In s2e3, co-hosts Ann Shafer and Tru Ludwig finally start talking about an artist. While there are artists of note before Dürer--say Martin Schongauer--he really changes everything. From his monogram claiming authorship to marketing his works, Dürer is the man. So much so that Ann and Tru only get through half of his story. A second episode will continue Dürer's story.  Albrecht Dürer (German, 1471–1528). Self-Portrait at Thirteen, 1484. Silverpoint on prepared paper. 27.3 x 19.5 cm. (10 3/4 x 7 5/8 in.). Albertina, Vienna. Jan van Eyck (Netherlandish, 1390–1441). Arnolfini Portrait, 1434. Oil on wood. 32 x 24 in. National Gallery, London. Jan Van Eyck (Flemish, active 1422–1441). Portrait of a Man (Self-Portrait), 1433. Oil on oak. 26 x 19 cm. (10 ¼ x 7 ½ in.). National Gallery, London. Hugo van der Goes (Flemish, c. 1430/1440–1482). Portinari Altarpiece, 1475–76. Oil on wood. 253 x 304 cm. (99 ½ x 119 5/8 in.). Galleria degli Uffizi, Florence. Martin Schongauer (German, c. 1435/50–1491). Saint Anthony Tormented by Demons, c. 1470–75. Engraving. Sheet: 30 x 21.8 cm. (11 13/16 x 8 9/16 in.). Metropolitan Museum of Art, New York. Antonio Pollaiuolo (Florentine, 1429 or 1433–1498). Battle of the Nudes or Battle of the Naked Men, c. 1470–90. Engraving. 39.3 x 57.9 cm. (15 ½ x 22 3/4 in.). Cincinnati Art Museum. Albrecht Dürer (German, 1471–1528). Self-Portrait, 1500. Oil on panel. 67.1 × 48.9 cm. (26 1/3 × 19 1/3 in.). Bayerische Staatsgemäldesammlungen - Alte Pinakothek München. Albrecht Dürer (German, 1471–1528). Self-Portrait, 1498. Oil on panel. 52 x 41 cm. (20 ½ x 16 1/8 in.). Museo del Prado, Madrid. Albrecht Dürer (German, 1471–1528). The Virgin Appearing to Saint John, from the series The Apocalypse, 1498. Woodcut. Sheet: 44.1 x 30.3 cm. (17 3/8 x 11 15/16 in.). Metropolitan Museum of Art, New York. Albrecht Dürer (German, 1471–1528). Saint John Devouring the Book, from the series The Apocalypse, 1498. Woodcut. Sheet: 44.1 x 30.6 cm. (17 3/8 x 12 1/16 in.); image: 39.4 x 28.3 cm. (15 1/2 x 11 1/8 in.). Metropolitan Museum of Art, New York. Albrecht Dürer (German, 1471–1528). Saint Michael Fighting the Dragon, from the series The Apocalypse, 1511. Woodcut. Image: 39.2 x 28.3 cm. (15 7/16 x 11 1/8 in.); sheet: 44.1 x 30.5 cm. (17 3/8 x 12 in.). Metropolitan Museum of Art, New York. Albrecht Dürer (German, 1471–1528). The Martyrdom of Saint John, from the series The Apocalypse, 1511. Woodcut. Sheet: 39.1 x 28.3 cm. (15 3/8 x 11 1/8 in.). Metropolitan Museum of Art, New York. Albrecht Dürer (German, 1471–1528). The Four Horsemen of the Apocalypse, from the series The Apocalypse, 1498. Woodcut. 39.3 x 28.5 cm. (15 1/2 x 11 1/4 in.). Baltimore Museum of Art, Baltimore. Albrecht Dürer (German, 1471–1528). The Vision of the Seven Candlesticks, from the series The Apocalypse, 1498. Woodcut. 44.1 x 30.5 cm. (17 3/8 x 12 in.). Metropolitan Museum of Art, New York. Albrecht Dürer (German, 1471–1528). Saint John Devouring the Book, from the series The Apocalypse, 1498. Woodcut. Sheet: 44.1 x 30.6 cm (17 3/8 x 12 1/16 in.); image: 39.4 x 28.3 cm (15 1/2 x 11 1/8 in). Metropolitan Museum of Art, New York. Albrecht Dürer (German, 1471–1528). Four Female Nudes (The Four Witches), 1497. Engraving. 19.2 x 13.6 cm (7 5/8 x 5 3/8 in). Albertina, Vienna. Albrecht Dürer (German, 1471–1528). Nemesis (The Great Fortune), c. 1501–02. Engraving. Plate: 33.5 x 23.3 cm (13 3/16 x 9 3/16 in); sheet: 36 x 25.9 cm (14 3/16 x 10 3/16 in). National Gallery of Art, Washington. Albrecht Dürer (German, 1471–1528). The Great Piece of Turf, 1503. Watercolor and gouache heighted with white, mounted on cardboard. 40.8 x 31.5 cm (16 x 12 3/8 in). Albertina, Vienna. Albrecht Dürer (German, 1471–1528). Young Hare, 1502. Watercolor heightened with white. 25 x 22.5 cm. (9 ¾ x 8 ¾ in.). Albertina, Vienna. Albrecht Dürer (German, 1471–1528). Praying Hands, 1508. Brush and gray wash heightened with white on blue prepared paper. 29.1 x 19.7 cm (11 1