Discover this podcast and so much more

Podcasts are free to enjoy without a subscription. We also offer ebooks, audiobooks, and so much more for just $11.99/month.

Are Hollywood's Strikes A Remake Or A Sequel?

Are Hollywood's Strikes A Remake Or A Sequel?

FromHow To LA


Are Hollywood's Strikes A Remake Or A Sequel?

FromHow To LA

ratings:
Length:
18 minutes
Released:
Aug 1, 2023
Format:
Podcast episode

Description

#129: Today's dual strike of WGA & SAG-AFTRA bears a striking similarity to the last time both unions joined on the picket lines: 1960. In both contract disputes, the main concern for writers and actors revolved around emerging technologies. Where today's union members are concerned about streaming residuals and AI, their forebears were concerned about their movies being rebroadcast on TV. The major studios may have changed but, in both cases, workers are saying they are not receiving their fair share of the profits.
So today we're checking in with LAist's favorite history journalist, Hadley Meares, to talk about what we can learn from past strikes, and how 1960's echoes can still be felt today.
Check out Hadley's article on LAist.com: https://laist.com/news/arts-and-entertainment/how-the-sag-strike-of-1960-foreshadowed-hollywoods-current-battle
Music in this episode composed by: Mort Garson, indiegamemusic.com, Maston, Moon Mullins, Macabre Plaza, Mamman Sanni, Dexter Thomas, Woo
Released:
Aug 1, 2023
Format:
Podcast episode

Titles in the series (100)

How to L.A. aims to drop a little knowledge about ALL the things that affect the people of Los Angeles, whether that’s something that makes our city great (tacos!) or something that we need to work on, like the alarming number of traffic collisions. We serve the curious Angeleno who wants to better connect with our city, discover the new, navigate the confusing and even drive some change along the way.  Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.