In s2e19, Ann Shafer and Tru Ludwig continue talking about the best etcher ever, Rembrandt van Rijn. In this second of three episodes on Rembrandt, they tackle genre scenes (those would be scenes of everyday life) and portraits. Rembrandt is the consummate storyteller and in these etchings he gives us regular, everyday people like print dealers, cooks, beggars, and even rat catchers. His etchings are brimming with life. Remember, Rembrandt lives in Amsterdam, which is part of Holland, a country that had recently gained independence from Catholic Spain. These subjects are new territory for us. In addition, Ann talks about a second female artist: Geertruydt Roghman. Episode image: Rembrandt (Dutch, 1606–1669). Beggars Receiving Alms at the Door of a House, 1648. Etching, engraving, and drypoint. Sheet (trimmed to platemark): 6 5/8 × 4 1/2 in. (16.8 × 11.5 cm.). Metropolitan Museum of Art, New York. Adriaen van Ostade (Dutch, 1610–1685). The Family, 1647. Etching. Plate: 7 1/16 × 6 1/4 in. (18 × 15.9 cm.); sheet: 7 1/2 × 6 9/16 in. (19 × 16.7 cm.). Metropolitan Museum of Art, New York. Jan van de Velde II (Dutch, c. 1593–1641), after Willem Buytewech (Dutch, 1591–1624). The Pancake Woman, c. 1626. Engraving. 185 x 129 mm. British Museum, London.   Rembrandt (Dutch, 1606–1669). The Pancake Woman, 1635. Etching. Sheet (trimmed to platemark): 11.4 x 8.3 cm. (4 3/8 x 3 ¼ in.). Metropolitan Museum of Art, New York. Rembrandt (Dutch, 1606–1669). The Rat Catcher, 1632. Etching. 140 x 125 mm. The Morgan Library & Museum, New York. Rembrandt (Dutch, 1606–1669). Beggars Receiving Alms at the Door of a House, 1648. Etching, engraving, and drypoint. Sheet (trimmed to platemark): 6 5/8 × 4 1/2 in. (16.8 × 11.5 cm.). Metropolitan Museum of Art, New York. Rembrandt (Dutch, 1606–1669). Death Appearing to a Wedded Couple from an Open Grave, 1639. Etching. Plate: 10.9 x 7.9 cm (4 5/16 x 3 1/8 in.); sheet: 11 x 8.1 cm (4 5/16 x 3 3/16 in.). National Gallery of Art, Washington, D.C. Rembrandt (Dutch, 1606–1669). A Woman Making Water, 1631. Etching. Sheet (trimmed to platemark): 79 x 63 mm. Rijksmuseum, Amsterdam. Rembrandt (Dutch, 1606–1669). A Man Making Water, 1631. Etching. Sheet (trimmed to platemark): 82 x 48 mm. The British Museum, London. Rembrandt (Dutch, 1606–1669). The Monk in the Cornfield, c. 1646. Etching and drypoint. Sheet (trimmed to platemark): 47 x 66 mm. The Morgan Library & Museum, New York. Geertruydt Roghman (Dutch, 1625–1657). Kerck tot Sloten (Church at Sloten), plate 8 from the series Plaisante Lantschappen...na t’Leven geteekent door Roelant Roghman... (Pleasant Landscapes...after Roelant Roghman...). Engraving. Sheet (trimmed to platemark): 130 x 222 mm. Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco. Geertruydt Roghman (Dutch, 1625–1657) after Aegidius Sadeler (Flemish, 1570–1629) after Jacopo Tintoretto (Italian, 1518–1594). Massacre of the Innocents, 1630–52. Engraving. Sheet: 395 × 496 mm. Rijksmuseum, Amsterdam. Geertruydt Roghman (Dutch, 1625–1657) after Paulus Moreelse (Netherlandish, 1571–1638). Portrait of Roelant Savery, 1647. Engraving. Sheet: 267 × 162 mm. Rijksmuseum, Amsterdam. Geertruydt Roghman (Dutch, 1625–1657). A Woman Spinning, 1648–50. Engraving. Plate: 213 × 171mm. Rijksmuseum, Amsterdam. Geertruydt Roghman (Dutch, 1625–1657). A Woman Cooking, 1648–50. Engraving. Plate: 213 × 171mm. Rijksmuseum, Amsterdam. Geertruydt Roghman (Dutch, 1625–1657). A Woman Cleaning, 1648–50. Engraving. Plate: 213 × 171mm. Rijksmuseum, Amsterdam. Geertruydt Roghman (Dutch, 1625–1657). A Young Woman Ruffling, 1648–50. Engraving. Plate: 213 × 171mm. Rijksmuseum, Amsterdam. Geertruydt Roghman (Dutch, 1625–1657). Two Women Sewing, 1648–50. Engraving. Plate: 213 × 171mm. Rijksmuseum, Amsterdam. Aegidius Sadeler II (Netherlandish, 1568–1629). After Jacopo Tintoretto (Jacopo Robusti) (Italian, 1518/19–1594). Massacre of the Innocents, c. 1600. Engraving. Sheet (trimmed within pla