In the Netflix series Ozark, Marty and Wendy appear to have a normal suburban life, but that’s all a front for their real job: laundering money for a Mexican drug cartel. As with the story, the sound in the show is working on multiple levels, and in this episode Sound Supervisor Nick Forshager and Mixer Larry Benjamin take us through constructing the sonic environments of riverboat casinos and basement dungeons, and talk about how to use sound design and music to relentlessly build tension until the shocking resolution of the final episode of season 3.

Larry Benjamin - Re-Recording Mixer
Nick Forshager - Supervising Sound Editor