Practical Photoshop2 min read
Abstract Portraits
Open the image into Photoshop. Go to the Layers Panel, click the Create Adjustment Layer icon and choose Black and White. Click the icon again and choose Posterize. Set Levels to 4: this divides the image into four levels of brightness. Press Cmd/Ctr
Practical Photoshop2 min read
Top Tips Perfect Interiors bring Down The Curtain
It can be tricky to determine what to include and leave out. Take a moment to identify the key points of interest. It might be a sweeping staircase or an ornate piece of furniture. Here it’s the fireplace with the painting above. We put logs in the f
Practical Photoshop2 min read
Flash-paint Your Interior Scenes
With a static scene like an interior, we are free to light it in segments over several frames. Lock the camera on a tripod and move around the scene, popping the flash. An easy way to fire it is to set up a self-timer to take five shots, with a coupl
Practical Photoshop3 min read
Ahead Of The Curve
Curves has long been one of the best tonal tools in Photoshop and Lightroom. Whether you want to boost contrast, tweak brightness, experiment with creative color shifts, or make any number of other adjustments, Curves is the tool for the job. It isn’
Practical Photoshop1 min read
Learn Lightroom Today!
This issue, learn how to add watermarks to your photos to prevent unwanted copying If you’d like to watch the complete course now, get the app from the Apple App Store LIKE THIS? NOW AVAILABLE ON THE APPLE APP STORE BIT.LY/TYLRAPP BUY NOW! WATCH THE
Practical Photoshop1 min read
Pixelated Patterns
Open an image. Grab the Crop Tool and choose Width, Size and Resolution in the Crop Tool dropdown in the top toolbar. Set width to 2,000px, height to 2,000px, dpi to 300 (or a similar round number), then crop the image. Next, go to File > New and set
Practical Photoshop1 min read
Step, Blend And Repeat
Open a smoke image (we’ve supplied several suitable images if you don’t have any), then use the Lasso Tool to select an interesting part. Press Cmd/Ctrl+J to copy to a new layer, then go to Image > Canvas size and expand the canvas to give yourself m
Practical Photoshop4 min read
Essentials
If you’re relatively new to editing in Photoshop, or you just don’t know where to begin, then this section is the best place to get started. Over the next 10 pages, you’ll find an overview of the different versions of Photoshop available; a breakdown
Practical Photoshop2 min read
Six Essential Layers For Photos
Photoshop has many types of layers and adjustment layers available, but there are six that you’ll find you need to use again and again. Learning how they should be used may seem a little daunting for beginners, but once you’ve got to grips with them,
Practical Photoshop1 min read
Urban Abstracts
Urban environments can be a frenetic mass of contrasts: vibrant or mundane, lively or eerie, beautiful or drab. For a photographer, it’s easy enough to capture how places like this look, but it’s more of a challenge to convey how they feel. To create
Practical Photoshop1 min read
Work The Room
Whether you want to capture your home, make images for a holiday rental site, help out with a house sale, or simply create lovely architectural photos, interior photography is a great project to take on. There are three key skills to master. First, t
Practical Photoshop1 min read
14 Essential Keyboard Shortcuts
Reset the foreground and background colors to black and white Zoom in or out of the image Create a merged copy of all the layers in the layer stack Temporarily switch the current tool to the Hand tool, for moving around the image while zoomed in Swit
Practical Photoshop1 min read
Embrace The Abstract
DOWNLOAD THE PROJECT FILES HERE https://bit.ly/pho_149 ON YOUR PC OR MAC ■
Practical Photoshop3 min read
Don’t Want It? Remove It!
Photoshop has a new retouching tool – and it’s likely to become your go-to for many retouching tasks from now on. If you want to remove something from your photo, the new Remove Tool will almost always do a great job. Simply paint over the offending
Practical Photoshop1 min readIntelligence (AI) & Semantics
Style Transfer
The Style Transfer Filter is one of the more interesting Neural filters on offer in Photoshop. It uses AI to add a painting style to your photos. The results can vary wildly, but if you hit upon an interesting look, you can create vibrant abstracts.
