The highs and lows of this year’s Telluride Film Festival
TELLURIDE, Colo. — On the occasion of its 50th anniversary, the Telluride Film Festival unveiled a mammoth five-day lineup (Aug. 31–Sept. 4), packed with world-premiere titles like Andrew Haigh’s “All of Us Strangers,” starring Andrew Scott, the “hot priest” of “Fleabag”; Emerald Fennell’s psychothriller “Saltburn” with Barry Keoghan; and Alexander Payne’s Christmas comedy “The Holdovers,” which reunites him with his “Sideways” star Paul Giamatti. L.A. Times columnist Glenn Whipp and film critic Justin Chang sat down to discuss the films they saw and missed, loved and hated, and what they portend for a movie industry still being affected by the writers’ and actors’ strikes.
GLENN WHIPP: Standing in line to see the Saturday evening premiere of “Poor Things,” Yorgos Lanthimos’ audacious inquisition into what it means to be human (as well as how a crossbred duck-dog might act), I bumped into director Emerald Fennell, and we got to talking about how her movie, the button-pushing psychological thriller “Saltburn,” had gotten people talking.
“I think we can all relate,” she said of her film. Relate to what, I wondered. The feelings of envy that the main character in “Saltburn,” played by Barry Keoghan, nurses toward cool, rich kids ignoring him at Oxford? Of being an outsider, looking in?
“I think just the wanting,” Fennell said. “Aren’t we all wanting?
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