The late 90s and early aughts were a banner time for a really specific type of rock band - the are-they-or-aren't-they a Christian band, band. Sixpence None the Richer. Creed. Evanescence. Lifehouse. Owl City. Paramore. They all had different sounds, but they left listeners wondering: are they - or aren't they - “Christian music?” This week on Rock that Doesn't Roll: does an artist who identifies as Christian have to brand their music as such? With insight from David Dark (author, We Become What We Normalize), hosts Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock & Roll to You) follow the story of Jon Foreman, a pastor’s kid from Carlsbad, California whose band Switchfoot created songs that resonated with youth group kids and climbed the Top 40 charts. Were they, or were they not, a Christian band? We explore efforts to rethink Christian music, and how mainstream superstars U2 led the way for bands like Switchfoot to wrestle with the marketing category of “Christian” - and find an enduring connection with their fans along the way.

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