Lustmord: Anatomy of a Serial Butcher Series
By Kirk Alex
()
About this series
"Great book. Dark–yes. Grotesque–certainly. Sexually explicit–without a doubt. And the writing is excellent. Character & dialogue, is as real as it gets. A terrifying, non-putdownable horror." –Jeff Bennington, K/Book Review
“LUSTMORD: Anatomy of a Serial Butcher / Book Two (of Two)
His victims’ agony is still his sadistic ecstasy in this spine-tingling conclusion!
The bodies are piling up, but in Bishop Cecil O. Biggs’s twisted mind, the body count is still lacking. Even with all the victims dangling from meat hooks in his basement and cadavers rotting in his lair of carnal depravity, the Sinister Minister’s craving for blood and human flesh remains unquenched.
Desperate to leave behind a legacy as the most notorious sex slayer in the state of California, Biggs stalks San Fernando Valley strip joints and LA hooker hotspots in search of potential victims in a van he has christened the Meat Wagon. He likes to lure unsuspecting prey into his dark world by resorting to whatever means possible: drugs, booze, cash, or trickery.
But now the stench of death billowing from his cellar furnace is starting to arouse suspicion, which might ultimately hinder his grisly exploits. And when this remorseless sociopath’s neighbors become concerned, and the families and friends of the missing young men and women unite to converge on this house of horrors, it might finally put an end to Biggs’s sadistic sexual rituals. But not if he can prevent it. . .
Titles in the series (2)
- Lustmord: Anatomy of a Serial Butcher: Lustmord: Anatomy of a Serial Butcher, #1
1
Who knew the minister next door was also a sadistic predator? Cecil Omar Biggs is not your average man of the cloth. By day, he appears to be a hardworking preacher, but once night descends upon the quiet Southern California neighborhood where Biggs resides, his darker self emerges. Living a double life as a sex fiend and brutal murderer, he enjoys luring innocent victims into his basement lair by any means possible. Converting an old house into a church, Biggs becomes the perfect wolf in sheep's clothing, which also puts him in the ideal position to attract his unsuspecting prey. He lives to satisfy his sinister appetites without remorse or limits, indulging in his more violent tendencies as soon as the sun goes down by torturing and killing the women he abducts in his dungeon of doom. But how long can Biggs keep up the nice-guy-next-door pretense while secretly living as a homicidal maniac? And what happens when the locals start suspecting that there's more to this seemingly harmless Bible-thumper than meets the eye?
- Lustmord: Anatomy of a Serial Butcher: Lustmord: Anatomy of a Serial Butcher, #2
2
"Great book. Dark–yes. Grotesque–certainly. Sexually explicit–without a doubt. And the writing is excellent. Character & dialogue, is as real as it gets. A terrifying, non-putdownable horror." –Jeff Bennington, K/Book Review “LUSTMORD: Anatomy of a Serial Butcher / Book Two (of Two) His victims’ agony is still his sadistic ecstasy in this spine-tingling conclusion! The bodies are piling up, but in Bishop Cecil O. Biggs’s twisted mind, the body count is still lacking. Even with all the victims dangling from meat hooks in his basement and cadavers rotting in his lair of carnal depravity, the Sinister Minister’s craving for blood and human flesh remains unquenched. Desperate to leave behind a legacy as the most notorious sex slayer in the state of California, Biggs stalks San Fernando Valley strip joints and LA hooker hotspots in search of potential victims in a van he has christened the Meat Wagon. He likes to lure unsuspecting prey into his dark world by resorting to whatever means possible: drugs, booze, cash, or trickery. But now the stench of death billowing from his cellar furnace is starting to arouse suspicion, which might ultimately hinder his grisly exploits. And when this remorseless sociopath’s neighbors become concerned, and the families and friends of the missing young men and women unite to converge on this house of horrors, it might finally put an end to Biggs’s sadistic sexual rituals. But not if he can prevent it. . .
Kirk Alex
Instead of boring you with a bunch of dull background info, how about if I mention a few films/singers/musicians and books/authors I have enjoyed over the years.Am an Elvis Presley fan from way back. Always liked James Brown, Motown, Carmen McRae, Eva Cassidy, Meat Loaf, Booker T. & the MGs, CCR. Doors are also a favorite.Some novels that rate high on my list: A Confederacy of Dunces by John Kennedy Toole; Hunger by Knut Hamsun; Street Players by Donald Goines (a street noir masterpiece, a work of art, & other novels by the late awesome Goines); If He Hollers Let Him Go by the incredible Chester Himes. (Note: Himes at his best was as good as Hemingway at his best. But of course, due to racism in the great US of A, he was given short-shrift. Had to move to France to be treated with respect. Kind of sad.Am white by the way, but injustice is injustice & I feel a need to point it out. There were so many geniuses of color who were mistreated and taken advantage of. Breaks your effing heart. I have done what I have been able to support talent (no matter what the artists skin color was/is) over the years by purchasing records & books by talented folks, be they white/black/Hispanic/Asian, whatever. Like I said: Talent is talent, is the way I have always felt. The arts (in all their forms) keep us as humans civilized, hopefully). Anyway, I need to get off the soap box.Most of the novels by Mark SaFranko (like Lounge Lizard and Hating Olivia; his God Bless America is one of the best memoirs I have ever read, up there with Ham on Rye by Buk);The Sun Also Rises by Ernest Hemingway; A Farewell to Arms also by Ernie; Mooch by Dan Fante (& other novels of his); Post Office by Charles Bukowski; The Bell Jar by Sylvia Plath; the great plays of Eugene O., like Iceman Cometh, Long Days––this system has a problem with the apostrophe, so will leave it out––Journey Into Night, Touch of the Poet; Journey to the End of the Night by Ferdinand Celine (not to be confused by the Eugene O. play); Postman Only Rings Twice by James M. Cain; the factory crime novels of Derek Raymond (superior to the overrated Raymond Chandler & his tiresome similes & metaphors any day of the week; Jack Ketchum; Edgar Allan Poe; The Reader by Bernhard Schlink; Nobody/s Angel by Jack Clark; The Professor and the Madman by Simon Winchester, et al.Filmmakers: Akira Kurosawa (Ihiru; Yojimbo); John Ford (almost anything by him); horror flicks: Maniac by William Lustig and Joe Spinnell; original Night of the Living Dead; original Texas Chainsaw Massacre; original When a Stranger Calls; The 400 Blows by Francois T.; the thrillers of Claude Chabrol; A Man Escaped by Bresson; the Japanese Zatoichi films;Tokyo Story by Ozu . . . and many other books, films and jazz musicians like the amazing tenor sax player Gene Ammons; Sonny Rollins, Chet Baker, Jack Sheldon, Stan Getz, Paul Desmond; singers like the incomparable Sarah Vaughan, Shirley Horn, Dion Warwick; Al Green, Elmore James, Lightnin Hopkins . . . to give you some idea.However, these days though, tv does not exist at all for me, nor do I care for most movies, in that I would much rather pick up a well-written book. I get more of a kick from reading than I do watching some actor pretend to be something he is not.Having said that, I confess that as a young man I did my share of wasting time watching the idiot box and spent my share of money going to the flicks. But those days are long gone, in that there is no interest in movies (be they cranked out by the Hollywood machine, or elsewhere).Final conclusion when it comes to celluloid? Movies are nothing more than a big waste of time (no matter who makes them). Reading feeds the brain, while movies puts the brain to sleep. There it is.
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