Mingling Voices Series

Crafting wings out of wax and poems from the underground, Zeus and the Giant Iced Tea is a dreamlike voyage through poetic narrative format, blurring the line between poetry and fiction. Exploring the frenetic lives of Mexican cowboys, robots, sultans, Greek gods, and convenience store clerks, Zeus and the Giant Iced Tea shatters preconceived notions of poetry and instead offers a more accessible strain of literary free flow.

Musing is a book of sonnets. Working within the framework of a classic poetic form, Jonathan Locke Hart embarks on an extended meditation on our rootedness in landscape and in the past. As sonnets, the poems are a mixture of tradition and innovation. Throughout, Hart deftly interweaves European culture with North American settings and experience. The collection opens with a foreword by noted literary scholar Gordon Teskey, who reflects on the themes that have marked the evolution of Hart's poetry. Of Musing, Teskey writes: "These deeply thoughtful poems bring layered historical consciousness into the sonnet. They also touch and stir the heart through all its levels."

With wit and cunning, Noble's poems insinuate themselves into the mediations of "we use language" / "language uses us," into the objectification of "mind," into the struggles and cracking of systems. Cuing on Hegel's epochal revitalization of the syllogism, they begin with sentences-cum-arguments that issue from an everyman's intentions and insights, playing into and baiting the "sociality of reason." In the cut-up sentences then come the restless, accelerated themes—themes that exist only in their variations, ghosting into one another like the dusk and the dawn in a winging, distended now.

In this new edition of a prairie classic, Andreas Schroeder fictionalizes the true story of Tom Sukanen's wild scheme to build an ocean-going ship in the middle of a wheat field in Saskatchewan. Set during the hardships of the "Dirty Thirties," Dustship Glory presents us with Sukanen's mythic effort to escape both the drought and pestilence of his time, as well as his own personal struggle to be free. Featuring an illuminating foreword by beloved Saskatoon writer Don Kerr, Dustship Glory will provide Canadian and international audiences alike with the opportunity to reacquaint themselves with the dramatic tale of a ship that still stands in the fields south of Moose Jaw in Saskatchewan.

Through poems that move between the two languages, McIlwraith explores the beauty of the intersection between nêhiyawêwin, the Plains Cree language, and English, âkayâsîmowin. Written to honour her father’s facility in nêhiyawêwin and her mother’s beauty and generosity as an inheritor of Cree, Ojibwe, Scottish, and English, kiyâm articulates a powerful yearning for family, history, peace, and love.

Prompted by renowned poet E.D. Blodgett's deep love for and intimate experience of Prague, Praha is a poetic homage to the legendary city's vital spirit. As they build on one another, the poems in the collection lift the reader over the threshold of purely mythic understanding and into the heart of one of Europe's loveliest and most venerable cities. Each poem is accompanied by a translation into Czech, encouraging even those who do not know the language to immerse themselves in its sound. Superbly complemented by the mysteriously eloquent paintings of Czech artist Robert Kessner, Praha offers the moods of Prague in its many seasons and in all its magic.

The twelve “lays” of Marie de France, the earliest known French woman poet, are here presented in sprightly English verse by poet and translator David R. Slavitt. Traditional Breton folktales were the raw material for Marie de France’s series of lively but profound considerations of love, life, death, fidelity and betrayal, and luck and fate. They offer acute observations about the choices that women make, startling in the late twelfth century and challenging even today. Combining a woman’s wisdom with an impressive technical bravura, the lays are a minor treasure of European culture.

Poetic, witty, and ever so faintly surreal, Sefer delicately explores the legacy of the Holocaust for the postwar generation, a generation for whom a devastating history has grown distant, both temporally and emotionally. The novel’s protagonist, Jan Sefer, is a psychotherapist living in Vienna—someone whose professional life puts him in daily contact with the traumas of others but who has found it difficult to address his own family background, especially his memories of his father. During a two-week trip to his father’s birthplace, Kraków—a visit he has long postponed—he begins to sort out some of his feelings and to connect with a past the memory of which is swiftly disintegrating. Much like memory itself, Sefer speaks to us obliquely, through the juxtaposition of images and vignettes rather than through the construction of a linear narrative. With its fragmentary structure and its preference for hints rather than explanations, the novel belongs to the realm of the postmodern, while it also incorporates subtle elements of magical realism. One of Poland’s best-known poets, Ewa Lipska is today a major figure in European literature. In their translation of Sefer, Lipska’s first novel, translators Barbara Bogoczek and Tony Howard deftly capture the poet’s unmistakable voice—cool and precise, gently ironic, and deeply humane.

