By the early 1980s, infamous producers Menahem Golan and Yoram Globus had restored the fortunes of Cannon Films with a string of profitable grindhouse movies. So, when they asked British sex-and-gore director Pete Walker to make a low budget film, he had just the idea: an abortion horror about a terminated alien foetus seeking
THE REVEREND’S REVIEW
Mar 24, 2022
2 minutes
You’re reading a preview, subscribe to read more.
Start your free 30 days