Commentary: Why Damien Chazelle's Netflix series 'The Eddy' atones for the sins 'Whiplash'
by Howard Reich, Chicago Tribune
Jun 16, 2020
4 minutes
Jazz doesn't usually fare well in dramatizations, as any number of Hollywood films attest.
Bebop genius Charlie Parker emerged as a drugged-out buffoon in Clint Eastwood's demeaning biopic "Bird" (1988); Miles Davis came across as smaller than life in Don Cheadle's laughably plotted "Miles Ahead" (2015); Ethan Hawke's poetic portrayal of Chet Baker could not quite save Robert Budreau's convoluted "Born to be Blue" (2015); musical cliches overflowed in the fictional "Paris Blues" (1961); and so on.
So one didn't hold high hopes for "The Eddy," an ambitious Netflix series about the spirit of jazz and the lives of
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