Practical Photoshop1 min read
Editorial
After 12 years and 149 issues, this will be our very last Practical Photoshop. We’ve seen lots of changes to our favorite photo editor during that time, and hopefully informed and inspired plenty of you wonderful readers. A huge thank you for all of
Practical Photoshop1 min read
Edit Your Abstracts
As well as in-camera multiple exposures, we can also craft our own in Photoshop simply by copying one image on top of another, then changing the layer Blend Mode to Screen. We can also experiment with the 26 other layer Blend Modes, and come up with
Practical Photoshop1 min read
Step By Step Polish It In Photoshop
Go through your images and select the ones that you’d like to use, then make any initial tonal changes in Camera Raw. Once done, highlight the images in Bridge and go to Tools > Photoshop > Load Files Into Photoshop Layers. Once they’ve opened, go to
Practical Photoshop1 min read
Shake It Up
Intentional camera movement can transform scenes into streaks of blur while still retaining an impression of the place. Move the camera up, down, left or right, or swivel it during the exposure. It helps to press the camera against your forehead or u
Practical Photoshop1 min read
Get Creative With Brushes
The Posterize technique described in the previous tip can be used for all sorts of effects. By separating an image into different levels of brightness, we can get creative with brushes. Follow the steps to posterize and make separate layers, then cli
Practical Photoshop2 min read
Abstract Camera Skills
There’s beauty everywhere if you look for it, even outside a pound shop. Look for bold colors and the vertical lines of shop windows or lamp posts, then try an up/down camera movement over a 1/15 sec exposure to create streaks of blur. A side-to-side
Practical Photoshop1 min read
Practical Photoshop
Editor James Paterson Art Editor Rosie Webber Production Editor Richard Hill Content Director Chris George Senior Art Editor Warren Brown Editor James Paterson james.paterson@futurenet.com Art Editor Rosie Webber Production Editor Richard Hill Conten
Practical Photoshop2 min read
The Image-editing Workflow
The image-editing process begins as soon as you’ve transferred your photos from your memory card to your computer. 1 The first stage is to begin sifting through your pictures to discover which are the keepers. The image organizer that comes with Phot
Practical Photoshop1 min read
Pixel Stretching
This is a wonderful technique for simplifying an image down to a series of colorful bands. Simply open an image into Photoshop (uncluttered landscapes tend to work well), then go to the toolbar and grab either the Single Column or the Single Row Tool
Practical Photoshop1 min read
Add A Fake Fire In Photoshop
The star of our interior scene here is the ornate fireplace. We weren’t able to light a fire during the shoot – but we can add a few flames later on in Photoshop… Find a suitable photo of flames (we found a free image on Pixabay.com; search for image
Practical Photoshop1 min read
The Basics Of Raw Processing
The latest version of the raw file processor included with Photoshop is so powerful that most photos can be processed entirely in the raw processor, with no need for further editing in Photoshop. And by making your adjustments in Adobe Camera Raw, ra
Practical Photoshop1 min read
Building Composites
Here’s a fun compositing technique that lets you mash up buildings or landmarks, layering them one on top of another to craft a montage. Open an image of a building, grab the Object Selection Tool and drag a box over it. Photoshop will employ AI to s
Practical Photoshop1 min read
Practical Photoshop
Editor  James Paterson Art Editor Rosie Webber Production Editor  Richard Hill Content Director  Chris George Senior Art Editor  Warren Brown Editor James Paterson james.paterson@futurenet.com Art Editor Rosie Webber Production Editor Richard Hill C
Practical Photoshop1 min read
Shape Your Selection
If you want to generate a specific object, the shape of the selection you make can have a huge difference on the look of what is generated. So rather than simply using the Marquee Tool to drag a rectangular box, try using the Lasso Tool to draw a fre
Practical Photoshop1 min read
Use AI Selections
The Select Subject and Object Selection tools are brilliant at isolating objects for you, and can speed up your generative filling. If you want to fill in a background, for example, simply use Select > Subject and press Cmd/Ctrl+Shift+I to invert (a
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