a most unfamiliar body, enacting the kind of dramatic, prosthetically enabled transformation the movie industry likes to slobber over.

You might find these two images to be of a piece — an intuitive fusion of performer and role that reaches for, and sometimes achieves, a state of transcendent emotion. Or you may find them grotesquely at odds: the character whose every groan, wheeze and choking fit means to inspire both empathy and revulsion, and the actor whose sweaty dramatic exertions are calculated to elicit praise and applause.

Let's render that praise where it's due. There is more to Fraser's performance than his exertions, just as there is more to Charlie than

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