How did Cold War money shape the musical avant-garde? What were the roles of experts, elites, and the Rockefeller Foundation in shaping the cultural politics of new music––in the era of serial tyranny and Milton Babbitt's "Who Cares If You Listen?" An interview with musicologists Michael Uy and Eduardo Herrera about their research on funding new music in the Sputnik moment, in both the U.S. and Latin America.Michael Uy is Allston Burr Resident Dean and Assistant Dean of Harvard College, Dunster House, and Lecturer on Music at Harvard. Eduardo Herrera is Associate Professor at Rutgers University and soon to join Indiana University as Associate Professor of Folklore and Ethnomusicology. Show notes and more over at soundexpertise.org!Questions? Thoughts? Share them with Will on Twitter @seatedovation