The fact that Cavlacanti’s friend, Dante Alighieri, was a supremely fine poet ought not blind us to Cavalcanti’s own, rather different excellence. Both men were attracted to the dolce stil nuovo, the “sweet new style” that emerged in thirteenth-century Florence. While Dante’s poetry was devoted to his childhood sweetheart, Beatrice, Cavalcanti’s poetry had more the tang of real-world experience: he struggled against unruly passions and sought instead to overcome love – a source of torment and despair. It is chiefly through the translations of Rossetti and Pound that English-speaking readers have encountered Cavalcanti’s work. Pound’s famous translation, now viewed by some as antiquated, is remarkably different from the translation provided here in the graceful voice of poet David Slavitt. Working under the significant restraints of Cavalcanti’s elaborate formal structures, Slavitt renders an English translation faithful to the original poetry in both rhyme and rhythm.

Don Kerr knows prairie culture better than most, he knows it from the inside out. He has made us aware of ourselves through his numerous volumes of poetry, his fiction, his many plays, his histories, and his interest in heritage. In this mature, accomplished collection, we can once again admire his unique prairie voice: minimalist, self-effacing, direct yet subtle and nuanced, immersed in his love of the vernacular language of this place. His line is muscular, his timing impeccable, his broad strokes with so few words . . . exemplary.

The venerable tanka and her upstart cousin kyoka mingle with Kerouac’s American pop haiku in five-liner imagist poems and linked sequences. In Windfall Apples, Richard Stevenson mixes east and west with backyard barbecue and rueful reflection.

Spark of Light is a diverse collection of short stories by women writers from the Indian province of Odisha. Originally written in Odia and dating from the late nineteenth century to the present, these stories offer a multiplicity of voices—some sentimental and melodramatic, others rebellious and bold—and capture the predicament of characters who often live on the margins of society. From a spectrum of viewpoints, writing styles, and motifs, the stories included here provide examples of the great richness of Odishan literary culture. In the often shadowy and grim world depicted in this collection, themes of class, poverty, violence, and family are developed. Together they form a critique of social mores and illuminate the difficult lives of the subaltern in Odisha society. The work of these authors contributes to an ongoing dialogue concerning the challenges, hardships, joys, and successes experienced by women around the world. In these provocative explorations of the short-story form, we discover the voices of these rarely heard women.

This collection by well-known Edmonton poet, E.D. Blodgett, is an ode to the wisdom and divinity of silence. The poet muses on the quiet of the outdoors and the mysterious relationship that exists between spaces of silence within a city's limits. Most of the short lyrics that make up this sublime collection were written first in English and French before being translated into Cree, Michif, Chinese, and Ukrainian to reflect Edmonton's multicultural past and present. Together they form a composite view of the people and culture that inhabit the city's natural spaces.

Maurice Yacowar challenges genre and form in Roy & Me, a cross between memoir and fiction, truth and distortion. It is the exploration of Yacowar’s relationship with Roy Farran—soldier, politician, author, mentor—and his conflict with Farran’s anti-Semitic past. Best known for his service with the British Special Air Service during World War II, Roy Farran served as a politician in the Legislative Assembly of Alberta for Premier Peter Lougheed. During his time in Israel as a soldier, Farran allegedly kidnapped and murdered a sixteen-year-old member of the Lehi group, also known as the Stern Gang. Roy & Me is a memoir that edges toward fiction by venturing into Roy Farran’s thoughts, drawing simultaneously on his writings and Yacowar’s own imagination.

Dreamwork is a poetic exploration of the then and there, here and now, of landscapes and inscapes over time. It is part of a poetry series on dream and its relation to actuality. The poems explore past, present, and future in different places from Canada through New Jersey, New York and New England to England and Europe, part of the speaker’s journey. A typology of home and displacement, of natural beauty and industrial scars unfolds in the movement of the book.