The Christian Science Monitor

'Isle of Dogs' is a stop-motion tour de force that is flabbergastingly original

The best justification for making an animated movie is that its story couldn’t best be told any other way. This is certainly the case with writer-director Wes Anderson’s “Isle of Dogs,” a stop-motion tour de force so flabbergastingly original that, despite being replete with references to other movies, it is practically a genre entirely unto itself.

“Isle of Dogs” is Anderson’s second foray into stop-motion animation, coming after the delightfully inventive 2009 adaptation of Roald Dahl’s “Fantastic Mr. Fox,”

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